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A Room in Dodge City follows a nameless drifter into an American heart of darkness. In this nightmarish version of the historic Dodge City, mythic beasts crawl out of the woodwork; bizarre rituals are enacted; and death is never the end. Equal parts humor and horror-show, David Leo Rice's novel combines the mundaneness of modern life-motels, strip malls, temp jobs-with something stranger, darker, and more eternal. Told through linked vignettes that read like metaphoric fairytales gone wrong, Dodge City consumes the reader just as it slowly consumes the drifter, leaving all to wonder whether any of us can ever truly escape this world-or our own. Winner of the Electric Book Award Each chapter is fully illustrated by Christina Collins. "David Lynch meets Neil Gaiman meets Samuel Beckett and the Theater of the Absurd. Just as Dodge City is a place the narrator can never leave, Rice's book sucks you in and doesn't let you walk out of it intact, either." -Nick Antosca, author of The Girlfriend Game, Midnight Picnic, & Fires "With a draftsman's hand and a psychonaut's eye, Rice has mapped the alien precinct in which we already live. I've never encountered a book so strange yet so familiar. Writers such as William Burroughs and Samuel Delany may have helped prepare the ground, but this high-speed, controlled drift across it is all Rice's own." -Joanna Ruocco, author of Dan & A Compendium of Domestic Incidents "A vivid, precisely described nightmare filled with jokes for people who think nothing is funny anymore. Rice imagines American pop culture as a Hieronymus Bosch painting come to life, and he gives us a carnival barker's tour through a disturbing landscape of lost souls, vain ambitions, and distorted identities, ultimately finding a path to redemption through the spiritual wreckage." -Mark Beauregard, author of The Whale: A Love Story "Rice cares deeply about his characters and this comes out in every vignette. He doesn't follow the nihilistic postmodern structure by declaring that life is meaningless or hopeless. What we find is the presence of hope in all things, no matter how run-down they might appear on the surface." -Joe Halstead, author of West Virginia "Dodge City is a walk on the dark side of the contemporary imagination that reworks the post-realist storytellings of Donald Barthelme or Henri Michaux into a voice that is unique. A picaresque novel for the age of the Darknet and Tor." -Simon Pummell, director of Bodysong & Identicals "In his mind-boggling debut novel, Rice conjures a series of seemingly unassuming vignettes that read like a revelatory prose poem written by the Zodiac Killer. A celebration of what it means to know that you know that you can never know everything." -Mike Kleine, author of Kanley Stubrick "Don't enter into Rice's terrifying and hilarious fictional multiverse looking for causality, continuity, or logic, as we know them. A Room in Dodge City will plunge you into a nightmarish warren-maze where somewhere, amid the numberless trapdoors, inner chambers and branching halls on branching halls, a literary orgy is going down among the imaginative intellects of Blake Butler, Kathryn Davis, Haruki Murakami, Livia Llewellyn, and Robert Coover, refereed by Cronenberg and Lynch." -Adrian Van Young, author of Shadows in Summerland & The Man Who Noticed Everything "A Room in Dodge City warps the serial format to its own uncanny ends. Briskly paced with elegantly streamlined prose, the book follows its own impeccably strange and addictive dream logic." -Jeff Jackson, author of Mira Corpora & Novi Sad "Unsettling and unsettled, reading A Room in Dodge City is like reading Jakob von Gunten's dream journal the day after he'd stayed up late to watch High Plains Drifter and Videodrome." -Gabriel Blackwell, author of Madeleine E. Find out more about Alternating Current Press at alternatingcurrentarts.com.
It's attorney Harry Gryden's job to make sure that the accused get a fair trial. But with the Masterson brothers, Wyatt Earp and Doc Holiday laying down their own brand of law, being a courtroom legend turns Harry into a man who doesn't carry a gun, but is in a fight for his life. Original.
In the 1870s and 1880s, Dodge City was known as the wickedest in the American West. But gunmen, horse thieves, and desperadoes of every sort finally lost their bloody battle with vigilantes, troopers, railroad men and heroic peace officers. "(Stanley) Vestal astutely plays it soft and quiet, presenting the documented facts, leaving his reader free to make of them what he will". 8 photos.
The instant New York Times bestseller! Dodge City, Kansas, is a place of legend. The town that started as a small military site exploded with the coming of the railroad, cattle drives, eager miners, settlers, and various entrepreneurs passing through to populate the expanding West. Before long, Dodge City’s streets were lined with saloons and brothels and its populace was thick with gunmen, horse thieves, and desperadoes of every sort. By the 1870s, Dodge City was known as the most violent and turbulent town in the West. Enter Wyatt Earp and Bat Masterson. Young and largely self-trained men, the lawmen led the effort that established frontier justice and the rule of law in the American West, and did it in the wickedest place in the United States. When they moved on, Wyatt to Tombstone and Bat to Colorado, a tamed Dodge was left in the hands of Jim Masterson. But before long Wyatt and Bat, each having had a lawman brother killed, returned to that threatened western Kansas town to team up to restore order again in what became known as the Dodge City War before riding off into the sunset. #1 New York Times bestselling author Tom Clavin's Dodge City tells the true story of their friendship, romances, gunfights, and adventures, along with the remarkable cast of characters they encountered along the way (including Wild Bill Hickock, Jesse James, Doc Holliday, Buffalo Bill Cody, John Wesley Hardin, Billy the Kid, and Theodore Roosevelt) that has gone largely untold—lost in the haze of Hollywood films and western fiction, until now.
