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A work of great rage, sorrow, and love, Michael Salcman’s majestic A Prague Spring tells an almost unbearable story that needs to be told over and over and never forgotten. Beginning with coldly matter-of-fact poems of family members lost to and escaping the Shoah, Salcman documents how his parents survived and met, and how he got along in Brooklyn, the glorious borough of his childhood, baseball’s Dodgers, and the Brooklyn Bridge. Finally, he doubles back to visit the country of his birth. And in a series of stunning poems, a prose piece, and a final poem to his cousin Magda, Salcman ties together past and present, and gives us one more glimpse into the soul of a survivor, two really, his older cousin, and himself. —Robert Cooperman, author of In the Colorado Gold Fever Mountains, winner of the Colorado Book Award for Poetry A Prague Spring is a beautiful blend of the lyric imagination with historical and autobiographical facts. In this book, ignorance, cruelty, and murder lose. Art, and the truth, wins. —Thomas Lux, Bourne Chair in Poetry at the Georgia Institute of Technology, winner of the Kingsley Tufts Award and author of God Particles A Prague Spring is a near-epic book of history poems, interweaving the story of Prague with the Holocaust, family deaths and survivals, a book that stuns the reader with the enormities and sorrows of Time. Salcman uses the compression of narrative, meditative and lyric poetry to “bring you looted treasures: History’s twisted snakes.” Here we find a Holocaust survivor who is “a stick leaning on a stick, / an insect on a branch” as well as the backwards-running Jewish clock of Prague (“What city tells time like Prague?”) counterpoised with Salcman’s Brooklyn: “sweet / borough of my youth, heart and lung / of life.” Kafka and Salcman's ancestors haunt the Czech capital where “a pile of dust once pushed a cart of salt and spices / on a medieval street.” The poems revisit totalitarian defenestrations, slaughters and repressions as they recount, wonder and pray, all the time knowing “the brain is a savage beast, it eats when and what / no other organ eats….” At once autobiography, history, testimonial and memorial, A Prague Spring is a revolutionary collection of important and necessary poems, confidently written and—especially with Salcman’s tonal skills—always absorbing; it is further deepened by how perfectly Lynn Silverman’s dark photographs of Prague capture that ancient city’s shadows and ghosts. —Dick Allen, Connecticut State Poet Laureate (2010-2015) and author of This Shadowy Place, Present Vanishing, and Ode to the Cold War: Poems New and Selected
"In addition to revealing the events surrounding the invasion of Czechoslovakia in 1968, this is the first book to document a Cold War crisis from both sides of the Iron Curtain. It is based on unprecedented access to the previously closed archives of each member of the Warsaw Pact, as well as once highly classified American documents from the National Security Council, CIA, and other intelligence agencies." "Presented in a highly readable volume, the book offers top-level documents from Kremlin Politburo meetings, multilateral sessions of the Warsaw Pact leading up to the decision to invade, transcripts of KGB-recorded telephone conversations between Leonid Brezhnev and Alexander Dubcek." "To provide a historical and political context, the editors have prepared essays to introduce each section of the volume. A chronology, glossary and bibliography offer further background information for the reader." "The editors have a unique perspective to offer to foreign audiences since they are members of the commission appointed by Vaclav Havel to investigate the events of 1967-1970."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The 1968 Soviet invasion of Czechoslovakia brought an end to the Prague Spring and its promise of "socialism with a human face." Before the invasion, Czech reformers had made unexpected use of television to advance political and social change. In its aftermath, Communist Party leaders employed the medium to achieve "normalization," pitching television stars against political dissidents in a televised spectacle that defined the times. The Greengrocer and His TV offers a new cultural history of communism from the Prague Spring to the Velvet Revolution that reveals how state-endorsed ideologies were played out on television, particularly through soap opera-like serials. In focusing on the small screen, Paulina Bren looks to the "normal" of normalization, to the everyday experience of late communism. The figure central to this book is the greengrocer who, in a seminal essay by Václav Havel, symbolized the ordinary citizen who acquiesced to the communist regime out of fear. Bren challenges simplistic dichotomies of fearful acquiescence and courageous dissent to dramatically reconfigure what we know, or think we know, about everyday life under communism in the 1970s and 1980s. Deftly moving between the small screen, the street, and the Central Committee (and imaginatively drawing on a wide range of sources that include television shows, TV viewers' letters, newspapers, radio programs, the underground press, and the Communist Party archives), Bren shows how Havel's greengrocer actually experienced "normalization" and the ways in which popular television serials framed this experience. Now back by popular demand, socialist-era serials, such as The Woman Behind the Counter and The Thirty Adventures of Major Zeman, provide, Bren contends, a way of seeing—literally and figuratively—Czechoslovakia's normalization and Eastern Europe's real socialism.
