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In this unique work, Rabbi Joshua Gerstein delves into the text of the Torah with one goal in mind: to demonstrate that the Torah is a living and breathing guide with extraordinary relevance and insight for contemporary Jewish life. The imperative of Ahavat Yisrael, the centrality of the Land of Israel, the beauty of Jewish living, and the importance of Halacha and Torah study are among the main themes outlined in this work. Using a wide array of sources from Rishonim, Achronim, and contemporary Rabbinic scholarship, he weaves together an elaborate tapestry which is sure to leave readers with a newfound appreciation and understanding for the timeless text of the Torah.
In this unique two volume work, Rabbi Joshua Gerstein delves into the weekly Torah portions with one goal in mind: to demonstrate that the Torah is a living and breathing guide with extraordinary relevance and insight for contemporary Jewish life. The imperative of Ahavat Yisrael, the centrality of the Land of Israel, the beauty of Jewish living, and the importance of Halacha and Torah study, are among the main themes outlined in this work. Using a wide array of sources from classical and contemporary Rabbinic scholarship, he weaves together an elaborate tapestry which is sure to leave readers with a newfound appreciation and understanding for the timeless text of the Torah.
South Sudan became independent in 2011 after decades of rebel wars with the Government of Sudan. Independence prompted discussions about South Sudanese identity and shared history, in which material objects and cultural heritage featured as vitally important resources. However, the long-term effects of colonialism and conflict had largely precluded any concerted attempts to preserve material culture within the country; museums remained in Khartoum, the capital of the formally united Sudan. Furthermore, tens of thousands of objects had been removed from what is now South Sudan during the nineteenth and twentieth centuries to museum and private collections around the world.Up to now there have been few attempts to reconnect the history of these South Sudanese museum collections with people in or from South Sudan. Pieces of a Nation is the first extended study of South Sudanese material cultural heritage in museum collections and beyond.The chapters discuss a range of different objects and practices - from museum objects taken from South Sudan in the context of enslavement and colonialism in the nineteenth and twentieth centuries to efforts by South Sudanese to preserve their country's cultural heritage during recent conflicts.With essays by 32 contributors in Europe, South Sudan, Uganda, and Australia, this book delivers a unique range of perspectives on museum objects from South Sudan and on heritage practices in the country and among its diaspora. Written by curators, academics, heritage professionals, and artists in accessible and engaging style, it is intended for scholars, museum professionals, and a wide range of individuals interested in South Sudan, African arts and cultures, the history of museum collecting and colonialism, and/or the role of material heritage in peacebuilding and refugee contexts.At a time of widespread, prominent debates over the provenance of museum collections from Africa and calls for restitution, this book provides an in-depth empirical study of the circumstances and practices that led to South Sudanese objects entering foreign museum collections and the importance of these objects in South Sudan and around the world today.
Winner of ForeWord Magazine's Architecture "Book of the Year" Award! Exquisite examples of traditional dwellings are scattered throughout modern-day China. Chinese Houses focuses on 20 well-preserved traditional Chinese homes, presenting examples from a range of rural and metropolitan areas throughout China. The photographs of each are accompanied by extensive background information and historical content. An introductory essay examines the different types of Chinese homes and provides an overview of the rich regional variety of Chinese dwelling forms. It also provides insights into little-known design concepts that emphasize the flexibility, adaptability, and versatility of traditional building forms and the work of traditional craftsmen. Richly illustrated with photographs, woodblock prints, historic images, and line drawings, Chinese Houses portrays an architectural tradition of amazing range and resilience.
Living Our Cultures, Sharing Our Heritage: The First Peoples of Alaska features more than 200 objects representing the masterful artistry and design traditions of twenty Alaska Native peoples. Based on a collaborative exhibition created by Alaska Native communities, the Smithsonian's National Museum of Natural History, the Smithsonian's National Museum of the American Indian, and the Anchorage Museum at Rasmuson Center, this richly illustrated volume celebrates both the long-awaited return of ancestral treasures to their native homeland and the diverse cultures in which they were created. Despite the North's transformation through globalizing change, the objects shown in these pages are interpretable within ongoing cultural frames, articulated in languges still spoken. They were made for a way of life on the land that is carried on today throughout Alaska. Dialogue with the region's First Peoples evokes past meanings but focuses equally on contemporary values, practices, and identities. Objects and narratives show how each Alaska Native nation is unique—and how all are connected. After introductions to the history of the land and its people, universal themes of “Sea, Land, Rivers,” “Family and Community,” and “Ceremony and Celebration” are explored referencing exquisite masks, parkas, beaded garments, basketry, weapons, and carvings that embody the diverse environments and practices of their makers. Accompanied by traditional stories and personal accounts by Alaska Native elders, artists, and scholars, each piece featured in Living Our Cultures, Sharing Our Heritage evokes both historical and contemporary meaning, and breathes the life of its people.
The history of development has paid only little attention to cultural projects. This book looks at the development politics that shaped the UNESCO World Heritage programme, with a case study of Ethiopian World Heritage sites from the 1960s to the 1980s. In a large-scale conservation and tourism planning project, selected sites were set up and promoted as images of the Ethiopian nation. This story serves to illustrate UNESCO’s role in constructing a “useful past” in many African countries engaged in the process of nation-building. UNESCO experts and Ethiopian elites had a shared interest in producing a portfolio of antiquities and national parks to underwrite Ethiopia’s imperial claims to regional hegemony with ancient history. The key findings of this book highlight a continuity in Ethiopian history, despite the political ruptures caused by the 1974 revolution and UNESCO’s transformation from knowledge producer to actual provider of development policies. The particular focus on the bureaucratic and political practices of heritage, bridges a gap between cultural heritage studies and the history of international organisations. The result is a first study of the global discourse on heritage as it emerged in the 1960s development decade.
p> One Nation under God: the Factual History of America’s Religious Heritage is a study of our Founding Fathers—their beliefs, their goals and their history. It uses the direct words of the Founding Fathers from personal letters, personal Bible notes, and many more substantiated sources. The book follows the spiritual direction of our country from the time the Puritans landed in the new world up to today. Our loss of faith in God and how that loss has impacted our society is profiled. It includes quotes from some of the people that had the most influence on the growth of our once great nation and some of the people and events that have caused our nation to decline economically, socially, and morally. One Nation under God includes many landmark court cases that have affected our way of life in the way the American people can worship the Lord in public and in private. The book is a map of our rise to greatness and our decline to the potential oblivion of this once light on the hill for all the world to follow. It also is a guide on how to reclaim our greatness by turning back to God for His forgiveness and guidance. The farther away we move from God the worse our society becomes. I started writing One Nation under God setting out to prove to the country—possibly the world—that we are a Christian nation. … One Nation Under God helps us remember who we are and what we did and thus helps preserve the American spirit. —David Barton, Historian, Author, TV Producer, founder of Wallbuilders
A survey of the development of Western Civilization and its influence on the early history and characteristics of the United States.