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This book hopes to inspire you to travel to South Korea. This photographic journey will bring you to places I have been to. This could also serve as your travel guide. I made it. . . You can, too!
Since early in its history, photography has been used by a diversity of travellers, whose collected photographs have been compiled into albums. But Photographic Travel as a genre of art did not appear before the second half of the twentieth century, and had a singular fate and fortune in the US as well as in Europe. The initial objective of some itinerant photographers is to make a book; their shooting practice is conditioned by this objective, as well as their travel experience. Their books – designed as one coherent hole – refer to their wandering experience, even though their stories are never completely free from fiction. In these books, their travels are converged, and their subjectivity is revealed. It is therefore relevant to call such books made of photographies, and possibly words about the travel experience, Photographic Travel books (comparably to Travel books). Danièle Méaux has tackled the task of characterizing this genre.
“Any attempt at peace must be attended by a knowledge of self,” discovers writer and photographer Mikkel Aaland, who grew up with a bomb shelter for a bedroom, in terror of nuclear war. At the height of the Cold War, Aaland finds himself drawn into a mysterious Shinto priest’s plan to save the world. Traveling from Norway to the Philippines, Iceland to South Africa, he places pieces of a sacred Shinto sword in key power spots around the world. Along the way, he comes face to face with his deepest childhood fears of war and destruction, encounters the compelling and mysterious Shinto religion, struggles with the uncertainties of love, and learns to face life with an open heart. The Sword of Heaven tells the extraordinary true story of a journey in which all boundaries are pushed—geographical, cultural, and personal—and in which the healing of the world and the healing of one man appear to be inextricably linked.
From the bestselling author of A Ladder to the Sky—“a darkly funny novel that races like a beating heart” (People)—comes a new novel that plays out across all of human history: a story as precise as it is unlimited. This story starts with a family. For now, it is a father and a mother with two sons, one with his father’s violence in his blood, one with his mother’s artistry. One leaves. One stays. They will be joined by others whose deeds will determine their fate. It is a beginning. Their stories will intertwine and evolve over the course of two thousand years. They will meet again and again at different times and in different places. From Palestine at the dawn of the first millennium and journeying across fifty countries to a life among the stars in the third, the world will change around them, but their destinies remain the same. It must play out as foretold. From the award-winning author of The Heart’s Invisible Furies comes A Traveler at the Gates of Wisdom, an epic tale of humanity. The story of all of us, stretching across two millennia. Imaginative, unique, heartbreaking, this is John Boyne at his most creative and compelling.
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A photographer's unnerving and poetic odyssey through modern-day Vietnam. Mitch Epstein's evocative pictures reveal a complicated Vietnam that few Americans have ever seen. This is not a document about the war, nor is it the pastoral idyll other photographers have portrayed. Vietnam, through Epstein's eyes, is a disturbing and sublime palimpsest. Vietnam: A Book of Changes interprets a culture and landscape largely cut off from the West for the last thirty years, and now open to a market economy and a new relationship to America. The photographs are suffused with the rawness of Vietnamese life lived on the economic and political edge. Under the layer of friendship lies the tension of politics; under beauty lies violence; under the stark faces of remote villagers is the entrepreneurial momentum drawing them to the city; and under the remnants of war is an artistic bohemia grappling with new freedoms and continued censorship. Epstein's groundbreaking art photography addresses our senses and intellect equally. These pictures bring us into the heart of Vietnam.
Swaping real estate for wheel estate, Christina Nealson, along with her husband, a Bengal leopard cat, and a 110-pound Newfie journeyed from British Columbia to the Baj Peninsula, crisscrossing the American West.
Photographer Patrick Cariou and writer and filmmaker Guy-Laurent Winterstein retrace the migration of the Rom people from northern to southern Europe, the Middle East and ultimately to India, the home of their ancestors. The original journey was an epic, 1000-year odyssey and Cariou and Winterstein have laboured more than a decade to retrace it. The result is a stunning and thought-provoking collection of portraits and landscapes that demonstrate the wide variety of conditions in which the Gypsies of the world find themselves, from citizen to gangster.
Essay by Perry Henzell A look into the secluded world of Rastafarians, a culture and religion closed to outsiders. With these bold portraits and landscapes, Cariou indelibly captures the strict, separatist, jungle-dwelling, fruit-of-the-land lifestyle, popularised by reggae legends Bob Marley and Peter Tosh. The book's release follows that of a collaborative reggae CD. With 105 tritone photos. '...the photos will stun you with the beauty of their locations and the poise and tranquillity of their subjects' - Newsday
Transatlantic Travels in Nineteenth-Century Latin America: European Women Pilgrims retraces the steps of five intrepid “lady travelers” who ventured into the geography of the New World—Mexico, the Southern Cone, Brazil, and the Caribbean—at a crucial historical juncture, the period of political anarchy following the break from Spain and the rise of modernity at the turn of the twentieth century. Traveling as historians, social critics, ethnographers, and artists, Frances Erskine Inglis (1806–82), Maria Graham (1785–1842), Flora Tristan (1803–44), Fredrika Bremer (1801–65), and Adela Breton (1849–1923) reshaped the map of nineteenth-century Latin America. Organized by themes rather than by individual authors, this book examines European women’s travels as a spectrum of narrative discourses, ranging from natural history, history, and ethnography. Women’s social condition becomes a focal point of their travels. By combining diverse genres and perspectives, women’s travel writing ushers a new vision of post-independence societies. The trope of pilgrimage conditions the female travel experience, which suggests both the meta-end of the journey as well as the broader cultural frame shaping their individual itineraries.