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Treating Old Testament stories as the product of an oral traditional world, A Prelude to Biblical Folklore sets biblical narrative in a broad cross-cultural context and reveals much about the richness and complexity of the ancient Israelite civilization that produced it. Using a unique combination of biblical scholarship and folklore methodology, Susan Niditch tracks stories of biblical characters who become heroes against the odds, either through trickery or through native wisdom, physical prowess, and the help of human or divine agents. In this volume, originally published as Underdogs and Tricksters, Niditch examines three cross-sections of the Old Testament in detail: stories in Genesis in which patriarchs pretend that their wives are really their sisters; the contrasting stories of two younger sons, the trickster Jacob and the earnest underdog Joseph; and the story of Esther as a paradigm of feminine wisdom pitted against unjust authority. Linking these Old Testament heroes to the legendary tricksters and underdogs of other cultures, Niditch shows how the Israelites' worldview and self-image are reflected in the way biblical authors tell their stories. Through a thoughtful analysis of style, content, narrative choices, and attitudes to issues of gender and political authority in biblical narrative, A Prelude to Biblical Folklore draws persuasive conclusions about the identity, location, and provenance of the stories' authors and their audiences.
"Diane Sharon uses the tools of structuralist literary criticism to uncover social and theological patterns in the literature of the Hebrew Bible. After providing a brief framework for understanding the approach used in her study, she demonstrates that the social activity of eating and drinking, when accompanied by other literary motifs, is part of a pattern portending the establishment or condemnation of a cultural entity. This pattern she refers to as the Pattern of Destiny." "In addition to defining the "destiny pattern," Sharon shows that the "direction" of the eating and/or drinking event provides clues regarding the nature of the destiny portended: whether the event will turn out to the positive or negative for the individual or cultural entity is signaled by clues within the eating/drinking event, sometimes in opposition to the surface structure of the text in which these clues are embedded." --Book Jacket.
Comprised of contributions from scholars across the globe, The Oxford Handbook of Biblical Narrative is a state-of-the-art anthology, offering critical treatments of both the Bible's narratives and topics related to the Bible's narrative constructions. The Handbook covers the Bible's narrative literature, from Genesis to Revelation, providing concise overviews of literary-critical scholarship as well as innovative readings of individual narratives informed by a variety of methodological approaches and theoretical frameworks. The volume as a whole combines literary sensitivities with the traditional historical and sociological questions of biblical criticism and puts biblical studies into intentional conversation with other disciplines in the humanities. It reframes biblical literature in a way that highlights its aesthetic characteristics, its ethical and religious appeal, its organic qualities as communal literature, its witness to various forms of social and political negotiation, and its uncanny power to affect readers and hearers across disparate time-frames and global communities.
Stories of rape, murder, adultery, and conquest raise crucial issues in the Hebrew Bible, and their interpretation helps societies form their religious and moral beliefs. From the sacrifice of Isaac to the adultery of David, narratives of sin engender vivid analysis and debate, powering the myths that form the basis of the religious covenant, or the relationship between a people and their God. Rereading these stories in their different forms and varying contexts, Alan F. Segal demonstrates the significance of sinning throughout history and today. Drawing on literary and historical theory, as well as research in the social sciences, he explores the motivation for creating sin stories, their prevalence in the Hebrew Bible, and their possible meaning to Israelite readers and listeners. After introducing the basics of his approach and outlining several hermeneutical concepts, Segal conducts seven linked studies of specific narratives, using character and text to clarify problematic terms such as "myth," "typology," and "orality." Following the reappearance and reinterpretation of these narratives in later compositions, he proves their lasting power in the mythology of Israel and the encapsulation of universal, perennially relevant themes. Segal ultimately positions the Hebrew Bible as a foundational moral text and a history book, offering uncommon insights into the dating of biblical events and the intentions of biblical authors.
