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There is a spell over the three women in our story. They get transformed into flowers but each of them can return home at night one at a time. The spell can be reversed only if their husbands pluck them while they are still flowers. Now we ask you: how can the husband know which flower is his wife? The riddle has an obvious answer but can you find it out before you read the end of the story? Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 210 fairy tales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.
Seventy- nine tales that show how riddles pervade storytelling worldwide
This is the story of a sleepy town called Suds. A place where stories fill the air of children turning grey and disappearing without a trace... Poppy and Erasmus are certain there's something peculiar going on in Suds, and they're determined to unravel its secrets. But when they discover the answers might lie in the dark and twisting woods, can they find the courage to creep inside and solve this riddling mystery? 'A thrilling read...flavoured with fairytales, drizzled with a syrup of fear and sprinkled with heart.' M.G. Leonard
One mother put her child to sleep and decided to go to the woods and fetch some strawberries. She found a magically beautiful bush with strawberries and just as she was going to gather some, she saw a venomous snake. The mother ran, the snake followed her. Eventually the poor frightened mother got to a hazel bush and hid herself there. Can the hazel branch save her? Will the snake give up waiting for so long? Find out in Brothers Grimm’s folktale "The Hazel Branch". Children and adults alike, immerse yourselves into Grimm’s world of folktales and legends! Come, discover the little-known tales and treasured classics in this collection of 210 fairy tales. Brothers Grimm are probably the best-known storytellers in the world. Some of their most popular fairy tales are "Cinderella", "Beauty and the Beast" and "Little Red Riding Hood" and there is hardly anybody who has not grown up with the adventures of Hansel and Gretel, Rapunzel and Snow White. Jacob and Wilhelm Grimm’s exceptional literature legacy consists of recorded German and European folktales and legends. Their collections have been translated into all European languages in their lifetime and into every living language today.
Seventy- nine tales that show how riddles pervade storytelling worldwide
Perhaps the most enigmatic cultural artifacts that survive from the Anglo-Saxon period are the Old English riddle poems that were preserved in the tenth century Exeter Book manuscript. Clever, challenging, and notoriously obscure, the riddles have fascinated readers for centuries and provided crucial insight into the period. In Say What I Am Called, Dieter Bitterli takes a fresh look at the riddles by examining them in the context of earlier Anglo-Latin riddles. Bitterli argues that there is a vigorous common tradition between Anglo-Latin and Old English riddles and details how the contents of the Exeter Book emulate and reassess their Latin predecessors while also expanding their literary and formal conventions. The book also considers the ways in which convention and content relate to writing in a vernacular language. A rich and illuminating work that is as intriguing as the riddles themselves, Say What I Am Called is a rewarding study of some of the most interesting works from the Anglo-Saxon period.
This book collects eighteen previously unpublished essays on the riddle--a genre of discourse found in virtually every human culture. Hasan-Rokem and Shulman have drawn these essays from a variety of cultural perspectives and disciplines; linguists, anthropologists, folklorists, and religion and literature scholars consider riddling practices in Hebrew, Finnish, Indian languages, Chinese, and classical Greek. The authors seek to understand the peculiar expressive power of the riddle, and the cultural logic of its particular uses; they scrutinize the riddle's logical structure and linguistic strategies, as well as its affinity to neighboring genres such as enigmas, puzzles, oracular prophecy, proverbs, and dreams. In this way, they begin to answer how riddles relate to the conceptual structures of a particular culture, and how they come to represent a culture's cosmology or cognitive map of the world. More importantly, these essays reveal the human need for symbolic ordering--riddles being one such form of cultural ritual.
The tale of 'Cinderella' is told wherever stories are still read aloud and everyone is familiar with 'Rapunzel' and 'The Golden Goose', but who has heard all the wonderful stories collected by the Brothers Grimm? Well, here's your chance, for within these covers you will find every one of their 210 tales, in all their enchantment and rapture, terror and wisdom, tragedy and beauty.
As they were entering Egypt, Abram glimpsed Sarai's reflection in the Nile River. Though he had been married to her for years, this moment is positioned in a rabbinic narrative as a revelation. "Now I know you are a beautiful woman," he says; at that moment he also knows himself as a desiring subject, and knows too to become afraid for his own life due to the desiring gazes of others. There are few scenes in rabbinic literature that so explicitly stage a character's apprehension of his or her own or another's literal reflection. Still, Dina Stein argues, the association of knowledge and reflection operates as a central element in rabbinic texts. Midrash explicitly refers to other texts; biblical texts are both reconstructed and taken apart in exegesis, and midrashic narrators are situated liminally with respect to the tales they tell. This inherent structural quality underlies the propensity of rabbinic literature to reflect or refer to itself, and the "self" that is the object of reflection is not just the narrator of a tale but a larger rabbinic identity, a coherent if polyphonous entity that emerges from this body of texts. Textual Mirrors draws on literary theory, folklore studies, and semiotics to examine stories in which self-reflexivity operates particularly strongly to constitute rabbinic identity through the voices of Simon the Just and a handsome shepherd, the daughter of Asher, the Queen of Sheba, and an unnamed maidservant. In Stein's readings, these self-reflexive stories allow us to go through the looking glass: where the text comments upon itself, it both compromises the unity of its underlying principles—textual, religious, and ideological—and confirms it.
From tall tales, trickster tales, and noodlehead stories to hoaxes, urban legends, riddles and songs-here are more than 70 stories from around the world and across the centuries that you can pull out of your story bag at a moment's notice-to read aloud or re-tell before, between and after daily activities; or integrate into lessons and learning opportunities. Most take just minutes to read. The country or culture of origin is noted for each story, and there is a detailed bibliography, introductory notes on humor and folklore, and a discussion of the healing power of humor.