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Chris Cook lifts the lid on the 'third Party;' charting their fascinating journey over the last century, from the landslide victory of 1906 under Asquith, via their descent into divisions and decline in the interwar years, to in-depth analysis of the 2010 British Election and their return to Government in the Conservative-Lib Dem coalition.
In The Big Red Machine, astute Liberal observer Stephen Clarkson tells the story of the Liberal Party's performance in the last nine elections, providing essential historical context for each and offering incisive, behind-the-scenes detail about how the party has planned, changed, and executed its successful electoral strategies. Arguing that the Liberal Party has opportunistically straddled the political centre since Sir John A. Macdonald -- leaning left or moving right and as circumstances required -- Clarkson also shows that the party's grip on power is becoming increasingly uncertain, having lost its appeal not just in the West, but now in Qu�bec. Its campaigns now reflect the splintering of the party system and the integration of Canada into the global economy.
The first in-depth assessment of ‘re-vision’ as a phenomenon in women’s drama, examining the diverse ways in which classical myth narratives have been reworked by women playwrights for the European stage. This study explores the ideological and aesthetic potential of such practice and silmultaneously exposes the tensions inherent in attempts to challenge narratives that have fundamentally shaped western thought. From tracing the persistence of classical myths in contemporary culture and the significance of this in shaping gendered identities and opportunities, through to analysis of individual plays and productions, Babbage reveals how myths have served in the theatre as ‘pretexts’ for ideological debate; enabling exploration of the fragile borders between mythic and the everyday and how revision has been regarded, not unproblematically, as a route towards restructuring the self. This makes compelling reading for anyone interested in women’s writing for the theatre or wider practices of adaptation in literature and performance.
Labour's fourth successive electoral defeat in 1992 rekindled the muffled controversy over its future.
The most comprehensive bibliography of printed books, articles, and standard texts on twentieth-century England.
This comprehensive and versatile reference source will be a most important tool for anyone wishing to seek out information on virtually any aspect of British affairs, life and culture. The resources of a detailed bibliography, directory and journals listing are combined in this single volume, forming a unique guide to a multitude of diverse topics - British politics, government, society, literature, thought, arts, economics, history and geography. Academic subjects as taught in British colleges and universities are covered, with extensive reading lists of books and journals and sources of information for each discipline, making this an invaluable manual.
This is an analysis of the changing pressures and demands placed on party systems in 11 countries in Western Europe since 1945. This book includes studies of the party system in Britain, France, Italy and Germany, as well as studies of Spain, Portugal, Ireland, Sweden, Austria, Belgium and the Netherlands. Five major themes are examined in each chapter. First, the broad development of the party system is accompanied by a discussion of how different party system typologies have been applied to each country. Secondly, a detailed discussion of the historical background to party system developments is provided, dealing with the main divisions derived from the typology of Lipset and Rokkan. Thirdly, the most important contextual variables are considered in terms of the "electoral environment" within which the party system operates. Next, consideration is given to the degree of "unfreezing" of the party system since 1945 and the changing balance between stability and change. Finally, major questions of change and adaptation are examined, updating the text.