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How can we attempt to understand the experience of those involved in ancient battles, sieges and campaigns? What was the visual impact of seeing the massed ranks of the enemy approaching or the sky darkened with their arrows? How did it feel to be trapped in the press of bodies as phalanxes clashed shield to shield? What of the taste of dust on the march or the smell of split blood and entrails? What of the rumble of approaching cavalry, the clash of iron weapons and the screams of the dying? The assault on all five senses which must have occurred is the subject of this innovative book. Sensory history is a new approach that attempts to understand the full spectrum of the experience of the participants in history. Conor Whately is the first to apply the discipline in a dedicated study of warfare in the classical world. He draws on literary, archaeological, reconstructive and comparative evidence to understand the human experience of the ancient battlefield in unprecedented depth.
How can we attempt to understand the experience of those involved in ancient battles, sieges and campaigns? What was the visual impact of seeing the massed ranks of the enemy approaching or the sky darkened with their arrows? How did it feel to be trapped in the press of bodies as phalanxes clashed shield to shield? What of the taste of dust on the march or the smell of split blood and entrails? What of the rumble of approaching cavalry, the clash of iron weapons and the screams of the dying? The assault on all five senses which must have occurred is the subject of this innovative book. Sensory history is a new approach that attempts to understand the full spectrum of the experience of the participants in history. Conor Whately is the first to apply the discipline in a dedicated study of warfare in the classical world. He draws on literary, archaeological, reconstructive and comparative evidence to understand the human experience of the ancient battlefield in unprecedented depth.
This unique full-length English biography of Varus reassesses how he has been held responsible for one of the most infamous and humiliating defeats in Roman history. Publius Quinctilius Varus is famous as the incompetent commander duped into an ambush that wiped out three legions in one of the most humiliating defeats in Roman history. Yet this is the first full length biography of the man. Dr Joanne Ball revisits the ancient sources alongside the most recent archaeological evidence from the Teutoburg battlefield in Germany, where she has been personally involved in excavations. The result is a fresh, detailed new analysis of this significant battle and a reappraisal of the Roman commander. Examination of his earlier career reveals that Varus, who had married into the Imperial family, was an experienced and competent, if harsh and ruthless, governor and general. He had served in Africa and put down rebellions in Syria and Judaea before being posted to Germany. Dr Ball sets his German command in the context of wider events, explaining the weakness of the Roman position there and the necessary reliance on auxiliary forces. Although Varus was clearly fooled by Arminius, the former Roman auxiliary who masterminded the Teutoburg battle in AD 9, she questions the extent of Varus’ culpability and asks whether he was scapegoated by Roman historians to deflect blame away from the Emperor.
A fascinating, lavishly illustrated account, aimed at a non-specialist audience, of the excavation of over 500 burials unexpectedly discovered during development work associated with the First Baptist Church in Philadelphia. In 2016, construction workers in Philadelphia unexpectedly uncovered a long forgotten burial ground. Archaeologists quickly discovered this was the location of the burial ground of the First Baptist Church of Philadelphia, used as early as 1722. It was thought to have been exhumed and moved in 1859. Months of excavations revealed almost 500 individual burials still remained. This book shares the complex story of the discovery and excavations. It provides backgrounds of the church, Philadelphia, and the religious climate of the time to give context to the thousands of artifacts that were discovered and are presented in their entirety. The numerous coffin handles and plaques link directly back to English production and are embedded with powerful mortuary symbols. Highlighting cultural exchange between colonial America and England, Artifacts of Mourning provides an important record of 18th- and 19th-century funerary culture.
Ammianus Marcellinus was a soldier and an author. This book explores how his experience of 4th-century military life affected his writing of history and conversely how his knowledge of literature influenced his writing about the Roman army.
Follows the military lives of three soldiers across the Roman world, providing interesting, historical insight into the Roman military from the late republic to the end of antiquity in the west This book introduces readers to three historical Roman soldiers—Titus Pullo from the late republic, Aurelius Polion from the high imperial era, and Flavius Aemilianus from late antiquity. The three men inspire the themes and chronological organization of the text. Drawing on a wide and diverse body of evidence, the author charts their lives from enlistment to death or retirement, allowing students to envision the life of a Roman soldier who is on duty or experiencing adventures across the Roman world. An Introduction to the Roman Military: From Marius (100 BCE) to Theodosius II (450 CE) starts with a historical overview before introducing readers to the Roman soldier. It covers such things as the military hierarchy, soldierly origins, recruitment and training, and the soldier's appearance and identity. The next section looks at the Roman military during war—its environment, strategies, campaigns, and enemies. Their existence during times of peace follows that and focuses on how soldiers celebrated victory, mourned defeat, and readjusted to civilian life after a war. The book also features a timeline for readers to follow, as well as two glossaries—one filled with Roman military terms and the other with important names and events. Authentically captures the experiences of Roman soldiers Educates undergraduate or graduate students on Roman military history Describes Roman soldiers based on legal, epigraphic, and archaeological evidence Emphasizes the human side of the Roman military Moves through three Roman historical periods—the late republic, high imperial, and late antiquity An Introduction to the Roman Military is an engaging choice as a text for specific courses on the Roman military or army. It is also suitable for more general courses covering ancient warfare. In addition to university students, researchers and history enthusiasts will have the opportunity to follow the military lives of three Roman soldiers with this unique book.
