Download Free A Selection Of Emblems From Herman Hugo Pia Desideria Book in PDF and EPUB Free Download. You can read online A Selection Of Emblems From Herman Hugo Pia Desideria and write the review.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The thirteen articles in this volume deal with the Neo-Latin emblem book after the birth of the genre with Andrea Alciato's Emblematum libellus (1531). While the interest in emblematics has grown considerably during the last decades, the seminal Neo-Latin production has received relatively little attention. In Mundus Emblematicus an international team of experts in the field makes this part of the emblem tradition accessible to a broad scholarly audience. The articles cover a variety of emblem books published at the time, ranging from influential humanist collections (for instance those by Achille Bocchi, Hadrianus Junius, or Joachim Camerarius) to alchemist (Michael Maier) or religious emblems (such as the books of the Calvinist Theodere de Beze, or the Jesuit Herman Hugo). In each paper subjects dealt with include the historical context of the work and its makers, the relation between word and image, the structure of the collection as a whole, and the emblematic game (intertextuality in word and image). Moreover, several articles explore the interaction between the emblem and connected literary phenomena, like the commonplace-book, the fable or the use of commentaries. All papers are in English and all examples from Latin texts are translated. Together, these articles show the variety within the Neo-Latin emblem production, thus challenging traditional approaches of the emblem. As such Mundus Emblematicus contributes towards a more comprehensive view of the forms and functions of the genre as a whole.
The art of the emblem is a pan-European phenomenon which developed in Western and Central Europe in the early modern period. It adopted meanings and motifs from Antiquity and the Middle Ages as part of a general humanistic impulse. Technological developments in printing that permitted the combination of letterpress with woodblock, and later copperplate, images, ensured that the emblem spread rapidly by way of printed collections. With time, emblematic ideas moved beyond Europe, conveying their insights and wisdom in the compact form of the book. These same books came to influence artists and designers working in the decoration of buildings, furniture, and household items, so that emblems entered personal life; they infiltrated festive culture, too. In such environments beyond the book, emblems were transported, adapted, and embedded in new functional contexts shaped by social, political, or religious conditions, but also by architectonical and regional art historical parameters. The results of these transformations are often of an intricate and complex meaning. The combination of word and image that constitutes the emblem still has resonance in contemporary art and architecture. The study of emblems allows us to look back at the collaborative endeavours of creative minds of earlier times from across Europe and beyond. At a time when that continent is under strain, and the world in general seeks to come to terms with globalization, emblems allow reflection on strongly shared cultural values and connections.
In this book, Heather McAlpine argues that emblematic strategies play a more central role in Pre-Raphaelite poetics than has been acknowledged, and that reading Pre-Raphaelite works with an awareness of these strategies permits a new understanding of the movement’s engagements with ontology, religion, representation, and politics. The emblem is a discursive practice that promises to stabilize language in the face of doubt, making it especially interesting as a site of conflicting responses to Victorian crises of representation. Through analyses of works by the Pre-Raphaelite Brotherhood, Christina Rossetti, Dante Gabriel Rossetti, Gerard Manley Hopkins, A.C. Swinburne, and William Morris, Emblematic Strategies examines the Pre-Raphaelite movement’s common goal of conveying “truth” while highlighting differences in its adherents’ approaches to that task.