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"The Trial" is the fourth installment of the illustrated series edition of the thrilling novel "A Private War," firstpublished in 2016. Blending a fictional story with real contributions of African American soldiers and foreign war correspondents, "The Trial" honors the men and women who risked and sacrificed their lives during World War II.During the court-martial of a young soldier, contentious attorneys face dramatic courtroom battles while foreign correspondents are confronted with ethical dilemmas, as each character grapples with the same confounding evidence. Storylines and characters converge during an unforgettable showdown at closing arguments. Many questions are finally answered in this installment of "A Private War."
Soon to be a major motion picture - starring Rosamund Pike, Stanley Tucci and Jamie Dornan. The book that inspired the film A Private War, based on acclaimed journalist Marie Brenner's centrepiece profile of Sunday Times Foreign Affairs correspondent Marie Colvin from this extraordinary collection. In February 2012, Marie Colvin illegally crossed into Syria on the back of a motorcycle. A veteran war correspondent known for her fearlessness, outspokenness and signature eye patch, she was defying a government decree preventing journalists from entering the country. Accompanied by French photographer Remi Ochlik, she was determined to report on the Syrian Civil War, adding to a long list of conflicts she had covered including Egypt, Chechnya, Kosovo and Libya. She had witnessed grenade attacks, saved more than one thousand women and children in an East Timor war zone when she refused to stop reporting until they were evacuated, and even interviewed Muammar Gaddafi. But she had no idea that the story she was looking for in Syria would be her last, culminating in the explosion of an improvised device that sent shockwaves across the world. In A Private War, veteran journalist Marie Brenner brilliantly re-creates the last days and hours of Colvin's life, moment-by-moment, to share the story of a remarkable life lived on the front lines. This collection also includes Brenner's classic accounts of encounters with Donald Trump, Roy Cohn, Malala Yousafzai and Richard Jewell.
The private military industry has been growing rapidly since the end of the Cold War. The Morality of Private War uses normative political theory to assess the leading moral arguments for and against the use of private military and security companies.
"The official book of the acclaimed documentary film"--Jacket.
The increased use of private military and security companies (PMSCs) is often said to be one of the most significant changes to the military in recent times. The Morality of Private War: The Challenge of Private Military and Security Companies provides a detailed assessment of the moral arguments for and against the use of PMSCs. In doing so, it considers objections to private force at the employee, employer, and international levels. For instance, does the potential for private contractors to possess mercenary motives affect whether they can use military force? Does a state abdicate an essential responsibility when it employs PMSCs? Is the use of PMSCs morally preferable to the alternatives, such as an all-volunteer force and a conscripted army? What are the effects of treating military services as a commodity for the governing rules of the international system? Overall, The Morality of Private War argues that private military force leads to not only contingent moral problems stemming from the lack of effective regulation, but also several deeper, more fundamental problems that mean that public force should be preferred. Nevertheless, it also argues that, despite these problems, PMSCs can sometimes (although rarely) be morally permissibly used. Ultimately, The Morality of Private War argues that the challenges posed by the use of PMSCs mean that we need to reconsider how military force ought to be organized and to reform our thinking about the ethics of war and, in particular, Just War Theory.
The Lonely Soldier--the inspiration for the documentary The Invisible War--vividly tells the stories of five women who fought in Iraq between 2003 and 2006--and of the challenges they faced while fighting a war painfully alone. More American women have fought and died in Iraq than in any war since World War Two, yet as soldiers they are still painfully alone. In Iraq, only one in ten troops is a woman, and she often serves in a unit with few other women or none at all. This isolation, along with the military's deep-seated hostility toward women, causes problems that many female soldiers find as hard to cope with as war itself: degradation, sexual persecution by their comrades, and loneliness, instead of the camaraderie that every soldier depends on for comfort and survival. As one female soldier said, "I ended up waging my own war against an enemy dressed in the same uniform as mine." In The Lonely Soldier, Benedict tells the stories of five women who fought in Iraq between 2003 and 2006. She follows them from their childhoods to their enlistments, then takes them through their training, to war and home again, all the while setting the war's events in context. We meet Jen, white and from a working-class town in the heartland, who still shakes from her wartime traumas; Abbie, who rebelled against a household of liberal Democrats by enlisting in the National Guard; Mickiela, a Mexican American who grew up with a family entangled in L.A. gangs; Terris, an African American mother from D.C. whose childhood was torn by violence; and Eli PaintedCrow, who joined the military to follow Native American tradition and to escape a life of Faulknerian hardship. Between these stories, Benedict weaves those of the forty other Iraq War veterans she interviewed, illuminating the complex issues of war and misogyny, class, race, homophobia, and post-traumatic stress disorder. Each of these stories is unique, yet collectively they add up to a heartbreaking picture of the sacrifices women soldiers are making for this country. Benedict ends by showing how these women came to face the truth of war and by offering suggestions for how the military can improve conditions for female soldiers-including distributing women more evenly throughout units and rejecting male recruits with records of violence against women. Humanizing, urgent, and powerful, The Lonely Soldier is a clarion call for change.