DODGE CITY Matt Braun The cattle trail from Texas to Kansas was long, hot and dangerous. And by the time cowboys got there, they had the money and means to make a boomtown explode—and make Dodge City a great place to be a defense attorney...as long as you weren't looking for an innocent man. Harry Gryden believes in the kind of justice that only happens in a courtroom. In Dodge, it's his job to make sure that the accused get their fair trial. But Harry is a little too good at what he does. And with the Masterson brothers, Wyatt Earp and Doc Holiday laying down their own brand of law, being a courtroom legend is turning Harry into the rarest of Dodge City men: one who doesn't carry a gun, but is in a fight for his life...
BROTHERS IN ARMS Joseph and Liam Carrigan may have the same strong Irish blood running in their veins, but the similarity ends there. Where Joseph is level-headed and forthright, Liam is temperamental and roguish. After fighting on opposing sides in the Civil War, they reunite to head west in search of a better life and an enigmatic, long-lost uncle who disappeared years earlier. But their journey will not be an easy one. Not only must they contend with the dangers of both man and nature on the untamed frontier, but also with the never-ending sibling rivalry that once tore them apart -- and a menacing, shadowy figure who's on their trail, marking the Carrigan brothers' every move, waiting for the moment to strike.... From Cameron Judd, the Spur Award­nominated author of The Overmountain Men and Crockett of Tennessee, comes a new series steeped in the traditions of the Old West: courage, honor, and nonstop adventure. MORE THAN ONE MILLION CAMERON JUDD TITLES IN PRINT!
“Shootin’—Lynchin’—Hangin’,” announces the advertisement for Tombstone’s Helldorado Days festival. Dodge City’s Boot Hill Cemetery sports an “authentic hangman’s tree.” Not to be outdone, Deadwood’s Days of ’76 celebration promises “miners, cowboys, Indians, cavalry, bars, dance halls and gambling dens.” The Wild West may be long gone, but its legend lives on in Tombstone, Arizona; Deadwood, South Dakota; and Dodge City, Kansas. In Tombstone, Deadwood, and Dodge City, Kevin Britz and Roger L. Nichols conduct a tour of these iconic towns, revealing how over time they became repositories of western America’s defining myth. Beginning with the founding of the communities in the 1860s and 1870s, this book traces the circumstances, conversations, and clashes that shaped the settlements over the course of a century. Drawing extensively on literature, newspapers, magazines, municipal reports, political correspondence, and films and television, the authors show how Hollywood and popular novels, as well as major historical events such as the Great Depression and both world wars, shaped public memories of these three towns. Along the way, Britz and Nichols document the forces—from business interests to political struggles—that influenced dreams and decisions in Tombstone, Deadwood, and Dodge City. After the so-called rowdy times of the open frontier had passed, town promoters tried to sell these towns by remaking their reputations as peaceful, law-abiding communities. Hard times made boosters think again, however, and they turned back to their communities’ rowdy pasts to sell the towns as exemplars of the western frontier. An exploration of the changing times that led these towns to be marketed as reflections of the Old West, Tombstone, Deadwood, and Dodge City opens an illuminating new perspective on the crafting and marketing of America’s mythic self-image.
Raised on Gunsmoke, Bat Masterson, and The Life and Legend of Wyatt Earp, we know what it means to “get outta Dodge”—to make a hasty escape from a dangerous place, like the Dodge City of Wild West lore. But why, of all the notorious, violent cities of old, did Dodge win this distinction? And what does this tenacious cultural metaphor have to do with the real Dodge City? In a book as much about the making of cultural myths as it is about Dodge City itself, authors Robert Dykstra and Jo Ann Manfra take us back into the history of Dodge to trace the growth of the city and its legend side-by-side. An exploration of murder statistics, court cases, and contemporary accounts reveals the historical Dodge to be neither as violent nor as lawless as legend has it—but every bit as intriguing. In a style that captures the charm and chicanery of storytelling in the Old West, Dodge City and the Birth of the Wild West finds a culprit in a local attorney, Harry Gryden, who fed sensational accounts to the national media during the so-called "Dodge City War" of 1883. Once launched, the legend leads the authors through the cultural landscape of twentieth-century America, as Dodge City became a useful metaphor in more and more television series and movies. Meanwhile, back in the actual Dodge, struggling on a lost frontier, a mirror image of the mythical city began to emerge, as residents increasingly embraced tourism as an economic necessity. Dodge City and the Birth of the Wild West maps a metaphor for belligerent individualism and social freedom through the cultural imagination, from a historical starting point to its mythical reflection. In this, the book restores both the reality of Dodge and its legend to their rightful place in the continuum of American culture.
The Gunsmith 407 Dodge City—once a notorious cattle boomtown whose inhabitants included Wyatt Earp, Bat Masterson and Clint Adams—now lives in the shadow of its heyday. The Gunsmith returns to his old haunt after being summoned by a lawyer. To his utter surprise, Clint is told he has been left a large inheritance from an old love. But what would Clint do with a saloon, an apothecary, a hardware store and a ranch? Duplicity is the name of the game when others are out to stop him from discovering the truth behind how the ranch is really being run. The Gunsmith might be quick on the draw, but he needs to be just as quick-thinking to survive.
GIANT ACTION! GIANT ADVENTURE! THE GUNSMITH GIANT DEATH IN DODGE CITY A Gunsmith Giant Edition The greatest gunfighters of the Old West band together for justice! When it comes to loyalty, The Gunsmith is second to none. So when his longtime friend Luke Short is cheated out of his livelihood, threatened with violence, and run out of Dodge City, Clint rides into action. The tyrannical new mayor of Dodge is the man responsible, and his own brand of "law and order" holds the town in a death grip. His weapons—the law, and a lightning-quick hired gun who's just itching to take out The Gunsmith! Allied with Clint, however, are the renowned lawmen Wyatt Earp and Bat Masterson. Together, along with a select group of Short's friends, these legends of the West are going to set things right for their friend, and clean up Dodge City once and for all!