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Lyndall Gordon presents a new and intimate kind of biography, telling the story of Henry James' life through the lens of two strange and elusive relationships which crucially influenced his art.
The romantic side of Henry James, revealed through his letters to young male friends
This collection of 216 letters offers an accessible, single-volume distillation of the exchange between celebrated brothers William and Henry James. Spanning more than fifty years, their correspondence presents a lively account of the persons, places, and events that affected the Euro-American world from 1861 until the death of William James in August 1910. An engaging introduction by John J. McDermott suggests the significance of the Selected Letters for the study of the entire family.
Rowe uses recent work on the oppressive treatment of gays, women and children in his analysis of Henry James, arguing that James mounts a critique of bourgeois values and lack of historical consciousness.
The New York Timescompared Sheldon M. Novick'sHenry James: The Young Masterto "a movie of James's life, as it unfolds, moment to moment, lending the book a powerful immediacy." Now, inHenry James: The Mature Master, Novick completes his super, revelatory two-volume account of one of the world's most gifted and least understood authors, and of a vanished world of aristocrats and commoners. Using hundreds of letters only recently made available and taking a fresh look at primary materials, Novick reveals a man utterly unlike the passive, repressed, and privileged observer painted by other biographers. Henry James is seen anew, as a passionate and engaged man of his times, driven to achieve greatness and fame, drawn to the company of other men, able to write with sensitivity about women as he shared their experiences of love and family responsibility. James, age thirty-eight as the volume begins, basking in the success of his first major novel,The Portrait of a Lady, is a literary lion in danger of being submerged by celebrity. As his finances ebb and flow he turns to the more lucrative world of the stage-with far more success than he has generally been credited with. Ironically, while struggling to excel in the theatre, James writes such prose masterpieces asThe Wings of the DoveandThe Golden Bowl. Through an astonishingly prolific life, James still finds time for profound friendships and intense rivalries.Henry James: The Mature Masterfeatures vivid new portraits of James's famous peers, including Edith Wharton, Oscar Wilde, and Robert Louis Stevenson; his close and loving siblings Alice and William; and the many compelling young men, among them Hugh Walpole and Howard Sturgis, with whom James exchanges professions of love and among whom he thrives. We see a master converting the materials of an active life into great art. Here, too, as one century ends and another begins, is James's participation in the public events of his native America and adopted England. As the still-feudal European world is shaken by democracy and as America sees itself endangered by a wave of Jewish and Italian immigrants, a troubled James wrestles with his own racial prejudices and his desire for justice. With the coming of world war all other considerations are set aside, and James enlists in the cause of civilization, leaving his greatest final works unwritten. Hailed as a genius and a warm and charitable man-and derided by enemies as false, effeminate, and self-infatuated-Henry James emerges here as a major and complex figure, a determined and ambitious artist who was planning a new novel even on his deathbed. InHenry James: The Mature Master, he is at last seen in full; along with its predecessor volume, this book is bound to become t
Washington Square is a tragicomedy that recounts the conflict between a dull but sweet daughter and her brilliant, unemotional father. The plot of the novel is based upon a true story told to James by his close friend, British actress Fanny Kemble. The book is often compared with Jane Austen's work for the clarity and grace of its prose and its intense focus on family relationships. Dr. Austin Sloper, a wealthy and highly successful physician, lives in Washington Square, New York with his daughter Catherine. Catherine is a sweet-natured young woman who is a great disappointment to her father, being physically plain and, he believes, dull in terms of personality and intellect. His sister, Lavinia Penniman, a meddlesome woman with a weakness for romance and melodrama, is the only other member of the doctor's household. Henry James (1843–1916) was an American-British writer who spent most of his writing career in Britain. He is regarded as one of the key figures of 19th-century literary realism.
With social networking and reality television, self–help columns and daytime talk shows, there's an infinite array of platforms to both expose our deepest thoughts and examine the thoughts of others. In this age of non–stop communication, one's privacy is subject to unrelenting examination, intrusion, and attack from the media, the government, friends, family, and complete strangers. So what are we trying to hide? And what are we trying to find out about others? Practicing psychoanalyst and professor of literature Josh Cohen tackles those questions in his study of privacy and personality, the "most vulnerable and indestructible region of your self." Using Sigmund Freud's theories on identity and the ego as a foundation, Cohen weaves through time and place to study an extensive variety of people who unearthed and revealed the rawest form of their selves. From Adam and Eve to the ballerinas in the hit 2010 film Black Swan, from Hester Prynne to British celebrity Katie Price, Cohen finds Freud's ideas in both fiction and reality alike. Yet even with all the times that we've exposed the inner workings of our psyches, Cohen is sure to emphasize that some part of every individual will always remain hidden. Like Freud once wrote, "The ego is not master in its own house." In a culture that floods our lives with light, how is it that we remain so helplessly in the dark?
Henry James defied posterity to disturb his bones: he was adamant that his legacy be based exclusively on his publications and that his private life and writings remain forever private. Despite this, almost immediately after his death in 1916 an intense struggle began among his family and his literary disciples to control his posthumous reputation, a struggle that was continued by later generations of critics and biographers. Monopolizing the Master gives a blow-by-blow account of this conflict, which aroused intense feelings of jealousy, suspicion, and proprietorship among those who claimed to be the just custodians of James's literary legacy. With an unprecedented amount of new evidence now available, Michael Anesko reveals the remarkable social, political, and sexual intrigue that inspired—and influenced—the deliberate construction of the Legend of the Master.