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The first Iberian pastoral romance, a feminine narrative that is a revealing meditation on love and longing
Reading Georgette Heyer is the next best thing to reading Jane Austen."—Publishers Weekly Beautiful, capable, and independent minded, Venetia Lanyon's life on her family's estate in the country side is somewhat restricted. But her neighbor, the infamous Lord Damerel, a charming rake shunned by polite society, is about to shake things up. Lord Damerel has built his life on his dangerous reputation, and when he meets Venetia, he has nothing to offer and everything to regret. Though his scandalous past and deepest secrets give Venetia reason to mistrust him, a rogue always gets what he wants. As Venetia's well-meaning family steps in to protect her from potential ruin, Venetia must find the wherewithal to take charge of her own destiny, or lose her chance at happiness. Charming characters and flawless prose make Venetia a fan favorite from the Queen of Regency Romance. Fans of Mary Balogh, Elizabeth Hoyt and Jane Ashford will be delighted by this story about finding love, redemption, and the courage to follow your heart. Other Regency Romances from Georgette Heyer: Frederica Sylvester Cotillion What reviewers are saying about Venetia "A wonderful story whose characters, settings and, most importantly, dialogue combine to create such a well-crafted story."—Bags, Books, and Bon Jovi "Wonderful characters, elegant, witty writing, perfect period detail, and rapturously romantic"—Katie Fforde "Wonderful and lovely and perfect! Venetia is one of the most charming characters EVER."—Once Upon a Bookshelf "An absolutely rollicking Regency romp. I loved it from the first page."—Library Queue What everyone has to say about the Queen of Regency Romance Georgette Heyer "Georgette Heyer was one of the great protagonists of the historical novel in the post-war golden age of the form. Her regency romances are delightful light reading..."—Philippa Gregory "[Heyer's] characters are witty and beyond charming, her prose is flawless and lighthearted, and her historical detail is immaculate."—Read All Over Reviews "Georgette Heyer is unbeatable." —Sunday Telegraph
The figure of the woman as hero in pastoral romance is shown to grow in importance and complexity in this important new study. The genre of pastoral romance flourished dramatically in Renaissance England between 1590 and 1650. One of its key elements is that it is the daughter, not the son, of the gentle family who increasingly becomes the subject of theromance's attempt to define and illustrate heroism. The pastoral heroine's task is paradoxical: to break out of her pastoral paradise in order to ensure its reconstitution. She is the princess, the shepherdess, the Lady, or the virtuous daughter who becomes a repository of honor and virtue in a changing society where traditional chivalric definitions of honor hold decreasing purchase. This groundbreaking book examines the typical challenges facedby the pastoral romance heroine as she matures within the pastoral locus amoenus: the foundling dilemma; the loop-shaped quest: the rhetorical battle; the chastity threat; the reconciliation of beauty to virtue; and familial reunification. It illustrates how the allegorical, symbolic, and psychological characterizations of pastoral heroines in the works of Sidney, Spenser, Wroth, Fletcher, Milton, and Marvell anticipate developments in the representation of female subjectivities normally associated with the novel. SUE P. STARKE is Associate Professor of English at Monmouth University, New Jersey.
In this new collection, Carl Phillips presents a tightly coherent, emotionally nuanced interrogation of the concept of pastoral. He creates a shadowy inner landscape where the field is the heart, and the heart itself has a beautifully, often treacherously flawed darkness that each of us seeks to penetrate, believing in the possibility of light.
World War II pilot Peter Marshall leads the most successful bombing crew at his airbase, having survived an unusual number of extremely dangerous missions over Germany. However, when Peter falls hopelessly in love with an attractive WAAF officer--one who insists that wartime duties should take precedence over emotions--his concentration begins to suffer.
One of the first pastoral dramas published by an Italian woman, Flori is Maddalena Campiglia's most substantial surviving literary work and one of the earliest known examples of secular dramatic writing by a woman in Europe. Although acclaimed in her day, Campiglia (1553-95) has not benefited from the recent wave of scholarship that has done much to enhance the visibility and reputation of contemporaries such as Isabella Andreini, Moderata Fonte, and Veronica Franco. As this bilingual, first-ever critical edition of Flori illustrates, this neglect is decidedly unwarranted. Flori is a work of great literary and cultural interest, noteworthy in particular for the intensity of its focus on the experiences and perceptions of its female protagonists and their ideals of female autonomy. Flori will be read by those involved in the study of early modern literature and drama, women's studies, and the study of gender and sexuality in this period.