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This is an open access title available under the terms of a CC BY-NC-ND 4.0 International licence. It is free to read at Oxford Scholarship Online and offered as a free PDF download from OUP and selected open access locations. The history of early modern medicine often makes for depressing reading. It implies that people fell ill, took ineffective remedies, and died. Misery to Mirth seeks to rebalance and brighten our overall picture of early modern health by focusing on the neglected subject of recovery from illness in England, c.1580-1720. Drawing on an array of archival and printed materials, Misery to Mirth shows that recovery did exist conceptually at this time, and that it was a widely reported phenomenon. The book takes three main perspectives: the first is physiological or medical, asking what doctors and laypeople meant by recovery, and how they thought it occurred. This includes a discussion of convalescent care, a special branch of medicine designed to restore strength to the fragile body after illness. Secondly, the book adopts the viewpoint of patients themselves: it investigates how they reacted to escape from death, the abatement of pain and suffering, and the return to normal life and work. The third perspective concerns the patient's loved ones; it shows that family and friends usually shared the feelings of patients, undergoing a dramatic transformation from anguish to elation. Through these discussions, the volume shines a light on some of the most profound, as well as the more prosaic, aspects of early modern existence, from attitudes to life and death, to details of what convalescents ate for supper and wore in bed.
This study reconstructs the political origins of English women's poetry between the execution of Charles I and the death of Queen Anne. Based on extensive archival research in England and the United States, Barash argues that ideas about women's voices and women's communities were crucial to the shaping of an English national literature after the civil wars. Women entered print culture--as poets and as women--by situating their writing in defence of embattled monarchy. In particular, Barash points to women poets' fascination with the figure of the female monarch (both real and mythic). Their sense of poetic legitimacy derives from the communities they generate around figures of female authority, particularly James II's second wife, Mary of Modena, and later Queen Anne. Writers discussed include Aphra Behn, Katherine Philips, Anne Killigrew, Jane Barker, and Anne Finch.
Aphra Behn (1640–1689), prolific and popular playwright, poet, novelist, translator, has a fascinating and extensive corpus of literature that plays a key role in literary history. Quantitative Literary Analysis of the Works of Aphra Behn: Words of Passion offers what no book has done to date, an analysis of all Behn’s literary output. It examines the author’s use of words in terms of frequencies and distributions and stacks the words in context to read Behn’s word usage synchronically. Using this experimental method, the book brings digital humanities into literary criticism, to enhance our understanding and appreciation of literature beyond what is possible in diachronic reading and scholarship less supported by digital means. The empirical approach works in collaboration with existing scholarship to understand Behn’s distinct language of love and extreme passions across her genres.