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This full color catalog details the State of the Art 2020 exhibition at Crystal Bridges Museum of American Art and the Momentary in Bentonville, Arkansas from February 22 through May 24, 2020.
This work surveys Edwin Dickinson's life and career, both of which revolved around Cape Cod, Buffalo, and New York's Finger Lakes region. It covers the artist's influential career as a teacher, and analyzes Dickinson's self-portraits and major symbolic paintings.
A neighborhood-by-neighborhood tour of the Cornhusker State’s capital city by an author who “is a wealth of Nebraska knowledge” (Oh My! Omaha). Dramatic change accompanied Lincoln’s growth from a village of 30 settlers to a city of 300,000. Today, Lincoln retains the residue of its fascinating past for those who know where to look. Tour Lincoln’s storied heritage by charting the arrival of the university, penitentiary, asylum and railroads. Learn how the early churches still anchor the community. Discover the five towns that later merged into Lincoln. Visualize the artwork that best reflects Lincoln—both the person and city. Locate where Lindbergh learned to fly. Revisit the downtown Lincoln scene of what was once the largest bank robbery in the United States. Picture the once thriving Capitol Beach Amusement Park. Explore Nebraska’s capital city in the expert company of Gretchen M. Garrison.
HEY KIDS! COMICS! takes its cue from nearly a century of turbulence and triumph, despair and drama in the comics racket. Artists and writers, con men and clowns, ganefs and gangsters create the foundations of today's biggest entertainment businessÑor at least the tail that wags the dog. Some of it really happened, and the names have been changed to protect the innocent and guilty Éalthough in the end, everyone was guilty of something. Collects HEY KIDS! COMICS! #1-5
Founded in 1869, the University of Nebraska was given the awesome responsibility of educating a new state barely connected by roads and rail lines. Established as a comprehensive university, uniting the arts and sciences, commerce and agriculture, and open to all regardless of "age, sex, color, or nationality," it has as its motto Literis dedicata et omnibus artibus--dedicated to letters and all the arts. The University at first was confined to four city blocks and didn't have a building until 1871. Cows grazed the campus. But soon the high aspirations of the state began to be realized. Nebraska boasted the first department of psychology west of the Mississippi River, and its faculty included national prominent scholars like botanist Charles Bessey and linguist A. H. Edgren (later a member of the Nobel Commission). Willa Cather, Roscoe Pound, Mari Sandoz, and Louise Pound ranked among its early graduates. And it developed a reputation for excellence in collegiate athletics. Written by a beloved member of the faculty, this history shows both why Robert E. Knoll is so devoted to the University as well as the tests such devotion must endure. Its history is hardly one of placid growth and unimpeded progress. Its regents, administration, faculty, and students have periodically fought one another: sometimes over matters as crucial as the University's purpose, shape, and destination. More often, battles waged over personalities. It is to these personalities that Knoll directs most of his attention. The author focuses on the men and women who made a difference, for good or ill. He locates the University's place in the changing intellectual and academic context of the United States and charts its passage through hard times and prosperity. He notes the contributions of the University to Nebraska, from the early experiments in sugar beet cultivation to the national fame of its football team. Most important, its education of generations of Nebraskans has lifted state goals and achievement, and its outreach has made the University an international community.
The Sheldon Memorial Art Gallery houses one of the most highly regarded collections of twentieth-century American art anywhere, including paintings by Edward Hopper, Georgia O'Keeffe, Mark Rothko, Willem de Kooning, Marsden Hartley, Robert Motherwell, Robert Henri, Grant Wood, Frank Stella, and many more internationally renowned artists. Calling the Sheldon collection "exemplary," the art historian and critic Barbara Rose notes: "Because the collection does not reflect fashion, the misguided inspiration of much art collecting today, but is rather an effort of connoisseurship, and informed by an art historical viewpoint, it is certain to remain as durable and exciting tomorrow as it is today." The American Painting Collection of the Sheldon Memorial Art Gallery offers for the first time a full description of the collection, now numbering more than one thousand works, that has been nearly a century in the making. The first part of the book presents full-color reproductions of 101 of the most noteworthy paintings in the collection, each accompanied by a brief discussion of the artist and his or her work. The second part, or catalog, consists of a complete inventory of the collection, including for each painting its physical description, provenance, exhibition history, and publication history, as well as a black and white reproduction. Publication of the book coincides with a year-long celebration of the centennial of the Nebraska Art Association, the Sheldon Gallery's support group and one of the oldest continuous arts organizations in the country.