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The collapse of state socialism in East Germany brought about a drastic reduction in the labor market and the consequent masculinization of employment. Alsop (gender studies, U. of Hull) asks what processes of continuity and change for women's employment can be identified in the rise of state socialism and it's later demise. She finds that women's reduced chances for paid employment was due both to the perception the men had a greater claim to employment and to the replacement of the East German model of welfare with the West German system which prioritized the nuclear family. Annotation copyrighted by Book News, Inc., Portland, OR
In this book, Gary Mucciaroni examines the shifting fortunes of economic interest groups in Washington. Mucciaroni compares and contrasts four policy areas-- tax incentives, anti-competitive regulations, trade barriers, and agricultural subsidies-- where it is possible for interest groups to gain substantial benefits while paying little of the costs. He finds that the fortunes of these groups vary considerably across policies over time.
Although both deal with narratives, the two disciplines of Narrative Theory (NT) and Computational Story Composition (CSC) rarely exchange insights and ideas or engage in collaborative research. The former has its roots in the humanities, and attempts to analyze literary texts to derive an understanding of the concept of narrative. The latter is in the domain of Artificial Intelligence, and investigates the autonomous composition of fictional narratives in a way that could be deemed creative. The two disciplines employ different research methodologies at contradistinct levels of abstraction, making simultaneous research difficult, while a close exchange between the two disciplines would undoubtedly be desirable, not least because of the complementary approach to their object of study. This book, From Narratology to Computational Story Composition and Back, describes an exploratory study in generative modeling, a research methodology proposed to address the methodological differences between the two disciplines and allow for simultaneous NT and CSC research. It demonstrates how implementing narratological theories as computational, generative models can lead to insights for NT, and how grounding computational representations of narrative in NT can help CSC systems to take over creative responsibilities. It is the interplay of these two strands that underscores the feasibility and utility of generative modeling. The book is divided into 6 chapters: an introduction, followed by chapters on plot, fictional characters, plot quality estimation, and computational creativity, wrapped up by a conclusion. The book will be of interest to all those working in the fields of narrative theory and computational creativity.
Battenhouse's Shakespearean tragedy: Its art and Christian premises, Irving Ribner's Patterns in Shakespearian tragedy, Virgil K. Whitaker's The mirror up to nature: The techniques of Shakespeare's tragedies, and Robert Grams Hunter's Shakespeare and the mystery of God's judgments. Waters questions, for example, Battenhouse's validity of Christian theological and didactic emphases on the old purgation theory of catharsis. His approach differs also from Northrop Frye's views on the tragedies in Northrop Frye on Shakespeare, an archetypal approach to representative plays including the tragedies.
At the rise of the Tudor age, England began to form a national identity. With that sense of self came the beginnings of the colonialist notion of the "other"" Ireland, however, proved a most difficult other because it was so closely linked, both culturally and geographically, to England. Ireland's colonial position was especially complex because of the political, religious, and ethnic heritage it shared with England. Andrew Murphy asserts that the Irish were seen not as absolute but as "proximate" others. As a result, English writing about Ireland was a problematic process, since standard colonial stereotypes never quite fit the Irish. But the Irish Sea Betwixt Us examines the English view of the "imperfect" other by looking at Ireland through works by Spenser, Jonson, and Shakespeare. Murphy also considers a broad range of materials from the Renaissance period, including journals, pamphlets, histories, and state papers.
This guide to the Bible will help readers navigate unfamiliar biblical terrain and deepen their knowledge of already familiar areas. Articles by well-established experts offer in-depth insights into the Bible's people, places, and main ideas.
