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A memoir of growing up in a large, noisy household in New Jersey and the life lessons learned from an older brother who suffered through MS
This heartwarming picture book reassures children that a parent’s love never lets go—based on the poignant lyrics of JJ Heller’s beloved lullaby “Hand to Hold.” “May the living light inside you be the compass as you go / May you always know you have my hand to hold.” With delightful illustrations and an engaging rhyme scheme, this book offers the promise of security and love every child’s heart longs to know. From skipping stones and counting stars to climbing trees and telling stories, every moment is wrapped snugly in the certain warmth of a parent’s presence and God’s blessing. With poignancy and joy, this bedtime read captures the unconditional love parents want their children to know but so often fail to express amid the chaos of daily life.
Emmy-award winning gadfly Rowe presents a ridiculously entertaining, seriously fascinating collection of his favorite episodes from America's #1 short-form podcast, The Way I Heard It, along with a host of memories, ruminations, illustrations, and insights.
When Kay Lansing marries wealthy widower Peter Carrington, she is well aware of the rumours surrounding the mysterious death of Peter's first wife Grace, who was found floating in the family pool ten years ago, pregnant at the time. Kay also discovers that Peter is a chronic sleepwalker who suffers from periodic nightmares. When the police arrive at her doorstep with a warrant for Peter's arrest in connection with another murder - that of a woman Peter had escorted to a high school senior prom twenty-two years ago - Kay begins to fear that she has married a sleepwalking murderer, and she resolves to find out the truth behind the puzzling deaths. But are the two deaths linked? And why does a melody that Kay cannot identify keep playing in her head every time she approaches the family chapel?
Acclaimed poet and MacArthur Foundation Fellow, Lucia Perillo, a former park ranger who loved to hike the Cascade Mountains alone and prided herself on daring solo skis down the wild slopes of Mount Rainier, was diagnosed with multiple sclerosis when she was in her thirties. I've Heard the Vultures Singing is a clear-eyed and brazenly outspoken examination of her life as a person with disabilities. In unwavering and witty prose, and without a trace of self-pity, she contemplates the bitter ironies of being unable to walk, what it’s like to experience eros as a sick person, how to lower one’s expectations for a wilderness experience, and how to deal with the vagaries of a disease that has no predictable trajectory. Masterfully written, the essays resonate with lovers of literature and nature, and with anyone who has dealt with disadvantages of the body or the hard-luck limitations of ordinary life.
Whatever Touches Your Life 1983 By James Richard Langston Listen . . . hear the cricket, In the softness of the night, Stand quietly by a meadow, See the birds taking flight. Hear the whisper of a breeze, Blowing through trees of pine, Let whatever touches your life, Be in tune to touching mine. Touch the velvet of a rose, On an early summer’s day, Smell the sweet aroma, Of a field of new mown hay. Throw caution to the wild wind, Play it loose just one time, Let whatever touches your life, Be in tune to touching mine. Blink your eyes at the sun, As it sets behind the hill, Skip a rock across the pond, By the old rustic mill. Cheer your team on to victory, As it comes from behind. Let whatever touches your life, Be in tune to touching mine. Taste a frosty snowflake, As it falls upon your tongue, See a mother hen fret, As she hovers o’er her young. Stay in tune with mother nature, Give her reason, give her rhyme, Let whatever touches your life, Be in tune to touching mine.
"This colorful and dramatic saga is based on the classic film. A strong-willed Virginia farmer is trying to keep his family neutral as the Civil War rages. Union forces and the Confederates see things only in shades of Blue or Grey, so the family is inevitably swept up in the conflict, against all odds. Their story is a heartwarming and heart-rending portrayal of the upheaval that left wounds on the land and its people for generations to come."--Publisher.
(Book). As a keyboard musician, composer, arranger, music director, and record producer, Don Randi has thrilled music lovers for years, even if they weren't aware of it... until now. He played keyboards on over a thousand popular recordings and was a member of the remarkable "Wrecking Crew" of studio musicians during the explosive pop music era of the 1960s and early 1970s. Nancy Sinatra, the Beach Boys, the Jackson 5, Elvis Presley, Sammy Davis Jr., Neil Diamond, and Linda Ronstadt are among the many music greats Randi has worked with and writes about in You've Heard These Hands . For many years, only music industry insiders, close friends, and jazz fans who visit Randi's nightclub, the Baked Potato, have heard him tell some of the amazing, heartfelt, and hilarious personal stories in this collection. Now everyone can discover the in-studio, behind-the-scenes, and on-tour tales from the man whose hands we've heard playing on our favorite hit tunes. You've Heard These Hands will capture the attention and emotion of its readers, who won't be able to resist sharing Randi's stories with their friends.
To provide greater availability for a work of such importance, the original publishers secured from Gershwin a solo piano version wherein the orchestral parts are fused together with the solo piano part (PS0047). Due to concerns that the composer's arrangement presented too many technical demands to pianists not possessing the requisite technique, a modified arrangement was delicately solicited from pianists of the time. (Gershwin's untimely death precluded any modification from the composer himself.) Many attempts at technical modifications were rejected on ethical grounds until Herman Wasserman--who taught Gershwin to play the piano--submitted a manuscript which became this edition. Several prominent pianists who reviewed the score all attested to the amazing reduction in technical demands while retaining the clarity, sonority, and brilliance of the original. This edition is designed for Early Advanced pianists, although some sections, including the well-known Moderato middle section, are accessible to those performing at less-advanced levels.