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Excerpt from A Quinzaine for This Yule, Being Selected From a Venetian Sketch-Book, San Trovaso About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Long at the centre of the modernist project, from editing Eliot's The Waste Land to publishing Joyce, Pound has also been a provocateur and instigator of new movements, while initiating a new poetics. This is the first volume to summarize and analyze the multiple contexts of Pound's work, underlining the magnitude of his contribution and drawing on new archival, textual and theoretical studies. Pound's political and economic ideas also receive attention. With its concentration on the contexts of history, sociology, aesthetics and politics, the volume will provide a portrait of Pound's unusually international reach: an American-born, modern poet absorbing the cultures of England, France, Italy and China. These essays situate Pound in the social and material realities of his time and will be invaluable for students and scholars of Pound and modernism.
Parody often stands accused of producing derivative art deficient in taste and skill. But in the hands of writers such as Ezra Pound, Wyndham Lewis, T. S. Eliot, James Joyce, Ford Madox Ford, and Virginia Woolf, the mode engendered revolutionary self-reflexive, critical, and creative practices that were crucial to the development of truly modern art. This book contends that the jauntiness, verve, and daring of high modernism is fundamentally parodic. It arguesthat parody is central to the whole modernist project. As a literary technique, parody provided the means for modernists of many stripes to learn their craft, sharpen their historical sense, definethemselves as post-Victorians, and respond to sources of inspiration while composing.
Christianity and Confucianism: Culture, Faith and Politics, sets comparative textual analysis against the backcloth of 2000 years of cultural, political, and religious interaction between China and the West. As the world responds to China's rise and China positions herself for global engagement, this major new study reawakens and revises an ancient conversation. As a generous introduction to biblical Christianity and the Confucian Classics, Christianity and Confucianism tells a remarkable story of mutual formation and cultural indebtedness. East and West are shown to have shaped the mind, heart, culture, philosophy and politics of the other - and far more, perhaps, than either knows or would want to admit. Christopher Hancock has provided a rich and stimulating resource for scholars and students, diplomats and social scientists, devotees of culture and those who pursue wisdom and peace today.
The Collected Early Poems of Ezra Pound contains the complete text, the poet's first six books, their title pages in facsimile ( A Lume Spento, 1908; A Quinzaine for This Yule, 1908; Personae, 1909; Exultations, 1909; Canzoni, 1911; Ripostes, 1912), and the long poem Redondillas (1911), for many years available only in a rare limited edition. There are, in addition, twenty-five poems originally published in periodicals but not previously collected, as well as thirty-eight others drawn from miscellaneous manuscripts. Ezra Pound's 1926 collection, entitled Personae after his earlier volume of that name, was his personal choice of all the poems he wished to keep in print other than some translations and his Cantos . It was intended to be the definitive collection of his shorter poems, and so it should remain. Yet even the discarded works of a great poet are of value and interest to students and devotees. Originally, brought out clothbound by New Directions in 1976, the texts were established at the Center for the Study of Ezra Pound and His Contemporaries of The Beinecke Rare Book and Manuscript Library at Yale University. They were edited by Michael King under the direction of Louis L. Martz, who wrote the introduction, and Donald Gallup, formerly Curator of American Literature. Included are textual and bibliographic notes as well as indexes of titles and first lines.
This book is a resource to enable scholars and students in Yeats studies to explore the materials in his library, which, together with his unpublished papers and manuscripts, forms part of the writer’s archive in the National Library. Generally, this first volume describes the evidence that he and his wife, George, left in books by other authors, including extensive indications of close reading and thinking on a surprising range of subjects. This book could not have been written without the generous participation of the Yeats family over many years. Their legacy, now entrusted to the National Library, is robust and endless in potential. This book is about individual cases but also the building of an oeuvre. In short, this book enriches our understanding of Yeats’s accomplishment as a writer in over fifty years of creative effort and nearly seventy-four years of abundant life.
American poet and critic, Ezra Pound was a major figure of the modernist movement, whose poetry collections and development of Imagism advocated clarity, precision and economy of language. The Delphi Poets Series offers readers the works of literature's finest poets, with superior formatting. This comprehensive volume presents Pound’s early poetical works, with beautiful illustrations and the usual Delphi bonus material. (Version 1) * Beautifully illustrated with images relating to Pound's life and works * Concise introductions to the poetry collections and other works * Images of how the poetry books were first printed, giving your eReader a taste of the original texts * Rare poetry collections appearing in digital print for the first time * Excellent formatting of the poems * Special chronological and alphabetical contents tables for the poetry * Easily locate the poems you want to read * Features the rare translations of ‘Noh’ Japanese dramas, first time in digital print * Includes a selection of Pound's non-fiction * Scholarly ordering of texts into chronological order and literary genres Please note: this is the most complete collection possible of Pound’s poetry in the US, due to copyright. When more texts enter the public domain, they will be added to the collection as a free update. Please visit www.delphiclassics.com to browse through our range of exciting titles CONTENTS: The Poetry Collections HILDA’S BOOK A LUME SPENTO A QUINZAINE FOR THIS YULE PERSONAE EXULTATIONS THE SPIRIT OF ROMANCE CANZONI THE SONNETS AND BALLATE OF GUIDO CAVALCANTI RIPOSTES CATHAY LUSTRA ARNAUT DANIEL PAVANNES AND DIVISIONS QUIA PAUPER AMAVI HUGH SELWYN MAUBERLEY UMBRA UNPUBLISHED VERSES The Poems LIST OF POEMS IN CHRONOLOGICAL ORDER LIST OF POEMS IN ALPHABETICAL ORDER The Poetical Dramas ‘NOH’, OR, ACCOMPLISHMENT: A STUDY OF THE CLASSICAL STAGE OF JAPAN The Prose INSTIGATIONS OF EZRA POUND Translation of ‘THE NATURAL PHILOSOPHY OF LOVE’ by Remy de Gourmont Please visit www.delphiclassics.com to browse through our range of exciting titles