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A Sea of Misadventures examines more than one hundred documented shipwreck narratives from the seventeenth to the nineteenth century as a means to understanding gender, status, and religion in the history of early America. Though it includes all the drama and intrigue afforded by maritime disasters, the book's significance lies in its investigation of how the trauma of shipwreck affected American values and behavior. Through stories of death and devastation, Amy Mitchell-Cook examines issues of hierarchy, race, and gender when the sphere of social action is shrunken to the dimensions of a lifeboat or deserted shore. Rather than debate the veracity of shipwreck tales, Mitchell-Cook provides a cultural and social analysis that places maritime disasters within the broader context of North American society. She answers questions that include who survived and why, how did gender or status affect survival rates, and how did survivors relate their stories to interested but unaffected audiences? Mitchell-Cook observes that, in creating a sense of order out of chaotic events, the narratives reassured audiences that anarchy did not rule the waves, even when desperate survivors resorted to cannibalism. Some of the accounts she studies are legal documents required by insurance companies, while others have been a form of prescriptive literature—guides that taught survivors how to act and be remembered with honor. In essence, shipwreck revealed some of the traits that defined what it meant to be Anglo-American. In an elaboration of some of the themes, Mitchell-Cook compares American narratives with Portuguese narratives to reveal the power of divergent cultural norms to shape so basic an event as a shipwreck.
A Sea of Misadventures examines more than one hundred documented shipwreck narratives from the seventeenth to the nineteenth century as a means to understanding gender, status, and religion in the history of early America. Though it includes all the drama and intrigue afforded by maritime disasters, the book s significance lies in its investigation of how the trauma of shipwreck affected American values and behavior. Through stories of death and devastation, Amy Mitchell-Cook examines issues of hierarchy, race, and gender when the sphere of social action is shrunken to the dimensions of a lifeboat or deserted shore. Rather than debate the veracity of shipwreck tales, Mitchell-Cook provides a cultural and social analysis that places maritime disasters within the broader context of North American society. She answers questions that include who survived and why, how did gender or status affect survival rates, and how did survivors relate their stories to interested but unaffected audiences? Mitchell-Cook observes that, in creating a sense of order out of chaotic events, the narratives reassured audiences that anarchy did not rule the waves, even when desperate survivors resorted to cannibalism. Some of the accounts she studies are legal documents required by insurance companies, while others have been a form of prescriptive literature guides that taught survivors how to act and be remembered with honor. In essence, shipwreck revealed some of the traits that defined what it meant to be Anglo-American. In an elaboration of some of the themes, Mitchell-Cook compares American narratives with Portuguese narratives to reveal the power of divergent cultural norms to shape so basic an event as a shipwreck."
The Sea Is Not Full is an eclectic personal sailing narrative that mixes accounts of two dramatic boat abandonments and a cruise up a West African river with practical advice on learning to sail, navigation, heavy weather tactics, and other topics. Also included are philosophical essays on ocean sailing and human evolution and theology, plus profiles of individuals the author has sailed with, including notable sailing personalities like Don Street and Jimmy Cornell.
In the first installment of the Misadventures Trilogy, hapless history teacher Martin Hathaway falls through Space and Time to land upon Airship Captain Daisy Fitzgerald McNamara's coffee table and into the middle of an adventure larger than he could ever dream. Martin Hathaway awakens to discover that he is the center of a battle between the Free People of the Lost Valley and the Clockwork Men of Anatamenwar. Together with the eccentric crew of the A.S. Nephthys, Martin must explore the world of Arnica to discover his origins and ultimate destiny, all while reminding himself not to fall in love with the beautiful but deadly Captain McNamara. His journey is a lighthearted, humorous romp through time-honored fantasy conventions, proving that nothing, drama included, should be taken too seriously.
The Sunday Times Children's Book of the Year. Children's Book of the Week in both the Times and Guardian. The Misadventures of Frederick is a funny, joyful story about friendship and the delights of outdoor adventures (even for the accident-prone) – wonderfully written by the talented Ben Manley and beautifully illustrated by Emma Chichester Clark, creator of Plumdog and Blue Kangaroo. In a mansion surrounded by lakes and forests, Frederick is bored. He leads a very sheltered life: and when Emily invites him to play outside he has no choice but to refuse – what if he hurts himself? Much better to stay safely indoors. But Emily is not one to take no for an answer . . . A series of brilliantly funny and evocative letters between Frederick and Emily tell this unique story which weaves together the colourful, adventurous world of Emily with Frederick's drab life of boredom and safety.
The true story of a young couple who quit their jobs and set sail for a year on the ocean with no boating experienceAmy and Jimmie were not sailors and their experience on the seas included reading a few books, watching a couple of instructional videos, and boating once a week each year. They were middle-class land-lubbers, audacious and in love, and all they wanted was to be together and do something extraordinary. The Box Wine Sailors tells the true story of a couple's ramshackle trip down the coast with all the exulting highs and terrifying lows of sailing a small boat on the Pacific. From sailing on Thanksgiving morning under spectacular bright blue Californian skies just off the Channel Islands as dolphins raced alongside their boat to the terrifying experience of rounding Punta Gorda and hanging on to the mast for dear life. It also tells the story of two very normal people doing what most people only dream of and settling the argument that if you want something bad enough you can make it happen.
Surfing's Greatest Misadventures contains thirty of themost engaging, humorous and unbelievable stories ofsurfing life from the past fifty years. Culled fromhundreds of submissions, the non-fiction stories selectedfor this one-of-a-kind collection run the gamut from theterrifying to the comical to the downright bizarre. Thestories ......
Four novellas featuring Maqroll, an international adventurer. One moment he is smuggling arms for liberation groups, the next digging for gold in the jungles of Peru, nearly getting himself killed by his woman, gone mad. The tale of a man without a country who recognizes no law, but that of fortune. By the author of Maqroll, a Colombian-born Mexican.
Reprint of the original, first published in 1881.
The book provides a pre-settlement historical account of the Cocos (Keeling) Islands and Christmas Island in their Indian Ocean context. The project began as a search for clues to locations of two 18th century Dutch shipwrecks, and was expanded into a general account of the early island histories and associated mythological Indian Ocean islands and creatures.