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It has often been said that love, both sacred and profane, is the only true subject of the lyric poem. Nothing better justifies this claim than the splendid poems in this volume, which range from the writings of ancient China to those of modern-day America and represent, at its most piercing, a universal experience of the human soul. Includes poems by John Donne, Christina Rossetti, W. H. Auden, Edna St. Vincent Millay, Robert Graves, e. e. cummings, Dorothy Parker, William Shakespeare, Sappho, Bhartrhari, Anna Akhmatova, and W. B. Yeats, among many others.
A comprehensive selection from Ferlinghetti's famed City Lights Pocket Poets Series, published on the 60th anniversary of its founding.
This rousing anthology features the work of more than twenty-five writers from the great twentieth-century countercultural literary movement. Writing with an audacious swagger and an iconoclastic zeal, and declaiming their verse with dramatic flourish in smoke-filled cafés, the Beats gave birth to a literature of previously unimaginable expressive range. The defining work of Allen Ginsberg and Jack Kerouac provides the foundation for this collection, which also features the improvisational verse of such Beat legends as Gregory Corso, Lawrence Ferlinghetti, Gary Snyder, and Michael McClure and the work of such women writers as Diane DiPrima and Denise Levertov. LeRoi Jones’s plaintive “Preface to a Twenty Volume Suicide Note” and Bob Kaufman’s stirring “Abomunist Manifesto” appear here alongside statements on poetics and the alternately incendiary and earnest correspondence of Beat Generation writers. Visceral and powerful, infused with an unmediated spiritual and social awareness, this is a rich and varied tribute and, in the populist spirit of the Beats, a vital addition to the libraries of readers everywhere.
Usher in National Poetry Month with Mr. Tiffin and his students, stars of the hugely popular How Many Seeds in a Pumpkin? and The Apple Orchard Riddle. Once again, Margaret McNamara sets her playful, child-friendly story in the classroom, and this time, poetry—from metaphors to acrostics to haiku—is the name of the game. The focus here is on Elinor, whose confidence falters as she tries to write something "perfect" for Poem in Your Pocket Day and impress a visiting poet. G. Brian Karas's accessible, adorable illustrations add to the fun. Includes a list of Mr. Tiffin's tips for celebrating Poem in Your Pocket Day. "A nimble introduction to poetry as well as a sensitive look at the perils of perfectionism." —The New York Times "Pair this book with the works of Shel Silverstein, Paul B. Janeczko, Jack Prelutsky, Douglas Florian, or Robert Louis Stevenson." —School Library Journal, Starred
Thirteen classic poems by poets such as Robert Frost, Langston Hughes, Emily Dickinson, and David McCord are paired with parodies that honor and play off of the original poems in a range of ways. For example, "Stopping by Woods on a Snowy Evening" is paired with "Stopping by Fridge on a Hungry Evening" to hilarious effect, whereas the combination of Emily Dickinson's "'Hope' is the thing with feathers" with Lewis's "'Grief' is the thing with tissues" is profound, and both David McCord's "This Is My Rock" and Lewis's "This Is My Tree" hum with a sense of wonder. This playful introduction to classics will inspire imagination and wonder even as it tickles funny bones.
Throughout history, poets have felt the ancient pull of the sea, exploring the full range of mankind's nautical fears, dreams, and longings. The colorful legends of the sea-pirates and mermaids, phantom ships and the sunken city of Atlantis-have inspired as many imaginations as have the realities of lighthouses and shipwrecks, of icebergs and frothing foam and seaweed. This marvelous collection includes classics old and new, from Homer and Milton to Plath and Merwin. Here are Tennyson's seductive sea-fairies next to Poe's beloved Annabel Lee. Here is Coleridge's darkly brooding "The Rime of the Ancient Mariner" alongside the grandeur of Shakespeare's "Full Fathom Five." And here is Masefield's "I must go down to the seas again" alongside Cavafy's "Ithaka" and Stevens's "The Idea of Order at Key West." In the wide variety of lyrics collected here-sonnets and sea chanteys, ballads and hymns and prayers-we feel the encompassing power of our planet's restless
This compact compendium contains the best work by the nineteenth-century British Romantic poets including William Blake, William Wordsworth, Samuel Taylor Coleridge, Lord Byron, Percy Bysshe Shelley, and John Keats. It includes some of the greatest poems in the English language, among them Keats's Ode on a Grecian Urn, Shelley's Ozymandias, Wordsworth's Tintern Abbey, and Coleridge's Kubla Khan.
Poems over the ages lamenting the dead. In Elegy for Himself, written in the London Tower before his execution, Chidiock Tichborne wrote: "My tale was heard, and yet it was not told; / My fruit is fall'n, and yet my leaves are green; / My youth is spent, and yet I am not old; / I saw the world and yet I was not seen."