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“An exquisite book of poetry with a lens on motherhood that’s existential, funny and tender.” —Elle Acclaimed poet Carrie Fountain deepens her exploration of the domestic in a new collection of playful and wise poems The poems in Carrie Fountain's third collection, The Life, exist somewhere, as Rilke says, between “our daily life” and “the great work”—an interstitial space where sidelong glances live alongside shouts to heaven. In elegant, colloquial language, Fountain observes her children dressing themselves in fledgling layers of personhood, creating their own private worlds and personalities, and makes room for genuine marvels in the midst of routine. Attuned to the delicate, fleeting moments that together comprise a life, these poems offer a guide by which to navigate the signs and symbols, and to pilot if not the perfect life, the only life, the life we are given.
Selected for the 2009 National Poetry Series by Natasha Trethewey Set in southern New Mexico, where her family's multi­cultural history is deeply rooted, the poems in Carrie Fountain's first collection explore issues of progress, history, violence, sexuality, and the self. Burn Lake weaves together the experience of life in the rapidly changing American Southwest with the peculiar journey of Don Juan de Oñate, who was dispatched from Mexico City in the late sixteenth- century by Spanish royalty to settle the so-called New Mexico Province, of which little was known. A letter that was sent to Oñate by the Viceroy of New Spain, asking that should he come upon the North Sea in New Mexico, he should give a detailed report of "the configuration of the coast and the capacity of each harbor" becomes the inspiration for many of the poems in this artfully composed debut.
All his life, William Stanley searched for a wild place of his own. Growing up in the straightened-out city blocks of his childhood and finding some respite in summer trips to a cabin in the woods, William Stanley yearned for space, fragrant soil, tall trees, and the silence that surrounds them. In Hawaii, he learned of acres of land depleted from toxic agricultural practices, and he became determined to restore that land and create one of the most comprehensive palm gardens in the world.
“Carrie Fountain’s YA novel is part-plot-twisty thriller, part-sweet romance, and perfect for summer reading!” —Bustle, Best YA Book of July, on I'm Not Missing It’s senior year, and Miranda Black’s best friend, Syd, has run away—suddenly and inexplicably, leaving behind nothing but a pink leopard print cell phone with a text message from the mysterious HIM. Everyone wants to know why Syd left, but the truth is, Miranda has no idea. When Miranda’s mother abandoned her as a child, Miranda had found shelter in her friendship with Syd, who wore her own motherlessness like a badge of honor. Now Miranda’s been left behind again, left to untangle the questions of why Syd left, where she is—and if she’s even a friend worth saving, all while stumbling into first love with the most unlikely boy in school. How do you take on the future when it feels like so much of your past wasn’t even real?
An exuberant skeptic, Elizabeth Marie Young writes in the infidel hope that writing itself can create worlds. These hilariously erudite prose poems are cosmologies--miniature, ever-expanding universes crammed with over-active particulars. They are interactive environments, kaleidoscopic and incorrigibly changeable, in which competing impulses toward cerebral austerity and luxuriant beauty battle it out. These poems crystallize into radiant geometries even as they threaten to self-destruct: distinctly utopian, pulsing with the defiant exuberance of drag and disco and steeped in the lemonade oceans of Charles Fourier. Antiquity lingers as a locus of incomprehensibility, startling us into novelty. Elizabeth Marie Young coins new myths, drawing in classical material only to see how it looks wrestling in the mud with surfers, yogis, and cyborgs.
Salvatore Quasimodo was born-and lived-through historical tragedies which impressed his mind for ever. What one hears in his lines are the tears of mankind and its wail. This work presents the translations of this poet.
Winner of the 2021 National Book Award for Poetry From the winner of the Ruth Lilly Poetry Prize come masterfully crafted narratives of protest, grief and love. Martín Espada is a poet who "stirs in us an undeniable social consciousness," says Richard Blanco. Floaters offers exuberant odes and defiant elegies, songs of protest and songs of love from one of the essential voices in American poetry. Floaters takes its title from a term used by certain Border Patrol agents to describe migrants who drown trying to cross over. The title poem responds to the viral photograph of Óscar and Valeria, a Salvadoran father and daughter who drowned in the Río Grande, and allegations posted in the "I’m 10-15" Border Patrol Facebook group that the photo was faked. Espada bears eloquent witness to confrontations with anti-immigrant bigotry as a tenant lawyer years ago, and now sings the praises of Central American adolescents kicking soccer balls over a barbed wire fence in an internment camp founded on that same bigotry. He also knows that times of hate call for poems of love—even in the voice of a cantankerous Galápagos tortoise. The collection ranges from historical epic to achingly personal lyrics about growing up, the baseball that drops from the sky and smacks Espada in the eye as he contemplates a girl’s gently racist question. Whether celebrating the visionaries—the fallen dreamers, rebels and poets—or condemning the outrageous governmental neglect of his father’s Puerto Rico in the wake of Hurricane María, Espada invokes ferocious, incandescent spirits.
In a sweeping work of reportage set over the course of 2016, New York Times bestselling author Ben Fountain recounts a surreal year of politics and an exploration of the third American existential crisis Twice before in its history, the United States has been faced with a crisis so severe it was forced to reinvent itself in order to survive: first, the struggle over slavery, culminating in the Civil War, and the second, the Great Depression, which led to President Roosevelt’s New Deal and the establishment of America as a social-democratic state. In a sequence of essays that excavate the past while laying bare the political upheaval of 2016, Ben Fountain argues that the United States may be facing a third existential crisis, one that will require a “burning” of the old order as America attempts to remake itself. Beautiful Country Burn Again narrates a shocking year in American politics, moving from the early days of the Iowa Caucus to the crystalizing moments of the Democratic and Republican national conventions, and culminating in the aftershocks of the weeks following election night. Along the way, Fountain probes deeply into history, illuminating the forces and watershed moments of the past that mirror and precipitated the present, from the hollowed-out notion of the American Dream, to Richard Nixon’s southern strategy, to our weaponized new conception of American exceptionalism, to the cult of celebrity that gave rise to Donald Trump. In an urgent and deeply incisive voice, Ben Fountain has fused history and the present day to paint a startling portrait of the state of our nation. Beautiful Country Burn Again is a searing indictment of how we came to this point, and where we may be headed.