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The Scotland of the past and the Scotland of the future. That is the essence of A Passion for Scotland, and its author David Ross takes the reader on a passionate journey through the story of this country, which stirs the primal fires from the opening lines. It is a personal, patriotic yet unbiased view of the path the Scots have taken, and of the path they are trying to forge into the 21st century, and is fascinating and moving by turns. It provides a wealth of material on Scotland, from history through to politics through to travel. But it is also an impassioned call to his fellow countrymen. Inside this book you will find out about Wallace and Bruce, Montrose, the Jacobites, John McLean, and Tartan Day USA. You will find out ?what makes a Scot?. Plus, revealed for the first time, details of the final resting places of all Scotland?s kings and queens.
From Treasure Island to Trainspotting, Scotland's rich literary tradition has influenced writing across centuries and cultures far beyond its borders. Here, for the first time, is a single volume presenting the glories of fifteen centuries of Scottish literature. In Scotland's Books the much loved poet Robert Crawford tells the story of Scottish imaginative writing and its relationship to the country's history. Stretching from the medieval masterpieces of St. Columba's Iona - the earliest surviving Scottish work - to the energetic world of twenty-first-century writing by authors such as Ali Smith and James Kelman, this outstanding account traces the development of literature in Scotland and explores the cultural, linguistic and literary heritage of the nation. It includes extracts from the writing discussed to give a flavor of the original work, and its new research ranges from specially made translations of ancient poems to previously unpublished material from the Scottish Enlightenment and interviews with living writers. Informative and readable, this is the definitive single-volume guide to the marvelous legacy of Scottish literature.
A major reconsideration of our understanding of the development of Scottish culture from the Enlightenment to the present day.
Scotland in Theory offers new ways of reading Scottish texts and culture within the context of an altered political framework and a changing sense of national identity. With the re-establishment of a Parliament in Edinburgh, issues of nationality and nationalism can be looked at afresh. It is timely now to revisit representations of Scottish culture in cinematography and literature, and also to examine aspects of gender, sexuality and ideology that have shaped how Scots have come to understand themselves. Established and younger critics use a variety of theoretical approaches here to catch an authentic sense of a post-modern Scotland in the process of change. Literature and the arts provide radical ways of knowing what Scotland, in theory, could become. The collection will be of interest to teachers and students of Scottish and English literature, literary theory, cultural and media analysis, and the history of ideas. Contributors include Eleanor Bell, Kasia Boddy, Cairns Craig, Thomas Docherty, Christopher Harvie, Ellen Raïssa-Jackson, Willy Maley, Gavin Miller, Tom Nairn, Sarah Neely, Laurence Nicoll, Berthold Schoene, Anne McManus Scriven, A.J.P. Thomson, Ronald Turnbull, Christopher Whyte.
Sacred Signs in Reformation Scotland is the first study of how public worship was interpreted in Renaissance Scotland and offers a radically new way of understanding the Scottish Reformation. It first defines the history and method of 'liturgical interpretation' (using the methods of medieval Biblical exegesis to explain worship), then shows why it was central to medieval and early modern Western European religious culture. The rest of the book uses Scotland as a case study for a multidisciplinary investigation of the place of liturgical interpretation in this culture. Stephen Mark Holmes uses the methods of 'book history' to discover the place of liturgical interpretation in education, sermons and pastoral practice and also investigates its impact on material culture, especially church buildings and furnishings. A study of books and their owners reveals networks of clergy in Scotland committed to the liturgy and Catholic reform, especially the 'Aberdeen liturgists'. Holmes corrects current scholarship by showing that their influence lasted beyond 1560 and suggests that they created the distinctive religious culture of North-East Scotland (later a centre of Catholic recusancy, Episcopalianism and Jacobitism). The final two chapters investigate what happened to liturgical interpretation in Scottish religious culture after the Protestant Reformation of 1559-60, showing that while it declined in importance in Catholic circles, a Reformed Protestant version of liturgical interpretation was created and flourished which used exactly the same method to produce both an interpretation of the Reformed sacramental rites and an 'anti-commentary' on Catholic liturgy. The book demonstrates an important continuity across the Reformation divide arguing that the 'Scottish Reformation' is best seen as both Catholic and Protestant, with the reformers on both sides having more in common than they or subsequent historians have allowed.