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Beyond Haiku peeks through the cockpit door to reveal the poetic heart of airline pilots. Captain Linda Pauwels, instructor pilot on the Boeing 787 and former aviation columnist for the Orange County Register, presents a selection of haiku and short poems by men and women who fly airplanes for a living. The writing is niche and empathetic. The humor is characteristically wry, befitting the pilot persona. Beautiful illustrations, by children of pilots aged 6 to 17, bring this flight of fancy in for a smooth landing. Proceeds from Beyond Haiku will go to the Allied Pilots Association Emergency Relief and Scholarship Fund, to provide support for pilots impacted by industry effects of COVID-19.
Selected by Jos Charles as the winner of the 2021 Ballard Spahr Prize for Poetry, Return Flight is a lush reckoning: with inheritance, with body, with trauma, with desire—and with the many tendons in between. When Return Flight asks “what name / do you crown yourself,” Huang answers with many. Textured with mountains—a folkloric goddess-prison, Yushan, mother, men, self—and peppered with shapeshifting creatures, spirits, and gods, the landscape of Jennifer Huang’s poems is at once mystical and fleshy, a “myth a mess of myself.” Sensuously, Huang depicts each of these not as things to claim but as topographies to behold and hold. Here, too, is another kind of mythology. Set to the music of “beating hearts / through objects passed down,” the poems travel through generations—among Taiwan, China, and America—cataloging familial wounds and beloved stories. A grandfather’s smile shining through rain, baby bok choy in a child’s bowl, a slap felt decades later—the result is a map of a present-day life, reflected through the past. Return Flight is a thrumming debut that teaches us how history harrows and heals, often with the same hand; how touch can mean “purple” and “blue” as much as it means intimacy; and how one might find a path toward joy not by leaving the past in the past, but by “[keeping a] hand on these memories, / to feel them to their ends.”
A complete selection of poetry by Terry Trainor. There is no index as the pages have been put in the order that the poet would like you to read them. All of these poems have had fantastic reviews and are a collection of the best of the best. The author has been writing poems for many years and has published many books. The greatest compliment any reader can give me is to just enjoy the book. The poems contain many historical information as the poems stroll through time. I hope you enjoy the book and it leaves you with an understanding of how beautiful poetry can be.
This book explores the significance of flight to Romantic literature. Although the Romantic movement and the age of ballooning coincided, there has been a curious and long-time tendency to forget that flight was not impossible during this period. This study details the importance of this new technology to Romantic authors, primarily English Romantic poets. It combines accounts of the exploits and experiences of early balloonists with references to Romantic texts, using ballooning lore to illuminate a range of Romantic writings. The balloonists are seen as not just supplying these writers with a new code of metaphors, but as colleagues engaged in similarly imaginative enterprises. The book uncovers an ‘aerial imagination’ shared by a large number of writers in the Romantic period that has its origins in the balloon adventures of the 1780s and following two decades. It will appeal to scholars and students of Romantic cultural history, as well as those interested in Romantic poetry and the history of early aeronautics.
Be Holding is a love song to legendary basketball player Julius Erving—known as Dr. J—who dominated courts in the 1970s and ‘80s as a small forward for the Philadelphia ‘76ers, as well as over his career in both the NBA and ABA. But this book-length poem is more than just an ode to a magnificent athlete. Through a kind of lyric research, or lyric meditation, Ross Gay connects Dr. J’s famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love. Be Holding wonders how the imagination, or how our looking, might make us, or bring us, closer to each other. How our looking might make us reach for each other. And might make us be reaching for each other. And how that reaching might be something like joy.
What is poetry? This question invites the reader to enter this collection of poems. Within is an array of free-verse offerings covering a range of themes—a would-be poet’s dawdling (“Confessions of a Procrastinator”), the fading of summer (“Vestiges”), the ongoing war in Syria (“I Am Omran”), a mysterious drowning (“The Silent River”), the frustration of mediocre golf skills (“On the Cusp”), the fanciful account of a new home for mankind (“Eden Revisited”), a self-ordained preacher’s quest to save his best friend’s soul, mini episodes on the realities, contrasts, and ironies of life (“The World According to Fedley Tresh and Charley Cain”), impressions at a poetry reading (“Poetry Reading at the Bookstore”), remembering Mary Oliver (“When a Poet Dies”), and dozens of others, hopefully something for everyone. “If There Were No Poetry” concludes the collection and poses the question, Who would we be and how would we be if there were no poetry?
This book of poems is called Blue Collar Poet because Rhoads is not a highbrow poet. Her writings are based on everyday happenings and the humor she finds in life, as well as the sadness that comes to us all. She writes about the beauty of Colorado and the joy she takes from the creatures that reside in this lovely space. Her writing is very personal and can easily take the reader from laughter to tears. The reader is apt to be amazed at how openly the author shares her deepest feelings on one page and shifts to fun and self-deprecation on the next. Her wish for this book is that it be enjoyed.
The first biography of poet Jack Spicer (1925-1965), a key figure in San Francisco’s gay cultural scene and in the development of American avant garde poetries.