Generically, theologically, and concerning content, Mark and Joseph and Aseneth are quite different. The former is a product of the nascent Jesus movement and influenced by the Greco-Roman Bioi (“Lives”). It details the life, ministry, death, and resurrection of a wandering Galilean. The latter is a Hellenistic Jewish narrative influenced by Greek romances and Jewish novellas. It expands the laconic account of Joseph's marriage to Aseneth in Genesis 41 into a full-fledged love and adventure story. Despite these differences, Elder finds remarkable similarities that the texts share. Elder uses both texts to examine media and modes of composition in antiquity, arguing that they were both composed via dictation from their antecedent oral traditions. Elder's volume offers a fresh approach to the composition of both Joseph and Aseneth and Mark as well as to many of their respective interpretive debates.
Apart from the occasional recognition of comic forms or motifs in biblical dress, the vast majority of interpreters have usually discounted or even disdained the possibility of the Bible having any significant place for the comic vision. This book attempts to make amends for this short-sighted, prejudicial perspective.
First Published in 1996. This study provides a political viewpoint on Israel and the Bible. It covers reading the Bible politically as well as considering if it has political reality. Part II extends to discuss Moses as a political leader and David as a builder of a state. Part III focuses more on the modern relevance of Biblical politics, Jewish vitality and the Case of Jerusalem.
How have fairy tales from around the world changed over the centuries? What do they tell us about different cultures and societies? Drawing on the contributions of scholars working on Italian, French, English, Ottoman Turkish, and Japanese tale traditions, this book underscores the striking mobility and malleability of fairy tales written in the years 1450 to 1650. The essays examine how early modern scientific theories, debates on the efficacy of witchcraft, conceptions of race and gender, religious beliefs, the aesthetics of landscape, and censorial practices all shaped the representations of magic and marvels in the tales of this period. Tracing the fairy tale's swift movement across linguistic and geographic borders, through verse and prose versions, from the printed page to the early modern stage, this volume demonstrates the ways in which these fantastic literary texts explored the ideological borders constructed by different societies. An essential resource for researchers, scholars and students of literature, history and cultural studies, contributors explore themes including: forms of the marvelous, adaption, gender and sexuality, humans and non-humans, monsters and the monstrous, space, socialization, and power. A Cultural History of Fairy Tales (6-volume set) A Cultural History of Fairy Tales in Antiquity is also available as a part of a 6-volume set, A Cultural History of Fairy Tales, tracing fairy tales from antiquity to the present day, available in print, or within a fully-searchable digital library accessible through institutions by annual subscription or on perpetual access (see www.bloomsburyculturalhistory.com). Individual volumes for academics and researchers interested in specific historical periods are also available digitally via www.bloomsburycollections.com.
Women in the Hebrew Bible presents the first one-volume overview covering the interpretation of women's place in man's world within the Hebrew Bible or Old Testament. Written by the major scholars in the field of biblical studies and literary theory, these essays examine attitudes toward women and their status in ancient Near Eastern societies, focusing on the Israelite society portrayed by the Hebrew Bible.
Notions of women as found in the Bible have had an incalculable impact on western cultures, influencing perspectives on marriage, kinship, legal practice, political status, and general attitudes. Women and Exilic Identity in the Hebrew Bible is drawn from three separate strands to address and analyse this phenomenon. The first examines how women were conceptualized and represented during the exilic period. The second focuses on methodological possibilities and drawbacks connected to investigating women and exile. The third reviews current prominent literature on the topic, with responses from authors. With chapters from a range of contributors, topics move from an analysis of Ruth as a woman returning to her homeland, and issues concerning the foreign presence who brings foreign family members into the midst of a community, and how this is dealt with, through the intermarriage crisis portrayed in Ezra 9-10, to an analysis of Judean constructions of gender in the exilic and early post-exilic periods. The contributions show an exciting range of the best scholarship on women and foreign identities, with important consequences for how the foreign/known is perceived, and what that has meant for women through the centuries.