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"...This read-along is a richly sensory experience.... sound effects of chirping birds, tromping feet, lowing cows, whirring insects, exploding fireworks, pounding surf, buzzing bees, barking dogs, honking geese, and tolling bells create their own aural metaphors that echo the poet's verse and clearly reflect the seasons." -Booklist
Poetry. Women's Studies. PLAYING MONSTER :: SEICHE is a book-length poem that incessantly dodges between two narratives: the speaker's childhood experiences with an abusive father and, as an adult, increasingly aggressive acts made toward her mother by strange men. It is a piece of noir poetics. It is also memoir and documentary. Through tight, spare poems, Arterian's unflinching descriptions of difficult life experiences fight aestheticization, engaging directly with the events as through the poetry of witness.
Literary Nonfiction. This anthology is a collection of some of the most exciting voices in the field of writing, art, and activism. Each contributor considers different aspects of aesthetics, from what beauty means to them to how disability has informed their practice. Here artists and writers dive deep into how notions of identity, language, and history play out in their work. Contributors include Kazim Ali, Jennifer Bartlett, Josh Bell, CA Conrad, Camille T. Dungy, Mary Gaitskill, Maria Mazziotti Gillan, Carmen Giménez Smith, Arielle Greenberg, Elizabeth Hall, Brenda Hillman, Kenyatta A.C. Hinkle, Bob Holman, Bhanu Kapil, Douglas Kearney, Paul Legault, Sandra Lim, MANDEM, Shane McCrae, Lynn Melnick, Philip Metres & Mark Nowak, Ben Mirov, Eileen Myles, Hoa Nguyen, Alice Notley, James Romberger & Marguerite Van Cook, giovanni singleton, Molly Sutton Kiefer, Mathew Timmons, Derek White, Simone White, Joshua Marie Wilkinson, Emily Wolahan, and Maged Zaher.
In Days to Celebrate Lee Bennett Hopkins has collected an astounding array of information to show us that each day of the year gives us a reason to celebrate. For every month he has compiled a calendar of birthdays, holidays, historic events, inventions, world records, thrilling firsts, and more. And for every month he has selected surprising poems in honor of some of the people and events commemorated in the calendar. There are poems about the seasons and holidays, of course, but there are also poems about a "Flying-Man" (for February 4, Charles Lindbergh's birthday), birds (for April 26, John James Audubon's birthday), windshield wipers (patented November 10), and earmuffs (patented December 21). Beloved poets, such as Walt Whitman, Langston Hughes, Gwendolyn Brooks, and Christina Rossetti, are joined by new voices in sixty poems that take us on a remarkable journey through a year -- and through the years. Stephen Alcorn's illustrations, based on the style of art found in old almanacs, are airy, whimsical, and thought provoking. They perfectly match the breadth and depth of this volume. Brilliantly conceived and elegantly illustrated, Days to Celebrate is a book that pays tribute to the people, events, and poetry that make up our past and will inspire our future.
From the New York Times bestselling author of Steal Like an Artist and Show Your Work! comes an interactive journal and all-in-one logbook to get your creative juices flowing, and keep a record of your ideas and discoveries. The Steal Like an Artist Journal is the next step in your artistic journey. It combines Austin Kleon’s unique and compelling ideas with the physical quality that makes journals like Moleskines so enormously popular. Page after page of ideas, prompts, quotes, and exercises are like a daily course in creativity. There are lists to fill in—Ten Things I Want to Learn, Ten Things I Probably Think About More Than the Average Person. Challenges to take. Illustrated creative exercises—Make a Mixtape (for someone who doesn’t know you) and Fill in the Speech Balloons. Pro and con charts—What Excites You?/What Drains You? The journal has an elastic band for place-marking and a special pocket in the back—a “swipe file” to store bits and pieces of inspiration. Because if you want to steal like an artist, you need a place to keep your loot.
An astonishing collection about interconnectedness—between the human and nonhuman, ancestors and ourselves—from National Book Critics Circle Award winner and National Book Award finalist Ada Limón. “I have always been too sensitive, a weeper / from a long line of weepers,” writes Limón. “I am the hurting kind.” What does it mean to be the hurting kind? To be sensitive not only to the world’s pain and joys, but to the meanings that bend in the scrim between the natural world and the human world? To divine the relationships between us all? To perceive ourselves in other beings—and to know that those beings are resolutely their own, that they “do not / care to be seen as symbols”? With Limón’s remarkable ability to trace thought, The Hurting Kind explores those questions—incorporating others’ stories and ways of knowing, making surprising turns, and always reaching a place of startling insight. These poems slip through the seasons, teeming with horses and kingfishers and the gleaming eyes of fish. And they honor parents, stepparents, and grandparents: the sacrifices made, the separate lives lived, the tendernesses extended to a hurting child; the abundance, in retrospect, of having two families. Along the way, we glimpse loss. There are flashes of the pandemic, ghosts whose presence manifests in unexpected memories and the mysterious behavior of pets left behind. But The Hurting Kind is filled, above all, with connection and the delight of being in the world. “Slippery and waddle thieving my tomatoes still / green in the morning’s shade,” writes Limón of a groundhog in her garden, “she is doing what she can to survive.”
"Vivam" is the very last word of Ovid's masterpiece, the Metamorphoses: "I shall live." If we're still reading it two millennia after Ovid's death, this is by definition a remarkably accurate prophecy. Ovid was not the only ancient author with aspirations to be read for eternity, but no poet of the Greco-Roman world has had a deeper or more lasting impact on subsequent literature and art than he can claim. In the present day no Greek or Roman poet is as accessible, to artists, writers, or the general reader: Ovid's voice remains a compellingly contemporary one, as modern as it seemed to his contemporaries in Augustan Rome. But Ovid was also a man of his time, his own story fatally entwined with that of the first emperor Augustus, and the poetry he wrote channels in its own way the cultural and political upheavals of the contemporary city, its public life, sexual mores, religion, and urban landscape, while also exploiting the superbly rich store of poetic convention that Greek literature and his Roman predecessors had bequeathed to him. This Very Short Introduction explains Ovid's background, social and literary, and introduces his poetry, on love, metamorphosis, Roman festivals, and his own exile, a restlessly innovative oeuvre driven by the irrepressible ingenium or wit for which he was famous. Llewelyn Morgan also explores Ovid's immense influence on later literature and art, spanning from Shakespeare to Bernini. Throughout, Ovid's poetry is revealed as enduringly scintillating, his personal story compelling, and the issues his life and poetry raise of continuing relevance and interest. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.
The epic made simple. The miracle in the mundane. One day, while browsing an antique store in Helena, Montana, photographer Tyler Knott Gregson stumbled upon a vintage Remington typewriter for sale. Standing up and using a page from a broken book he was buying for $2, he typed a poem without thinking, without planning, and without the ability to revise anything. He fell in love. Three years and almost one thousand poems later, Tyler is now known as the creator of the Typewriter Series: a striking collection of poems typed onto found scraps of paper or created via blackout method. Chasers of the Light features some of his most insightful and beautifully worded pieces of work—poems that illuminate grand gestures and small glimpses, poems that celebrate the beauty of a life spent chasing the light.