Our world has become inundated with images of a reality in which ‘evil’ thrives, and ‘good’ seems to be a naïve, utopian fantasy. ‘Good’ is reserved for superheroes and children’s stories, while the ‘real world’ is driven by greed, violence, and hatred. If we are so consumed with evil, then is there any point to writing about it? Perhaps the more important question is ‘why should we ever stop writing about it?’. Towards that end, this volume is intended to act as a catalyst to an ongoing destabilization of mental (philosophical) and social (political, historical) regimes of ‘evil’ in thought and practice. It is compiled with the intention of saying something new about a very old topic, as a reminder that this is an unfinished conversation which stretches back millennia and has a deeply tangible impact on the worlds within which we live today. Contributors are Peter Brian Barry, Lima Bhuiyan, Diedra L. Clay, Zachary J. Goldberg, Sophia Kanaouti, Stefanie Schnitzer Mills, Rallie Murray, Asli Tekinay and Claudio Vescia Zanini.
Looking at the Book of Esther through the lens of intertextuality, this collection considers its connections with each division of the Hebrew Bible, along with texts throughout history. Through its exploration, it provides and invites further study into the relationship between Esther and its intertexts, many which are under explored. Topics covered in the book include considerations of Esther alongside the Torah and the prophetic books, as well as in dialogue with the Qumran community. As an edited collection, the book draws together scholars with expertise in the wide variety of texts that are intertextually connected with Esther, offering the reader a more nuanced and informed discussion. By including some reflection on the nature of intertextuality as a 'method', it also enables the reader to appreciate the varying intertextual approaches currently employed in biblical studies. In applying these to a focused analysis of Esther, this collection will facilitate greater insight on both the book of Esther and current methodological research.
Bigger, stronger, better! Russell Anderson has taken the most original and successful lectionary resource in history and improved on it. He has kept all of the traditional features that have made it a classic, such as: overviews of each liturgical season; commentaries compatible with the Revised Common, Roman Catholic, and Episcopal lectionaries; an introduction to the featured gospel narrator (Luke, in Cycle C); theological reflections for exploring the relationships between the texts, and wide margins for note-taking. Instead of stopping there, he added: a 7"x10" one-size-fits-all format, a suggested sermon title for each week, a Sermon Angle briefly explicating the theological theme for the day (sometimes providing two or three), and two to four illustrative stories per chapter. Contained are crisp, tightly written lectionary helps that zero in on the critical themes of the texts, augmented with illustrative materials. The Prayer of the Day suggestions summarize and apply the themes in helpful language. The Reverend Dr. Dennis Anderson President, Trinity Lutheran Seminary Pastor Anderson's ability to relate eternal truths in the language of our 20th century society will enable those informed by his writings to communicate the TRUTH in a way that will gain attention and guide the living of life. The Reverend Dr. Reuben T. Swanson Former Bishop, Nebraska Synod, Lutheran Church in America Former Secretary, Evangelical Lutheran Church in America Russell F. Anderson is pastor at Holy Cross Evangelical Lutheran Church in Omaha, Nebraska. He received his master of divinity degree from the Lutheran School of Theology at Chicago and his doctor of ministry degree from McCormick Theological School in Chicago. He has published his own worship and homiletical resources under the banner "Worship Windows."
Money talked in sixteenth-century England, as money still does today. But what the sixteenth century's gold and silver had to say for itself is strikingly different from the modern discourse of money. As David Landreth demonstrates in The Face of Mammon, the material and historical differences between the coins of the English Renaissance and today's paper and electronic money propel a distinctive and complex assessment of the relation between material substance and human value.Although the sixteenth century was marked by the traumatic emergence of conditions that would prove to be characteristic of the modern economy, the discipline of economics had not been invented to assess those conditions. The Face of Mammon considers how literary texts investigated these unexplained material transformations through attention to the materiality of gold and silver money. In new readings of Spenser's Faerie Queene, Marlowe's Jew of Malta, three plays by Shakespeare-King John, The Merchant of Venice, and Measure for Measure-the poetry of John Donne, and the prose of Thomas Nashe, Landreth argues that these texts situate the act of exchange at the center of a system of "common wealth" that sought to integrate political, ethical, and religious values with material ones, and probe the ways in which market value corrodes that system even as it depends upon it.Joining the methods of material-culture studies to those of economic criticism, The Face of Mammon offers a new account of the historical transformations of the concept of value to scholars of early modern literature, culture, and art, as well as to those interested in economic history.