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This book, for the first time instead of looking at Indian architecture from the point of view of dynasties, periods or religions, examines the various functions of Indian architecture and traces the various developments in the field beginning with the Indus Valley Civilization under the heads of settlement patterns, houses, residences, palaces, funerary monuments, and religious structures. Within settlement patterns, the author looks at rural and urban patterns and the linkages between the two. He explains regional and period-specific phenomena, while also quoting from ancient accounts of towns. The residences he looks at vary from the typical urban and rural houses to the Muslim aristocratic residence as also the palace. Funerary monuments form another important part of the study, and this section also looks at the differing social attitudes to ancestors. The author also looks at the religious structures like chaityas, monasteries, temples, mosques, and also the structural material u sed in an area or period. Based on extensive fieldwork, the author also documents family histories, lifestyles, usage of spaces to provide a comprehensive social history of Indian architecture.
A place of astonishing contrasts, India is home to some of the world’s most ancient architectures as well as some of its most modern. It was the focus of some of the most important works created by Le Corbusier and Louis Kahn, among other lesser-known masters, and it is regarded by many as one of the key sites of mid-twentieth century architectural design. As Peter Scriver and Amit Srivastava show in this book, however, India’s history of modern architecture began long before the nation’s independence as a modern state in 1947. Going back to the nineteenth century, Scriver and Srivastava look at the beginnings of modernism in colonial India and the ways that public works and patronage fostered new design practices that directly challenged the social order and values invested in the building traditions of the past. They then trace how India’s architecture embodies the dramatic shifts in Indian society and culture during the last century. Making sense of a broad range of sources, from private papers and photographic collections to the extensive records of the Indian Public Works Department, they provide the most rounded account of modern architecture in India that has yet been available.
This book explores conceptions of Indian architecture and how the historical buildings of the subcontinent have been conceived and described. Investigating the design philosophies of architects and styles of analysis by architectural historians, the book explores how systems of design and ideas about aesthetics have governed both the construction of buildings in India and their subsequent interpretation. How did the political directives of the British colonial period shape the manner in which pioneer archaeologists wrote the histories of India's buildings? How might such accounts conflict with indigenous ones, or with historical aesthetics? How might paintings of buildings by British and Indian artists suggest different ways of understanding their subjects? In what ways must we revise our conceptions of space and time to understand the narrative art which adorns India's most ancient monuments? These are among the questions addressed by the contributors to the volume.
This book looks at the relationship between culture and power expressed in architectural forms employed by the British in India. These buildings reflect the choices made by the British in their politics as imperial rulers.
For many people, Native American architecture calls to mind the wigwam, tipi, iglu, and pueblo. Yet the richly diverse building traditions of Native Americans encompass much more, including specific structures for sleeping, working, worshipping, meditating, playing, dancing, lounging, giving birth, decision-making, cleansing, storing and preparing food, caring for animals, and honoring the dead. In effect, the architecture covers all facets of Indian life. The collaboration between an architect and an anthropologist, Native American Architecture presents the first book-length, fully illustrated exploration of North American Indian architecture to appear in over a century. Peter Nabokov and Robert Easton together examine the building traditions of the major tribes in nine regional areas of the continent from the huge plank-house villages of the Northwest Coast to the moundbuilder towns and temples of the Southeast, to the Navajo hogans and adobe pueblos of the Southwest. Going beyond a traditional survey of buildings, the book offers a broad, clear view into the Native American world, revealing a new perspective on the interaction between their buildings and culture. Looking at Native American architecture as more than buildings, villages, and camps, Nabokov and Easton also focus on their use of space, their environment, their social mores, and their religious beliefs. Each chapter concludes with an account of traditional Indian building practices undergoing a revival or in danger today. The volume also includes a wealth of historical photographs and drawings (including sixteen pages of color illustrations), architectural renderings, and specially prepared interpretive diagrams which decode the sacred cosmology of the principal house types.
"This is an illustrated study of the architecture of post-1990 India, a period that marks the liberalization of the country's economy and reflects the contradictions, glamour and displacement wrought by globalization and rapid economic mobility. Showcasing a complex construct of disparate adjacencies in which bizarre forms of coexistence characterize the built environment, it brings to life, with vivid illustrations, a transformation in the construction of identities, which range from the pan-national to those more fluid in their expression. Hybridity and pluralism reign over singular identities, their architecture being the mirror of the socio-economic as well as the political fabric of a nation-state. Four distinct genres of architectural expression will be presented, and the proponents of each, supported by exceptional examples of their contemporary projects, introduced. Targeted at an international readership of academics, practising architects and students, the book will interest a vast audience of readers and collectors spanning multiple design disciplines as well as those who appreciate significant works on contemporary India."--Publisher's description.
Aims To Be An Introduction To The Subject And Focuses Attention On A Survey Of Districtive Elements Such As Technique, Material, Origin, Plan, Elevation, Roof, Tower, Exterior, Eating, Interior Etc Of The Examples Takes For Study. Has Five Chapters Introduction Stupa Architecture Rock Art Architecture, Hindu Temple Architecture-Resume. Drawings And Photography Explain The Structure Of Different Buildings. Should Inspire Students To Go Deep Into The Subject.
In Lucid Language That Speaks To Laymen And Architects Alike, This Book Provides A History Of Twentieth Century Architecture In India. It Examines In Detail The Early Influences On Indian Architecture Both Of Movements Like The Bauhaus As Well As Prominent Individuals Like Habib Rehman, Jawaharlal Nehru, Frank Lloyd Wright And Le Corbusier.
Cultural History Of India Has Been Divided Into Three Parts To Discuss Various Aspects Of Development Of Indian Culture. It Talks About How Religions Such As The Vedic Religion, Buddhism, Jainism, Saivism And Vaisnavism Aimed At Securing Social Harmony, Moral Upliftment, And Inculcated A Sense Of Duty In The Individual. The Development Of Indian Art And Architecture Was A Creative Effort To Project Symbols Of Divine Reality As Conceived And Understood By The Collective Consciousness Of The People As A Whole. The Book Also Focuses On Social Intuitions, Educational Systems And Economic Organisation In Ancient India. Finally, The Book Discusses The Dietary System Of Indians From Pre-Historic Times To C. 1200 A.D. The Basis For Inclusion Of Food And Drinks In The Book On Indian Culture Is That Ancient Indians Believed That Food Not Only Kept An Individual Healthy, But Was Also Responsible For His Mental Make Up.According To The Author, It Is Of Utmost Importance That The Present Generation Imbibe Those Elements Of Indian Culture Which Have Kept India Vital And Going Through Its Long And Continuous History .Cultural History Of India Is An Extremely Useful Journal On Indian History And Culture For All Readers, Both In India And Abroad. It Is Therefore A Must-Read For All Interested In Indias Proud Past, Which Forms The Eternal Bed-Rock Of Its Fateful Present And Glorious Future. It Is An Academic Book Very Useful For Student Of History Aspiring For I.A.S.
In this fascinating account of one of the least known parts of South Asia, Eaton recounts the history of the Deccan plateau in southern India from the fourteenth century to the rise of European colonialism. He does so, vividly, through the lives of eight Indians who lived at different times during this period, and who each represented something particular about the Deccan. In the first chapter, for example, the author describes the demise of the regional kingdom through the life of a maharaja. In the second, a Sufi sheikh illustrates Muslim piety and state authority. Other characters include a merchant, a general, a slave, a poet, a bandit and a female pawnbroker. Their stories are woven together into a rich narrative tapestry, which illumines the most important social processes of the Deccan across four centuries. This is a much-needed book by the most highly regarded scholar in the field.