The longest political conflict of the twentieth century, the Cold War, was carried out on the human senses—and through them. Largely conducted through nonlethal methods, it was a war of competing cultures, politics, and covert operations. While propaganda reached targets through vision and hearing, sensory warfare also exploited taste, touch, smell, and pain. This volume is the first to explore the sensory aspect of the Cold War and how this warfare changed contemporary perception of the war. The authors highlight the global dimension of sensory warfare, examining battlegrounds around the world and across different phases of the conflict, including “cold” and “hot” warfare—both covert and overt. Case studies highlight the role of taste in Western food deliveries to Eastern Europe; olfaction in Poland, at the Iron Curtain, and in the Vietnam War; sonic warfare in Berlin, in Romania, and at the China-Taiwan “aquatic frontier”; vision in the Maoist Cultural Revolution, Spain, and the Soviet-Afghan war; haptics in the German military; and drugs, pain, and sensory deprivation in intelligence operations in both Hungary and the United States. In its wide-ranging treatment, this volume offers an illuminating new perspective on the Cold War and deepens our understanding of the sensory aspects of current and future conflicts. Sensory Warfare in the Global Cold War will be of interest to students and scholars of sensory studies, Cold War studies, twentieth-century history, and military history. In addition to the editor, the contributors to this volume include Cyril Cordoba, Mark Fenemore, Walter E. Grunden, Dayton Lekner, José Manuel López Torán, Markus Mirschel, Victoria Phillips, Carsten Richter, Andreea Deciu Ritivoi, Christy Spackman, and Stephanie Weismann.
Greek and Roman warfare differed from other cultures and was unlike any other forms of warfare before and after. The key difference is often held to be that the Greeks and Romans practised a 'Western Way of War', where the aim is an open, decisive battle, won by courage instilled in part by discipline. Harry Sidebottom looks at how and why this 'Western Way of War' was constructed and maintained by the Greeks and Romans, why this concept is so popular and prevalent today, and at whether or not this is an accurate interpretation. All aspects of ancient warfare are thoroughly examined - from philosophy and strategy to the technical skills needed to fight. He looks at war in the wider context - how wars could shape classical society, and how the individual's identity could be constructed by war, for example the Christian soldier fighting in God's name. He also explores the ways in which ancient society thought about conflict: Can a war be just? Why was siege warfare particularly bloody? What role did divine intervention play in the outcome of a battle? Taking fascinating examples from the Iliad, Tacitus, and the Persian Wars, Sidebottom uses arresting anecdotes and striking visual images to show that the any understanding of ancient war is an ongoing process of interpretation. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
This volume demonstrates the wide array of topics in ancient warfare currently studied by researchers around the world. Arranged chronologically in Greek and Roman history sections, the book takes readers through all manner of current research topics on ancient warfare, from traditional battle narratives or strategic analyses of campaigns, through the logistical considerations of armies in the field, to the ideology of women in war and mythology. The study of ancient war deals with a myriad of different topics and deals with themes in all types of history: social, cultural, economic, religious, literary, numismatical, epigraphical, ethnographical, topographical, prosopographical, and mythical, as well as the usual political and military. The study of ancient war is a field that is growing in popularity and continues to surprise us with many innovative new ideas, as shown in this collection of papers by established academics and current graduate students.
A Sensory History Manifesto is a brief and timely meditation on the state of the field. It invites historians who are unfamiliar with sensory history to adopt some of its insights and practices, and it urges current practitioners to think in new ways about writing histories of the senses. Starting from the premise that the sensorium is a historical formation, Mark M. Smith traces the origins of historical work on the senses long before the emergence of the field now called “sensory history,” interrogating, exploring, and in some cases recovering pioneering work on the topic. Smith argues that we are at an important moment in the writing of the history of the senses, and he explains the potential that this field holds for the study of history generally. In addition to highlighting the strengths of current work in sensory history, Smith also identifies some of its shortcomings. If sensory history provides historians of all persuasions, times, and places a useful and incisive way to write about the past, it also challenges current practitioners to think more carefully about the historicity of the senses and the desirability—even the urgency—of engaged and sustained debate among themselves. In this way, A Sensory History Manifesto invites scholars to think about how their field needs to evolve if the real interpretive dividends of sensory history are to be realized. Concise and convincing, A Sensory History Manifesto is a must-read for historians of all specializations.