This volume is a valuable addition to the literature related to the Soviet invasion of Czechoslovakia in August 1968. The author focusses his analysis on the facotrs that determined the post-invasion "normalization" primarily in terms of the Czechoslovak response to the invasion which imparted a specific character to the aftermath of the action of the Warsaw Pact.
New York Times bestselling author of The Glass Room Simon Mawer returns to Czechoslovakia, this time during the turbulent 1960s, with a suspenseful story that mixes sex, politics, and betrayal. In the summer of 1968--a year of love and hate, of Prague Spring and Cold War winter--Oxford students James Borthwick and Eleanor Pike set out to hitchhike across Europe, complicating a budding friendship that could be something more. Having reached southern Germany, they decide on a whim to visit Czechoslovakia, where Alexander Dubček's "socialism with a human face" is smiling on the world. Meanwhile, Sam Wareham, First Secretary at the British embassy in Prague, is observing developments in the country with both a diplomat's cynicism and a young man's passion. In the company of Czech student Lenka Konečková, he finds a way into the world of Czechoslovak youth, its hopes and its ideas. For the first time, nothing seems off limits behind the Iron Curtain. Yet the wheels of politics are grinding in the background. The Soviet leader Leonid Brezhnev is making demands of Dubček, and the Red Army is amassed on the borders. How will the looming disaster affect those fragile lives caught up in the invasion? With this shrewd, engrossing, and sensual novel, Simon Mawer cements his status as one of the most talented writers of historical spy fiction today.
"DECREAZIONE" is a book collecting Joseph Koudelka's images exhibited at the fifty-firth Venice Biennale, at the Vatican Pavilion. With his suggestive black-and-white images and his moving, desolated landscapes, Koudelka tells stories of destruction, declined in three different forms: time, violence, and contrast between nature and uncontrolled industrial development. Josef Koudelka was born in Moravia in 1938. He published numerous photographic books on the relationship between man and landscape, about gypsy life, and on the invasion of Prague in 1968. Significant exhibitions of his works have been held at international museums and galleries and he received numerous major awards.
A survey of the development of reformist ideas among the Czech intelligentsia after 1956.
The Prague Spring of 1968 was among the most important episodes in post-war European politics. In this book Kieran Williams analyses the attempt at reform socialism under Alexander Dubcek using materials and sources which have become available in the wake of the 1989 revolution. Drawing on declassified documents from party archives, the author readdresses important questions surrounding the Prague Spring: Why did liberalization occur? What was it intended to achieve? Why did the Soviet Union intervene with force? What was the political outcome of the invasion? What part did the reformers play in ending the experiment in reform socialism? What was the role of the security police under Dubcek? The book will provide new information for specialists as well as introductory analysis and narrative for students of East European politics and history and Soviet foreign policy.
Essays and comments presented at an international conference held at University of Ottawa, Oct. 9-10, 2008.
Mikhail Gorbachev and Zdenek Mlynar were friends for half a century, since they first crossed paths as students in 1950. Although one was a Russian and the other a Czech, they were both ardent supporters of communism and socialism. One took part in laying the groundwork for and carrying out the Prague spring; the other opened a new political era in Soviet world politics. In 1993 they decided that their conversations might be of interest to others and so they began to tape-record them. This book is the product of that “thinking out loud” process. It is an absorbing record of two friends trying to explain to one another their views on the problems and events that determined their destinies. From reminiscences of their starry-eyed university days to reflections on the use of force to “save socialism” to contemplation of the end of the cold war, here is a far more candid picture of Gorbachev than we have ever seen before.