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In this haunting and noirish novel by a leading author and critic, an Indian writer travels to Berlin and soon finds himself slipping into a fragmented, fuguelike state. An Indian writer has come to Berlin as a visiting professor. This is his second sojourn in the city, which seems strange, and also strangely familiar, to him. He is disoriented by its names, its immensity, and its history; he is worried that something may happen to him there. Faqrul, a friendly Bangladeshi poet living in exile, takes him up—then disappears. The visiting writer is increasingly adrift in a city that not long ago was two cities, each cut off from the other, much as the new unified city is cut off from the divided one of the past. It is the fall of 2005; every day it grows colder. The visitor is beginning to feel his middle age. To him, the new world of the twenty-first century, with its endless commodities from all over the place and no prospect of any sort of historical transformation, appears to exist in a state of amnesiac suspense. He gets involved with a woman, Birgit. He begins to miss his classes. He blacks out in the street. People are worried. “I’ve lost my bearings—not in the city; in its history,” he thinks. “The less sure I become of it, the more I know my way.” But does he? Amit Chaudhuri’s Sojourn is a dramatic and disconcerting work of fiction, a book about the present as it slips into the past, a picture of a city and of a troubled mind, a historical novel about an ostensibly post-historical time, a story of haunting. Here, as in his earlier work, Chaudhuri pries open fictional form to explore questions of public and private life in ways that are both bold and subtle.
"In 1786, the Scottish poet Robert Burns, penniless and needing to escape the consequences of his complicated love life, accepted the position of book-keeper on an estate in Jamaica. The success of his Poems chiefly in the Scottish Dialect made this escape unnecessary. Thus far is historical fact. In Andrew Lindsay's novel, Burns indeed goes to Jamaica and then to the Dutch colony of Demerara where, into the world of sugar and slavery, he brought his propensity for falling in love, his humanity and his urge to write poetry. In 1997 a small mahogany chest is found in a Wai Wai Amerindian village in Guyana. It contains Burns' journal from 1786 to 1796, when he died." "Andrew Lindsay's novel is a work of imaginative invention, poetic description and meticulous historical reconstruction. As a fellow Scot who has settled in Guyana, Lindsay brings an incomer's fresh eye to the Caribbean landscape and imaginative insights into how Burns as a man of his times might have responded to slavery. Not least, Illustrious Exile contains some brilliant versions of Burns' poems, as written in the Caribbean."--BOOK JACKET.
Shortlisted for the Rathbones Folio Prize • Winner of the 2021 Kate O'Brien Award • Winner of the 2021 Dalkey Emerging Writer Award Sinéad Hynes is a tough, driven, funny young property developer with a terrifying secret. No-one knows it: not her fellow patients in a failing hospital, and certainly not her family. She has confided only in Google and a shiny magpie. But she can't go on like this, tirelessly trying to outstrip her past and in mortal fear of her future. Across the ward, Margaret Rose is running her chaotic family from her rose-gold Nokia. In the neighbouring bed, Jane, rarely but piercingly lucid, is searching for a decent bra and for someone to listen. And Sinéad needs them both. As You Were is about intimate histories, institutional failures, the kindness of strangers, and the darkly present past of modern Ireland; about women's stories and women's struggles; about seizing the moment to be free. Wildly funny, desperately tragic, inventive and irrepressible, As You Were introduces a brilliant voice in Irish fiction with a book that is absolutely of our times.
Denise Levertov was born in England in 1923. She published her first book of poems in 1946 and moved to America in 1948. SANDS OF THE WELL, first published in hardcover in 1996, shows the poet at the height of her considerable powers, as she addresses the natural beauty of the Pacific Northwest coastal landscape in terms of music, memory, aging, doubt, and faith.
A Spiritual Sojourn is an autobiographical collection of poems based on the poet’s life experiences. It records incidents from the poet’s journey through childhood right up to her middle-age years—from being a sick child to becoming a healthy adult. She expresses her struggles, fears, dreams, visions, and her near-death experiences through her lucid poetry. Some of the poems are of a philosophical, spiritual, or devotional nature. Readers will certainly be able to relate to the poet as she relates how she overcomes obstacles and triumphs over the setbacks in her life.
A young woman's very real journey of self-discovery set in the Canadian wilderness.
Much of Brendan Kennelly's poetry gives voice to others and otherness. Whether through masks or personae, dramatic monologues or riddles, his poems inhabit other lives, other beings and other ways of being in the world. The riddling poems of "Reservoir Voices" add a further dimension to these explorations, inspired by an autumn sojourn in America where he would sit by the edge of a reservoir, trying to cope with loneliness by contemplating black swans, blue waves, seagulls, trees and rocks: 'It was in that state of fascinated dislocation, of almost mesmerized emptiness, that the voices came with suggestions, images, memories, delights, horrors, rhythms, insights and calm, irrefutable insistence that it was they who were speaking, not me. To surrender to loneliness is to admit new presences, new voices into that abject emptiness. So I wrote down what I heard the voices say and, at moments, sing.'
About the Contributor(s): Sigmund Mowinckel was Professor of Old Testament at the University of Oslo, Norway, and a towering figure among biblical scholars in the twentieth century. Among his numerous ground-breaking works available in English are The Psalms in Israel's Worship, He That Cometh, and The Spirit and the Word.
The Complete Works of Robert Browning: Poems, Plays, Letters & Biographies in One Edition is a seminal collection encompassing the diverse talents of the renowned Victorian poet Robert Browning. This comprehensive volume showcases Browning's masterful use of dramatic monologues, intricate narratives, and profound exploration of human psychology. The wealth of poems, plays, and letters included in this edition invites readers to delve into Browning's complex and intellectual style, which influenced the development of modern poetry and literature. The biographies provide valuable insight into Browning's life and the creative process behind his works. This collection is a must-read for anyone interested in Victorian literature and the evolution of poetic form. Robert Browning, a prolific poet of the Victorian era, was known for his innovative use of dramatic monologues and psychological depth. His works reflects the intellectual and social climate of his time, addressing themes of love, faith, and society with a keen eye for human psychology. Browning's unique style and narrative techniques have solidified his place as one of the most influential poets of the 19th century. I highly recommend The Complete Works of Robert Browning to readers who appreciate profound poetry, intricate narratives, and psychological insight. This collection offers a comprehensive look at Browning's oeuvre and provides a valuable perspective on Victorian literature and poetry.