A New York Times Book Review Editors' Choice. Finalist for the Costa Biography Award and long-listed for the Andrew Carnegie Medal for Excellence. Named a Best Book of 2018 by Esquire and Foreign Policy. An Amazon Best Book of November, the Guardian Bookshop Book of November, and one of the Evening Standard's Books to Read in November "Now, thanks to Hilsum’s deeply reported and passionately written book, [Marie Colvin] has the full accounting that she deserves." --Joshua Hammer, The New York Times The inspiring and devastating biography of Marie Colvin, the foremost war reporter of her generation, who was killed in Syria in 2012, and whose life story also forms the basis of the feature film A Private War, starring Rosamund Pike as Colvin. When Marie Colvin was killed in an artillery attack in Homs, Syria, in 2012, at age fifty-six, the world lost a fearless and iconoclastic war correspondent who covered the most significant global calamities of her lifetime. In Extremis, written by her fellow reporter Lindsey Hilsum, is a thrilling investigation into Colvin’s epic life and tragic death based on exclusive access to her intimate diaries from age thirteen to her death, interviews with people from every corner of her life, and impeccable research. After growing up in a middle-class Catholic family on Long Island, Colvin studied with the legendary journalist John Hersey at Yale, and eventually started working for The Sunday Times of London, where she gained a reputation for bravery and compassion as she told the stories of victims of the major conflicts of our time. She lost sight in one eye while in Sri Lanka covering the civil war, interviewed Gaddafi and Arafat many times, and repeatedly risked her life covering conflicts in Chechnya, East Timor, Kosovo, and the Middle East. Colvin lived her personal life in extremis, too: bold, driven, and complex, she was married twice, took many lovers, drank and smoked, and rejected society’s expectations for women. Despite PTSD, she refused to give up reporting. Like her hero Martha Gellhorn, Colvin was committed to bearing witness to the horrifying truths of war, and to shining a light on the profound suffering of ordinary people caught in the midst of conflict. Lindsey Hilsum’s In Extremis is a devastating and revelatory biography of one of the greatest war correspondents of her generation.
Library has Vol. 1-5.
Wars have played a momentous role in shaping the course of human history. The ever-present specter of conflict has made it an enduring topic of interest in popular culture, and many movies, from Hollywood blockbusters to independent films, have sought to show the complexities and horrors of war on-screen. In The Philosophy of War Films, David LaRocca compiles a series of essays by prominent scholars that examine the impact of representing war in film and the influence that cinematic images of battle have on human consciousness, belief, and action. The contributors explore a variety of topics, including the aesthetics of war as portrayed on-screen, the effect war has on personal identity, and the ethical problems presented by war. Drawing upon analyses of iconic and critically acclaimed war films such as Saving Private Ryan (1998), The Thin Red Line (1998), Rescue Dawn (2006), Restrepo (2010), and Zero Dark Thirty (2012), this volume's examination of the genre creates new ways of thinking about the philosophy of war. A fascinating look at the manner in which combat and its aftermath are depicted cinematically, The Philosophy of War Films is a timely and engaging read for any philosopher, filmmaker, reader, or viewer who desires a deeper understanding of war and its representation in popular culture.
"For some strange reason there was a common belief among World War Two vets that, except for families, relatives, and close friends, the general public really was not interested in their lives as combat soldiers. The passing of time has helped those veterans who are alive today to feel comfortable in contributing their military exploits and personal history. Mine is but one of many stories that can be told, yet as time marches on I realize the extraordinary circumstance which allowed me to survive from Normandy to the Elbe. It has served to validate historical accounts of key battles in five major campaigns, and the atrocities committed by Germany before our freeing of surviving prisoners from death camps. I also feel it my duty as an existing veteran of World War Two to honor my fallen combat brothers who deserved so much more for their valor than a humble grave or burial at sea. Their heroics, values, and comradeship are etched indelibly in my memory. To whatever degree I am able, I wish to give life and meaning to those men who died so long ago, and from whose ultimate sacrifice we have secured the liberties and freedoms we so long have enjoyed. I must say, I feel an added urgency to leave to the world, and my posterity, an eyewitness record of those historic eleven months from our landing on Omaha Beach to meeting the Russian Army on the Elbe River, and the subsequent occupation of defeated Nazi Germany"--Author's statement