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A bridge collapses, a truck burns and an earthquake shakes the city. Timmy and his trained spy rat use science to avert a far greater disaster.
RIGHT PLACE. RIGHT TIME. WRONG MAN. 'I was on the edge of my seat the whole time' ANTONY JOHNSTON 'A rip-roaring page-turning keep-you-up-all-night thriller' NICHOLAS BINGE, author of ASCENSION 'Smart, riveting, and eerily prescient' SUNYI DEAN, Sunday Times Bestselling author of THE BOOK EATERS 'A pulse-pounding, twisting thrill-a-minute read that Slow Horses fans are going to absolutely love' ADAM SIMCOX Jamie Tulloch is a successful exec at a top tech company, a long way from the tough upbringing that drove him to rise so far and so quickly. But he has a secret...since the age of 23, he's had a helping hand from the Legend Programme, a secret intelligence effort to prepare impenetrable backstories for undercover agents. Real people, living real lives, willing to hand over their identities for a few weeks in return for a helping hand with plum jobs, influence and access. When his tap on the shoulder finally comes, it's swiftly followed by the thud of a body. Arriving at a French airport ready to hand over his identity, Jamie finds his primary contact dead, the agent who's supposed to step into his life AWOL and his options for escape non-existent. Pitched into a deadly mission on hostile territory, Jamie must contend with a rogue Russian general, arms dealers, elite hackers, CIA tac-ops and the discovery of a brewing plan for war. Dangerously out of his depth, he must convince his sceptical mission handler he can do the job of a trained field agent while using his own life story as convincing cover. Can Jamie play himself well enough to avoid being killed - and to avert a lethal global conflict?
As news of Napoleon's escape from Elba reaches England, a legendary spymaster discovers his own heart has become a battlefield... The Risks When Nathan Meyer agrees to escort a young woman home from France, he discovers too late that his family has been matchmaking yet again. He has no interest in the flirtatious and pampered Diana Hart, but when Napoleon escapes, Nathan seizes the opportunity to spy on advancing Bonapartist forces. As for romance, Nathan is much more interested in Diana's mother, Abigail, an attractive widow with a clever wit and sharp tongue, who suspects Nathan is up to something much more dangerous than getting them safely back to London. . . .And The Rewards After following Nathan one evening, Abigail accuses him of putting innocent lives at risk. Yet even as she confronts him, she fights her own fierce attraction to his courage and fire. As the tides of war lead them into a dangerous and unexpected alliance, Abigail and Nathan find themselves confronting their greatest enemy: their own pride.
A first-person account of a covert agent's two-decade career in the CIA describes his role in such cases as the capture of a senior Al-Qaida terrorist, offering insight into the recent national debate about the interrogation techniques used in Afghanistan and the Iraq War.
Attractive, educated in Oxford, and a respected journalist, Cherry Mosteshar wanted to return to the homeland she knew as a child. Filled with ideals, she hoped to help the fundamentalist-ruled nation to enter the 20th century. Instead, she ended up a virtual slave in a nation where a woman constantly experiences fear and degradation--and is legally worth only half a man. This is her true story. Martin's Press.
Serena Allen has taken refuge at her uncle's country house ever since a scandalous seduction left her reputation in tatters. But her aunt has never given up hope of making a match for her and is delighted when the handsome, aristocratic Julien Clermont arrives at Boulton Park expressing an interest in the earl's famous butterfly collection-and interest of a different kind in Serena. Serena herself views the guest with misgivings. Can a man be too charming? And can it be coincidence that important foreign documents entrusted to the earl have begun to disappear and reappear in odd places? Julien is indeed on a top-secret-and personal-mission, one that prevents him from disclosing his real identity to Serena. But the truth will out, and with it comes a devilish choice-betray the lovely, quick-witted woman who has won his heart, or risk forfeiting his own life. . .
In Spymaster’s Prism, the legendary former spymaster Jack Devine aims to ignite public discourse on our country’s intelligence and counterintelligence posture against Russia, among other adversaries.
In scenes eerily parallel to the culture of fear inspired by our current War on Terror, A Need to Know explores the clandestine history of a CIA family defined, and ultimately destroyed, by their oath to keep toxic secrets during the Cold War. When Bud Goodall’s father mysteriously died, his inheritance consisted of three well-worn books: a Holy Bible, The Great Gatsby, and a diary. But they turned his life upside down. From the diary Goodall learned that his father had been a CIA operative during the height of the Cold War, and the Bible and Gatsby had been his codebooks. Many unexplained facets of Bud’s childhood came into focus with this revelation.The high living in Rome and London. The blood-stained stiletto in his jewelry case. Bud, as a child, was always told he never had “a need to know.” Or did he? Now, as an adult and a university professor, Goodall attempts to fill in the missing pieces of his Cold War childhood by uncovering a lifetime of family secrets. Who were his parents? What did his father do on those business trips when he was “working for the government?” What betrayal turned a heroic career of national service into a nightmare of alcoholism, depression, and premature death for both of his parents? Slowly, inexorably, Goodall unearths the chilling secrets of a CIA family in A Need to Know. 2006 Best Book Award, National Communication Association Ethnography Division
This book is a commentary in the form of a journal. It is meant to be something like a diary kept by a tourist or a spy of his travels in a strange land, recording questions and observations and opinions on everything he sees for other travelers on the same road. It could be also called a dialogue because the author records the conversation that he has with Genesis as he moves along, and the conversation he has with himself in the privacy of his motel room. In both ways it is the account of a journey with the idea that it may be of some use to others traveling the same road. The author is writing as an amateur to other amateurs. He is not a professional theologian nor a biblical scholar, and while his intent is to think as deeply and truly as he can, he is not doing so as a professional. There are several advantages that an amateur may have over a professional in a case like this. First the amateur can be much bolder in what he questions and in the answers he considers. The professional always has something on the line, always something at risk, namely his reputation. He cannot venture far off the beaten path without being in some danger of losing his respectability. The amateur, on the other hand, has little respectability to lose and little reputation to risk. What Dr. Boswell would not be able to risk in mathematical writing he can be quite at liberty to risk in this project. It can be exhilarating. Secondly the amateur has a much friendlier connection with the average reader. The amateur is something of an equal with the average reader, though presumably with something to say worth the hearing. Since they are introduced as equals, the reader can feel safer, less threatened, more entitled to join in the conversation that the author is trying to create. With a professional author there is always the sense of obligation that one should not argue back with the scholar; only another scholar has the credentials to join in their conversation, and the rest of us must sort it all out as best we can. But with this book there is no need of restraint; anyone can be drawn in to the discussion, anyone can feel entitled to disagree, with impunity. It can be exhilarating. This book is not meant to be a "Bible made simple" book. It is written by someone who loves to think and is written for others who love to think. It is written by someone who is not timid about difficult questions and is written for others who have no fear of such things. But most of all it is a book written for the pure joy of the thing and for those who might share that joy.