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"Sponsored by The Helen Zell Writers' Program at the University of Michigan."
An eleventh-century classic, The Pillow Book of Sei Shōnagon is frequently paired with The Tale of Genji as one of the most important works in the Japanese canon. Yet it has also been marginalized within Japanese literature for reasons including the gender of its author, the work’s complex textual history, and its thematic and stylistic depth. In Unbinding The Pillow Book, Gergana Ivanova offers a reception history of The Pillow Book and its author from the seventeenth century to the present that shows how various ideologies have influenced the text and shaped interactions among its different versions. Ivanova examines how and why The Pillow Book has been read over the centuries, placing it in the multiple contexts in which it has been rewritten, including women’s education, literary scholarship, popular culture, “pleasure quarters,” and the formation of the modern nation-state. Drawing on scholarly commentaries, erotic parodies, instruction manuals for women, high school textbooks, and comic books, she considers its outsized role in ideas about Japanese women writers. Ultimately, Ivanova argues for engaging the work’s plurality in order to achieve a clearer understanding of The Pillow Book and the importance it has held for generations of readers, rather than limiting it to a definitive version or singular meaning. The first book-length study in English of the reception history of Sei Shōnagon, Unbinding The Pillow Book sheds new light on the construction of gender and sexuality, how women’s writing has been used to create readerships, and why ancient texts continue to play vibrant roles in contemporary cultural production.
Script of Greenaway's 1995 film, The pillow book, which was made as an homage to the 10th century story by Sei Shōnagon entitled Makura no sōshi, on which it is loosely based.
The Pillow Book of Sei Shonagon is a fascinating, detailed account of Japanese court life in the eleventh century. Written by a lady of the court at the height of Heian culture, this book enthralls with its lively gossip, witty observations, and subtle impressions. Lady Shonagon was an erstwhile rival of Lady Murasaki, whose novel, The Tale of Genji, fictionalized the elite world Lady Shonagon so eloquently relates. Featuring reflections on royal and religious ceremonies, nature, conversation, poetry, and many other subjects, The Pillow Book is an intimate look at the experiences and outlook of the Heian upper class, further enriched by Ivan Morris's extensive notes and critical contextualization.
Subtitled The Pillow Book of Cordelia Kenn this is the story of Cordelia from the time she is 15 until she is 20. She is pregnant and plans to give this account to her daughter on her 16th birthday so that they can share their youth together. She chooses the old and famous Japanese book, 'The Pillow Book' by Sei Shonagon, as a model in order to include all kinds of things she has already written as well as the episodes and thoughts she has now as she compiles her book. She tells of her mother (who died when Cordelia was 5) of her father and her aunt Doris (who marry when she is 16), of her love for William Blacklin, the boy with whom she chooses to have her first sex - and with whom she falls deeply in love. She writes about Julie Martin her teacher who helps her spiritually, describes her love affair with an older married man and her terrifying sexual experience with an unbalanced young man who is obsessed with her. The book includes thoughts on being a women, on poetry, music, reading and writing, on being pregnant and finally of her marriage to William. This Is All is an anthology, written in six 'books' of Cordelia's adolescent life, by turns funny, poignant, sad, exciting, fascinating ironic and truthful about topics that parents often do not tell their children. It is a richly entertaining and challenging read.
I am Kozaisho: Fifth daughter, Woman-For-Play, teller of stories, lover, wife and Flower Samurai. In the rich, dazzling, brutal world of twelfth century Japan, one young girl begins her epic journey, from the warmth of family to the Village of Outcasts. Marked out by an auspicious omen, she is trained in the ancient warrior arts of the samurai. But it is through the power of storytelling that she learns to fight her fate, twisting her life onto a path even she could not have imagined...
Once Upon A Pillow is the first book to highlight a designer making luxury pillows from antique textiles. Features an extensive glossary of sewing, stitching, and textile terms and categories. Once Upon a Pillow features a stunning collectionof pillows and accessories designed by Rebecca Vizard. Celebrated for herinnovative use of rare antique textiles -- from the embroidered metallicthreads of ecclesiastical vestments to Venetian Fortuny draperies and CentralAsian suzanis --her designs present a perfect balance of art and materialculture. A favorite of designers and a discerning public, her pillows andaccessories adorn some of America's finest homes. An early childhoodfascination with textiles eventually led her to create pillows from her growingpersonal collection of rare textiles and, when Neiman Marcus placed its firstorder in 1999, B VIZ Design was officially launched. While her collectingforays frequently take her abroad, she returns to her Louisiana roots and itsrich history and tradition of decorative arts for inspiration. In addition toMs. Vizard's home, rooms in a range of styles and periods by such top flightdesigners as Gerrie Bremermann, Barry Dixon, Suzanne Kasler and Matthew PatrickSmyth are included to illustrate embroidery, applique, tapestry, needlepoint, Fortuny, damask and brocade and suzani and ethnic pillows. A selection ofaccessories from lighting, gifts and dog wear of Fortuny fabric is alsohighlighted and an annotated textile glossary is included. Early in her career, whileworking on interior design projects from New York to New Orleans, RebeccaVizard noticed a void in the pillow market. Discovering a niche for antiquetextiles, Vizard focused on designing these one of a kind pillows for clients, and in the process employed many local seamstresses. Soon pillows sold toNeiman Marcus and other exclusive stores. Her pillows frequently grace thecovers of national publications, such as House Beautiful, Veranda, Elle Decor, Traditional Home, and Architectural Digest.
Instructions and patterns for twenty-five quilted and applique pillow covers to liven up your interior decor.
Sometimes I'm A Pillow was written by a children's mental health professional to help children express and reflect on the ways they experience feelings and emotions - mentally, physically and socially. This delightful book engages children with its creative metaphors and colorful, compelling illustrations. The narrator is the adorable, Kai, a child of color who is gender-neutral. The book is intended for children from ages 2 through 10 and can be integrated into family reading time, classroom story time and/or counseling sessions. Author Susan Lovett has worked with youth for over 25 years and she's created a character who is fun, relatable and endearing.