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Excerpt from A Quinzaine for This Yule, Being Selected From a Venetian Sketch-Book, San Trovaso About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
American poet and critic, Ezra Pound was a major figure of the modernist movement, whose poetry collections and development of Imagism advocated clarity, precision and economy of language. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This comprehensive volume presents Pound’s early poetical works, with beautiful illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Pound's life and works * Concise introductions to the poetry collections and other works * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Rare poetry collections appearing in digital print for the first time * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Features the rare translations of ‘Noh’ Japanese dramas, first time in digital print * Includes a selection of Pound's non-fiction * Scholarly ordering of texts into chronological order and literary genres Please note: this is the most complete collection possible of Pound’s poetry in the US, due to copyright. When more texts enter the public domain, they will be added to the collection as a free update. Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Poetry Collections HILDA’S BOOK A LUME SPENTO A QUINZAINE FOR THIS YULE PERSONAE EXULTATIONS THE SPIRIT OF ROMANCE CANZONI THE SONNETS AND BALLATE OF GUIDO CAVALCANTI RIPOSTES CATHAY LUSTRA ARNAUT DANIEL PAVANNES AND DIVISIONS QUIA PAUPER AMAVI HUGH SELWYN MAUBERLEY UMBRA UNPUBLISHED VERSES The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Poetical Dramas ‘NOH’, OR, ACCOMPLISHMENT: A STUDY OF THE CLASSICAL STAGE OF JAPAN The Prose INSTIGATIONS OF EZRA POUND Translation of ‘THE NATURAL PHILOSOPHY OF LOVE’ by Remy de Gourmont Please visit www.delphiclassics.com to browse through our range of exciting titles
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Collected Early Poems of Ezra Pound contains the complete text, the poet's first six books, their title pages in facsimile ( A Lume Spento, 1908; A Quinzaine for This Yule, 1908; Personae, 1909; Exultations, 1909; Canzoni, 1911; Ripostes, 1912), and the long poem Redondillas (1911), for many years available only in a rare limited edition. There are, in addition, twenty-five poems originally published in periodicals but not previously collected, as well as thirty-eight others drawn from miscellaneous manuscripts. Ezra Pound's 1926 collection, entitled Personae after his earlier volume of that name, was his personal choice of all the poems he wished to keep in print other than some translations and his Cantos . It was intended to be the definitive collection of his shorter poems, and so it should remain. Yet even the discarded works of a great poet are of value and interest to students and devotees. Originally, brought out clothbound by New Directions in 1976, the texts were established at the Center for the Study of Ezra Pound and His Contemporaries of The Beinecke Rare Book and Manuscript Library at Yale University. They were edited by Michael King under the direction of Louis L. Martz, who wrote the introduction, and Donald Gallup, formerly Curator of American Literature. Included are textual and bibliographic notes as well as indexes of titles and first lines.
Ezra Pound's Cantos remains among the most influential and difficult of twentieth century poetic writings. But now, for the first time, Rabaté's powerful and original study presents a theory of reading adequate to the challenge of Pound's writing. Using elements from Lacanian psycho-analysis and Heidegger's powerful meditation of poetry and language, this book constructs a theory of reading which both gives full force to the strategies of writing deployed in the Cantos and to the historical and political situations to which those strategies are a response. This study provides a fresh reading of the familiar Pound canon: Homer, Dante, Ovid but also of the less well-known: Ruskin, Browning, Frobenius. Pound's practice of quotation is understood in the context of a new poetic discourse characterized by parapraxis, ellipsis, condensation and autonomous "voices" which refer the division of the speaking subject back to an "omniform" intellect capable of taking on any new personality at will. Crucial to an understanding of Pound's situation is the relationship between Chinese and Greek culture, an analysis of which allows Rabaté to elaborate the tragic dimension in Pound's life and works. This book also parallels and contrasts Pound with his major contemporaries such as Eliot and Joyce and with his immediate heirs, like William Carlos Williams, H.D., Zukofsky, and Olson.
American poet Ezra Pound (1885–1972) was among the most influential literary figures of the twentieth century. As a poet, he founded the Imagist movement (c. 1909–17), which advocated the use of precise, concrete images in a free-verse setting. As an editor, he fostered the careers of William Butler Yeats, T. S. Eliot, and Robert Frost. As a force in the literary world, he championed James Joyce and Wyndham Lewis. Pound also helped to create a modern movement in poetry in which, in T. S. Eliot's words, "English and American poets collaborated, knew each other's works, and influenced each other." Long an expatriate, Pound's questionable political activities during World War II distracted many from the value of his literary work. Nevertheless, his status as a major American poet has never been in doubt, as this choice collection of fifty-seven early poems amply proves. Here are poems — including a number not found in other anthologies — from Personae (1909), Exultations (1909), Ripostes (1912), and Cathay (1915) as well as selections from his major sequence "Hugh Selwyn Mauberley" (1920).