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In Kansas, a poor couple decides to gain sympathy and cash by dropping their son down a mine shaft. Instead, their daughter falls and unlike the boy she is terrified of the dark. The family and town get rich from tourists, but one day she pays them back for her ordeal, using supernatural powers she acquired in the shaft.
Without jobs, without savings, without hope, the Wiley family has fallen on hard times. Until they hear the story of a little girl who slipped down an abandoned mine. Americans respond with prayers. And cash. Now the Wileys hatch their own desperate plan. But something goes terribly wrong, as their precious daughter Andromeda--scared of shadows, monsters, and most of all, the dark--falls into the darkest place of all. Years later, she returns home, all grown up and recovered from the incident that made her famous. Beautiful, alluring, Andromeda is coming back to the town where it began. To share with everyone the secrets of a small, dark place--and to show them the evil they have made. . . .
Paul Wood can’t believe it. While hiking in the Himalayas he comes upon a fellow trekker, sitting against an abandoned Nepalese building—his skull crushed, and for good measure, a pair of Swiss Army knives plunged into his eyes.But the real horror of this scene is that Paul has been here before. Laura, his girlfriend, dead on the beach in Cameroon, her eyes horribly mutilated. In a debut novel that travels deep into the little known culture of young backpackers searching for their next hit of adventure, writer and world traveler Jon Evans has created a memorable twenty-something hero whose high-altitude smarts and high-tech Internet savvy propel him to solve a terrible crime. An irresistible, action-packed read that begs for a sequel—and a movie—Dark Places is the ideal summer travel destination: you’ll never want to leave.
“Olsen will scare you—and you’ll love it.” —Lee Child In a secluded farm house in the Pacific Northwest, a family has been slaughtered—and a teenage son has disappeared. Single mother and cop Emily Kenyon spearheads a dark hunt for a killer. But Emily’s teenage daughter Jenna is one step ahead of her. Then another family is butchered, and another. As Emily fits the puzzle pieces together, she makes a chilling discovery: the killer is coming after her and her daughter . . . Praise for Gregg Olsen’s thrillers “Grabs you by the throat.” —Kay Hooper “OLSEN WRITES RAPID-FIRE PAGE-TURNERS.” —TheSeattle Times “FRIGHTENING . . . A NAIL-BITER.” —Suspense Magazine “A WORK OF DARK, GRIPPING SUSPENSE.” —Anne Frasier
From the #1 New York Times bestselling author of Gone Girl, and the basis for the major motion picture starring Charlize Theron Libby Day was seven when her mother and two sisters were murdered in “The Satan Sacrifice of Kinnakee, Kansas.” She survived—and famously testified that her fifteen-year-old brother, Ben, was the killer. Twenty-five years later, the Kill Club—a secret society obsessed with notorious crimes—locates Libby and pumps her for details. They hope to discover proof that may free Ben. Libby hopes to turn a profit off her tragic history: She’ll reconnect with the players from that night and report her findings to the club—for a fee. As Libby’s search takes her from shabby Missouri strip clubs to abandoned Oklahoma tourist towns, the unimaginable truth emerges, and Libby finds herself right back where she started—on the run from a killer.
America's greatest crime writer investigates his mother's murder. On 21 June 1958, Geneva Hilliker Ellroy left her home in California. She was found strangled the next day. Her ten year-old son James had been with her estranged husband all weekend and was informed of her death on his return. Her murderer was never found, but her death had an enduring effect on her son - he spent his teens and early adult years as a wino, petty burglar and derelict. Only later, through his obsession with crime fiction, triggered by his mother's murder, did Ellroy begin to delve into his past. Shortly after the publication of his groundbreaking novel WHITE JAZZ, he determined to return to Los Angeles and, with the help of veteran detective Bill Stoner, attempt to solve the 38-year-old killing. The result is one of the few classics of crime non-fiction and autobiography to appear in the last few decades; a hypnotic trip to America's underbelly and one man's tortured soul.
Dark Tourism, including visitation to places such as murder sites, battlefields and cemeteries is a growing phenomenon, as well as an emergent area of scholarly interest. Despite this interest, the intersecting domains of dark tourism and place identity have been largely overlooked in the academic literature and this book aims to fill this void. The three main themes of Visitor Motivation, Destination Management and Place Interpretation are addressed in this book from both a demand and supply perspective by examining a variety of case studies from around the world. This edited volume takes the dark tourism discussion to another level by reinforcing the critical intersecting domains of dark tourism and place identity and, in particular, highlighting the importance of understanding this connection for visitors and destination managers. Written by leading academics in the area, this stimulating volume of 19 chapters will be valuable reading for postgraduate and advanced undergraduate students in a range of discipline areas; researchers and academics interested in dark tourism; and, other interested stakeholders including those in the tourism industry, government bodies and community groups.
“Among the most masterful storytellers alive today” (Gene Luen Yang), “few creators mine the pathos of a dark midcentury childhood like Small” (Washington Post). Since the publication of Stitches a decade ago, David Small has emerged as one of the seminal authors in the genre of graphic literature. Here, in Home After Dark, a Boston Globe Best Book of 2018, Small provides a “painfully honest” and “haunting work of unfolding surprise” (Jules Feiffer) that renders the brutality of adolescence in the 1950s. Through “gorgeous and expressive drawings” (Roz Chast), Small “recaptures the inchoate chaos of youth” (Jack Gantos), telling the story of thirteen- year- old Russell Pruitt, who, abandoned by his mother, follows his father to the sun- splashed land of California in search of a dream. Suddenly forced to fend for himself, Russell struggles to survive in Marshfield, a dilapidated town haunted by a sadistic animal killer and a ring of malicious boys. Eerily foreboding yet filled with uncanny psychological insights and stray glimmers of hope, Home After Dark confirms Small’s place as a modern master of graphic fiction.
A dark, gritty police procedural -- the first in the Detective Inspector Frank Keane series. On a freezing October morning, Detective Inspector Frank Keane is called to the scene of a crime on Liverpool's shoreline.The body of what looks like a man, brutally tortured and burned, has been tied to a pole on the beach. With very little evidence to go on, Keane and his partner, DS Emily Harris, rely on their gut feeling that this murder is gang-related and their investigation takes them, once again, into the murky underworld of organised crime. Over in Australia, ex-Liverpool Police detective Menno Koopman -- Frank's former boss -- is enjoying his retirement. He has no plans to ever return to England but when the body on the beach turns out to be his son, Stevie -- whom he only ever met once as a baby -- he knows he has to go back and seek justice for his horrific murder. But there's a fine line between justice and revenge.