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Like sounds of beautiful music, worship can renew us for God’s glory and our good by the invigorating power of God’s reverberating Word. It is God’s story that redeems all our stories. We want to tell it again and again as best we can, clearly conveying its message, meaning, richness, claim, and call. Through its every facet and component, worship that is biblically expositional can heighten how we proclaim God’s story, faithfully and creatively pointing to the One who alone offers us true identity, security, and destiny. “If you seek me you will find me, if you search with all your heart,” declares the Lord. With the ancient prophets and apostles we must repeat and repeat and repeat the most wonderful truth that God wants to be found. In Christian worship such tremendous and tender encounter is available to us as nowhere else.
First Published in 2005. Routledge is an imprint of Taylor & Francis, an informa company.
The complete four-volume set includes major essays and relevant discussions of the musical forms in The Hymnal 1982 which cover such topics as popular religious song, cultural diversity, the relationship between The Hymnal 1982 and the liturgies of The Book of Common Prayer, the development of service music in the Episcopal Church, hymn forms, and a brief history of Christian hymnody in the United States and Britain. In addition, complete information is given on all hymns and service music which includes the sources of text and music as well as biographical and technical facts. (2,949 pp)
A classified annotated bibliographical guide to over 700 theological reference works designed to serve as both a textbook for the study of such tools and as an aid to their location when doing theological research. Substantially revised from the second edition of 1981. Annotation copyrighted by Book News, Inc., Portland, OR
This fully updated second edition is a selective annotated bibliography of all relevant published resources relating to church and worship music in the United States. Over the past decade, there has been a growth of literature covering everything from traditional subject matter such as the organ works of J.S. Bach to newer areas of inquiry including folk hymnology, women and African-American composers, music as a spiritual healer, to the music of Mormon, Shaker, Moravian, and other smaller sects. With multiple indices, this book will serve as an excellent tool for librarians, researchers, and scholars sorting through the massive amount of material in the field.
Despite the world-wide association of music and dance with religion, this is the first full-length study of the subject from a global perspective. The work consists of 3,816 references divided among 37 chapters. It covers tribal, regional, and global religions and such subjects as shamanism, liturgical dance, healing, and the relationship of music, mathematics, and mysticism. The referenced materials display such diverse approaches as analysis of music and dance, description of context, direct experience, observation, and speculation. The references address topics from such disciplines as sociology, anthropology, history, linguistics, musicology, ethnomusicology, theology, medicine, semiotics, and computer technology. Chapter 1 consists of general references to religious music and dance. The remaining 36 chapters are organized according to major geographical areas. Most chapters begin with general reference works and bibliographies, then continue with topics specific to the region or religion. This book will be of use to anyone with an interest in music, dance, religion, or culture.
The purpose and scope of this bibliography is to survey the literature concerning church music, primarily in publications from 1980 to the present, while including materials that have been published and serve as primary resources earlier than that. The emphasis is on Protestant church music, largely those published in the English language. The selected lists include over 700 titles, and contain citations with annotations of reference works and bibliographies. The annotations offer an indication of the scope, content, and special features of each work. This study will fill the research and reference needs of music students, scholars, and church musicians, as well as providing research and college libraries with a reference for building their church music collections.
Clergy, worship or music committees, organists, and choir or music directors will find this a practical and invaluable guide to the role and power of music to express and form faith. Clark researched twenty-four Episcopal and United Methodist congregations to discover how churchgoers express their faith through music. Discover how music can either enhance or detract from tradition and faith experience. Explore how it can shape your congregation's character.