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“It is Johnson’s gift that he can make his subjects human and fallible enough that we would…recognize them instantly, while also illuminating what made them heroes.” —Washington Post Book World on Heroes “Johnson is a clear, intelligent, forceful writer, and nothing if not thorough.” —Wall Street Journal Paul Johnson, the acclaimed author of Creators, Heroes, and the New York Times bestseller Intellectuals, returns with a captivating collection of biographical portraits of the Western world’s greatest wits and humorists. With chapters dedicated to history’s sharpest tongues and most piercing pens, including Benjamin Franklin, Toulouse-Lautrec, G.K. Chesterton, Damon Runyan, W.C. Fields, the Marx Brothers, and many more, Johnson’s Humorists is an exciting compendium of our most enduring comical and satirical innovators.
Annotation "When these words were written everybodyhadread or heard of Simon Suggs, the shifty man whose antics had been recorded in many a gusty tale of Alabama frontier life which had drawn laughter and applause from newspaper readers throughout the United States. And everybody, at least in Alabama in the 1850s, knew something about his creator, Johnson Jones Hooper. . . . The immortal Suggs, his alter ego, has kept his name alive and renewed its luster, in a biography that deserves almost unqualified praise. Dr. Hoole'sAlias Simon Suggsis a noteworthy achievement. . . . A milestone in contemporary Alabama scholarship, it will become a standard reference work on the literary and political scene [and] as a distinguished piece of biographical writing, skillfully organized and deftly presented."--AlabamaReview
“Funny [and] fascinating . . . If you’re a comedy nerd you’ll love this book.” —Pittsburgh Post-Gazette Named a Best Book of the Year by Kirkus Reviews, National Post, and Splitsider Based on over two hundred original interviews and extensive archival research, this groundbreaking work is a narrative exploration of the way comedians have reflected, shaped, and changed American culture over the past one hundred years. Starting with the vaudeville circuit at the turn of the last century, the book introduces the first stand-up comedian—an emcee who abandoned physical shtick for straight jokes. After the repeal of Prohibition, Mafia-run supper clubs replaced speakeasies, and mobsters replaced vaudeville impresarios as the comedian’s primary employer. In the 1950s, the late-night talk show brought stand-up to a wide public, while Lenny Bruce, Mort Sahl, and Jonathan Winters attacked conformity and staged a comedy rebellion in coffeehouses. From comedy’s part in the civil rights movement and the social upheaval of the late 1960s, to the first comedy clubs of the 1970s and the cocaine-fueled comedy boom of the 1980s, The Comedians culminates with a new era of media-driven celebrity in the twenty-first century. “Entertaining and carefully documented . . . jaw-dropping anecdotes . . . This book is a real treat.” —Merrill Markoe, TheWall Street Journal