Download Free A Sabbatical In Leipzig Shortlisted For The 2021 Kerry Group Irish Novel Of The Year Book in PDF and EPUB Free Download. You can read online A Sabbatical In Leipzig Shortlisted For The 2021 Kerry Group Irish Novel Of The Year and write the review.

'When I was sent by the Soviet state to London to further my studies in calculus, knowing I would never become a great mathematician, I strayed instead into the foothills of anthropology ...'It is 1950 and Nikolai Lobachevsky, great-grandson of his illustrious namesake, is surveying a bog in the Irish Midlands, where he studies the locals, the land and their ways. One afternoon, soon after he arrives, he receives a telegram calling him back to Leningrad for a 'special appointment'. Lobachevsky may not be a great genius but he is not foolish: he recognises a death sentence when he sees one and leaves to go into hiding on a small island in the Shannon estuary, where the island families harvest seaweed and struggle to split rocks. Here Lobachevsky must think about death, how to avoid it and whether he will ever see his home again
'Duncan brings a new way of seeing to the world of prose' Irish Times Michael has been away from Ireland for most of his life and lives alone in Bilbao after the death of Catherine, his girlfriend. Each day he listens to two versions of the same piece of music before walking the same route to visit Richard Serra's enormous installation, The Matter of Time, in the Guggenheim. As he walks, his thoughts circle around the five-year period of mental agitation spent in Leipzig with Catherine. This 'sabbatical', caused by the stress of his job and the suicide of a former colleague, splits his career as an engineer into two distinct parts. Intensely realistic, mapped out like Michael's intricate drawings, this is a novel of precision and beguiling intelligence.
A provocative, feminist novel about a woman who persists in spite of the violence, injustice, and oppression that fills her world. Bina is a woman who’s had enough and isn’t afraid to say so. “I’m here to warn you, not reassure you,” she announces at the book’s outset. In a series of taut, urgent missives she attempts to set the record of her life straight, and in doing so, to be useful to others. Yet being useful is what landed her in jail. Empathy is her Achilles’ heel. Her troubles seem to stem from an injured stranger named Eddie, and they multiply when her charity extends from delivering meals to the elderly to working with the dying. No good deed of hers goes unpunished and the costs of her capacity for care are legion, as one by one she is denied her livelihood, her health, and her freedom, but her voice continues resolutely, an act of friendship in itself. Bina is an unsettling, thought-provoking novel of formal inventiveness and moral and emotional complexity by a bold and talented writer.
Shortlisted for the Goldsmiths Prize 2020 'Insightful. Inventive. Hilarious. Genius' EIMEAR MCBRIDE 'Bina is fiction of the rarest and darkest kind, a work whose pleasures must be taken measure for measure with its pains' RACHEL CUSK 'A captivating look at female friendship' MAIL ON SUNDAY My name is Bina and I'm a very busy woman. That's Bye-na, not Beena. I don't know who Beena is but I expect she's having a happy life. I don't know who you are, or the state of your life. But if you've come all this way here to listen to me, your life will undoubtedly get worse. I'm here to warn you . . . So begins this 'novel in warnings' - an unforgettable tour de force in the voice of an ordinary-extraordinary woman who has simply had enough. Through the character of Bina, who is writing out her story on the backs of discarded envelopes, Anakana Schofield filters a complex moral universe filled with humour and sadness, love and rage, and the consolations, obligations and mysteries of lifelong friendship. A work of great power, skill, and transformative empathy from a unique and astonishing writer.
Modern science communication has emerged in the twentieth century as a field of study, a body of practice and a profession—and it is a practice with deep historical roots. We have seen the birth of interactive science centres, the first university actions in teaching and conducting research, and a sharp growth in employment of science communicators. This collection charts the emergence of modern science communication across the world. This is the first volume to map investment around the globe in science centres, university courses and research, publications and conferences as well as tell the national stories of science communication. How did it all begin? How has development varied from one country to another? What motivated governments, institutions and people to see science communication as an answer to questions of the social place of science? Communicating Science describes the pathways followed by 39 different countries. All continents and many cultures are represented. For some countries, this is the first time that their science communication story has been told.
Paul, a young Irish engineer, follows his girlfriend to Berlin and begins work on the renovation of a commercial building in Alexanderplatz. Wrestling with a new language, on a site running behind schedule, and with a relationship in flux, he becomes increasingly untethered. Set against the structural evolution of a sprawling city, this meditation on language, memory and yearning is underpinned by the site's physical reality. As the narration explores the mind's fragile architecture, he begins to map his own strange geography through a series of notebooks, or 'Love notes'. 'In such a brutish and masculine atmosphere, Duncan's account is an unmasked ray of hope... The prose is minimal, yet the ideas are maximal. If more men thought and wrote as tenderly and honestly as Adrian Duncan, we'd have stronger, sturdier novels and fewer garish monuments to consumerism' Irish Independent.
'A wild, sleazy, drug-filled odyssey ... Doyle's maverick novel deserves the accolades coming its way' Independent 'The best work to date from a writer who gets better and better with each release' Irish Indepdendent 'A masterclass in what not to do' New Statesman 'His best book so far: riddling, irreverent, fearless' TLS Rob has spent most of his confusing adult life wandering, writing, and imbibing literature and narcotics in equally vast doses. Now, stranded between reckless youth and middle age, between exaltation and despair, his travels have acquired a de facto purpose: the immemorial quest for transcendent meaning. On a lurid pilgrimage for cheap thrills and universal truth, Doyle's narrator takes us from the menacing peripheries of Paris to the drug-fuelled clubland of Berlin, from art festivals to sun-kissed islands, through metaphysical awakenings in Asia and the brink of destruction in Europe, into the shattering revelations brought on by the psychedelic DMT. A dazzling, intimate, and profound celebration of art and ageing, sex and desire, the limits of thought and the extremes of sensation, Threshold confirms Doyle as one of the most original writers in contemporary literature.
'A beautiful, wry love story' David Nicholls, author of ONE DAY 'I love this woman's writing. Golden sentences' Diana Evans, author of ORDINARY PEOPLE 'One of the year's most beautifully written books, THIS HAPPY traces the path to womanhood of Alannah from disastrous affair to no-less-comfortable marriage and beyond' The i, Best Books of 2020 So Far 'If you loved Sally Rooney's NORMAL PEOPLE, read this novel ... Darkly romantic ... Reminiscent of Eimear McBride's lyrical Joycean sentences' Vogue 'The best novel I have read all year' Sunday Business Post I have taken apart every panel of this, like an ornamental fan. But we stayed in the cottage for three weeks only, just three weeks, because it was cut short you see - cut short after just three weeks, when I'd left my entire life behind. When Alannah was twenty-three, she met a man who was older than her - a married man - and fell in love. Things happened suddenly. They met in April, in the first bit of mild weather; and in August, they went to stay in rural Ireland, overseen by the cottage's landlady. Six years later, when Alannah is newly married to another man, she sees the landlady from afar. Memories of those days spent in bliss, then torture, return to her. And the realisation that she has been waiting - all this time - to be rediscovered.