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Our current ecological crises compel us not only to understand how contemporary media shapes our conceptions of human relationships with the environment, but also to examine the historical genealogies of such perspectives. Written during the onset of the Little Ice Age in Britain, Middle English romances provide a fascinating window into the worldviews of popular vernacular literature (and its audiences) at the close of the Middle Ages. Andrew M. Richmond shows how literary conventions of romances shaped and were in turn influenced by contemporary perspectives on the natural world. These popular texts also reveal widespread concern regarding the damaging effects of human actions and climate change. The natural world was a constant presence in the writing, thoughts, and lives of the audiences and authors of medieval English romance – and these close readings reveal that our environmental concerns go back further in our history and culture than we think.
Geography is useful, indeed necessary, to survival. Everyone must know where to find food, water, and a place of rest, and, in the modern world, all must make an effort to make the Earth -- our home -- habitable. But much present-day geography lacks drama, with its maps and statistics, descriptions and analysis, but no acts of chivalry, no sense of quest. Not long ago, however, geography was romantic. Heroic explorers ventured to forbidding environments -- oceans, mountains, forests, caves, deserts, polar ice caps -- to test their power of endurance for reasons they couldn't fully articulate. Why climb Everest? "Because it is there." In this book, the author considers the human tendency -- stronger in some cultures than in others -- to veer away from the middle ground of common sense to embrace the polarized values of light and darkness, high and low, chaos and form, mind and body. In so doing, venturesome humans can find salvation in geographies that cater not so much to survival needs (or even to good, comfortable living) as to the passionate and romantic aspirations of their nature
Nineteenth-century France produced a cadre of artists whose first impulse was to escape the turmoil of Paris and seek refuge in the countryside, where they created an art grounded in their fresh responses to the natural world. Such artists as Charles Emile Jacque and Jean-Francois Millet discovered a quiet heroism and even a spiritual quality in those working the land, while others, like Julien Dupr(c), featured attractive young laborers toiling in picturesque settings that did not hint of hard work or the often harsh realities of agricultural labor. Social and political ideologies are coded into the landscape in subtle ways in many paintings. Rarely seen paintings from public and private collections illustrate the metamorphosis from the neoclassical ideal to the Modern over the course of the nineteenth century through the lens of landscape art. Contributors include Gabriel P. Weisberg and Janet Whitmore.
Girl in Landscape is a daring exploration of the violent nature of sexual awakening, a meditation on language and perception, and an homage to the great American tradition of the Western. • "Jonathan Lethem's imagination [is]...marvelously fertile." --Newsday The heroine is young Pella Marsh, whose mother dies just before her family flees a post-apocalyptic Brooklyn for the frontier of a recently discovered planet. Hating her ineffectual father, and troubled by a powerful attraction to a virile but dangerous loner who holds sway over the little colony, Pella sets out on a course of discovery that will have tragic and irrevocable consequences for the humans in the community and the ancient inhabitants, known only as archbuilders. Girl in Landscape finds Jonathan Lethem twisting forms and literary conventions to create a dazzling, completely unconventional tale.
Named one of “the year’s best gardening books” by The Spectator (UK, Nov. 2014) The 1890s saw a revolution in advertising. Cheap paper, faster printing, rural mail delivery, railroad shipping, and chromolithography combined to pave the way for the first modern, mass-produced catalogs. The most prominent of these, reaching American households by the thousands, were seed and nursery catalogs with beautiful pictures of middle-class homes surrounded by sprawling lawns, exotic plants, and the latest garden accessories—in other words, the quintessential English-style garden. America’s Romance with the English Garden is the story of tastemakers and homemakers, of savvy businessmen and a growing American middle class eager to buy their products. It’s also the story of the beginnings of the modern garden industry, which seduced the masses with its images and fixed the English garden in the mind of the American consumer. Seed and nursery catalogs delivered aspirational images to front doorsteps from California to Maine, and the English garden became the look of America.
Hugh Brody is renowned for his work with indigenous peoples. In the 80s he was engaged in a lawsuit brought by the Inuit people of the Arctic against the Canadian government. Brody lived with the Inuit, learned their language, recorded all their stories, which were then used as evidence in the court case - which the Inuit won. In his new book, he returns to the Arctic and is confronted by the deterioration of the situation there. The Inuit now possess the land, but the government has pressured them into living in settlements rather than out on the land. Their children are forced to go to school where they learn to speak English, losing their own language, which is the element that ties them to their land. Sexual abuse by the treachers intimidates the children into a silence that results in widespread suicide among the young. This silence ties in with Brody's own story - a mother hounded out of her home in Vienna by the Nazis, causing her to retreat into the same kind of silence that Tom Stoppard experienced from his mother, who also fled from the Nazis. As a writer and anthropologist, Brody's concern has always been with the human condition, arguing for the need to safeguard the most vulnerable from the depredations of the modern word.
Imagine Walden recast as a love story. This intimate memoir opens with its Brooklyn-born narrator standing on his head outside an old one-room schoolhouse amid 500 acres of remote woodlands in Iowa¿on the lam from a love affair gone sour and a myopic past. Structured like a schoolbook, each chapter is named after a school subject (i.e. Geography, Civics, Anatomy, What I Did On My Summer Vacation), which collectively forms an overall lesson plan for the author¿s personal reeducation. Turns out the Midwestern Heartland won¿t allow him to hide out forever. SCHOOLHOUSE is a modern day search for where identity, place, and heart all intersect. A Waldenesque study in both nature and human nature.
A woman meets a man at a party. She has heard his name often, but their paths have never crossed. By the end of the night, his image will be cut in her. Emotionally charged and exquisitely written, Landscape with Animals is a hypnotic tale of love, written under a pseudonym.
This handbook discusses how to turn your garden into a romantic retreat. There are special sections on fences and hedges to create a secluded atmosphere, water landscaping, and the use of scent and colour. A catalogue of the most romantic plants is included, with cultivation details.
A marriage of convenience leads to a life of passion and purpose. A shared vision transforms the American landscape forever. New York, 1858: Mary, a young widow with three children, agrees to marry her brother-in-law Frederick Law Olmsted, who is acting on his late brother's deathbed plea to "not let Mary suffer." But she craves more than a marriage of convenience and sets out to win her husband's love. Beginning with Central Park in New York City, Mary joins Fred on his quest to create a 'beating green heart' in the center of every urban space. Over the next 40 years, Fred is inspired to create dozens of city parks, private estates and public spaces with Mary at his side. Based upon real people and true events, this is the story of Mary's journey and personal growth and the challenges inherent in loving a brilliant and ambitious man.