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In A Particle of Dread, Sam Shepard takes one of the most famous plays in history—Oedipus Rex—and transforms it into a modern American classic. In this telling, Oedipus, King of Thebes, prophesized to kill his father and marry his mother, alternates between his classical identity and that of contemporary “Otto.” His wife (and true mother), Jocasta, is also called Jocelyn, and his antagonist (and true father) is split into three characters, Laius, Larry, and Langos. Two present-day policemen from the Southwest stand in for the Greek chorus as they investigate the murder case. Dazzlingly inventive, ringing with the timelessness of myth, A Particle of Dread is an unforgettable work that grapples with questions of storytelling and destiny—the narratives that we pass down, and how they shape our lives. It is a play that lingers in the mind long after we finish the last scene.
The story of King Lear seems to fill in the blank space separating the end of Oedipus Tyrannus and the beginning of Oedipus at Colonus. In both Oedipus at Colonus and the latter part of King Lear we are presented with an old man who was once a King and, following his expulsion from his kingdom on account of a crime or of an error, is turned into a ‘no-thing’. This happens in the time of the division of the kingdom, which is also the time of the genesis of intraspecific conflict and, consequently, of the end of the dynasty. This collection of essays offers a range of perspectives on the many common concerns of these two plays, from the relation between fathers and sons/daughters to madness and wisdom, from sinning and suffering to ‘being’ and ‘non-being’ in human and divine time. It also offers an overarching critical frame that interrogates questions of ‘source’ and ‘reception’, probing into the possible exchangeability of perspectives in a game of mirrors that challenges ideas of origin.
This searing, extraordinarily evocative narrative opens with a man in his house at dawn, surrounded by aspens, coyotes cackling in the distance as he quietly navigates the distance between present and past. As memory overtakes him, he sees the bygone America of his childhood: the farmland and the feedlots, the railyards and the diners—and, most hauntingly, his father’s young girlfriend, with whom he also became involved, setting into motion a tragedy that has stayed with him. His complex interiority is filtered through views of mountains and deserts as he drives across the country, propelled by Benzedrine, rock and roll, and a restlessness born out of exile. The rhythms of theater, the language of poetry, and a flinty humor combine in this stunning meditation on the nature of experience, at once celebratory, surreal, poignant, and unforgettable.
THE STORY: Henry Hackamore, reputed to be the richest man in the world, is now a bearded, aged recluse, who lives on the top floor of a Caribbean luxury hotel, attended by his bodyguard-nurse, Raul. Paranoid, desperately lonely and obsessed by a fe
"Final draft (working rehearsal script)" Pages 190-194 are labelled "Re-Write- 12/7/93"
In A Particle of Dread, Sam Shepard takes one of the most famous plays in history—Oedipus Rex—and transforms it into a modern American classic. In this telling, Oedipus, King of Thebes, prophesized to kill his father and marry his mother, alternates between his classical identity and that of contemporary “Otto.” His wife (and true mother), Jocasta, is also called Jocelyn, and his antagonist (and true father) is split into three characters, Laius, Larry, and Langos. Two present-day policemen from the Southwest stand in for the Greek chorus as they investigate the murder case. Dazzlingly inventive, ringing with the timelessness of myth, A Particle of Dread is an unforgettable work that grapples with questions of storytelling and destiny—the narratives that we pass down, and how they shape our lives. It is a play that lingers in the mind long after we finish the last scene.
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A Vintage Shorts “Short Story Month” Selection The ride to the tiny village in Mexico where he’s due to film has not been easy. The actor has to first put up with Gunther, a maniac German driver in a tuxedo, the Narcos who insist on excavating the contents of their car, the customs official in Mexico who sends him back across the border, and an embittered woman in the Mexican consulate for whom he must play Spencer Tracy. From the Pulitzer Prize-winner, “the greatest playwright of our generation,” director, prose-stylist, musician, and actor Sam Shepard—"Spencer Tracy Is not Dead," selected from Cruising Paradise, is a gleaming testament to Shepard's mastery and a tender portrait of American masculinity on the road. An ebook short.
THE STORY: An uproarious, brilliantly provocative farce that brings the gifts of a quintessentially American playwright to bear on the current American dilemma. Frank and Emma are a quiet, respectable couple who raise cows on their Wisconsin farm.
Currently a critical and box office sensation, Sam Shepard's newest play is amasterpiece of poetic and theatrical brilliance that looks unerringly at loveand family in the American West. Copyright © Libri GmbH. All rights reserved.