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A critical analysis of the historicity of the Gospel of John Since it began in 2002, the John, Jesus, and History Project has assessed critically the modern disparaging of John's historicity and has found this bias wanting. In this third volume, an international group of experts demonstrate over two dozen ways in which John contributes to an enhanced historical understanding of Jesus and his ministry. This volume does not simply argue for a more inclusive quest for Jesus—one that embraces John instead of programmatically excluding it. It shows that such a quest has already indeed begun. Contributors include Paul N. Anderson, Jo-Ann A. Brant, Peder Borgen, Gary M. Burge, Warren Carter, R. Alan Culpepper, James D. G. Dunn, Robert T. Fortna, Jörg Frey, Steven A. Graham, Colin J. Humphreys, Craig Keener, Andreas Köstenberger, Tim Ling, William Loader, Linda McKinnish Bridges, James S. McLaren, Annette Merz, Wendy E. S. North, Benjamin E. Reynolds, Udo Schnelle, Donald Senior, C.P., Tom Thatcher, Michael Theobald, Jan van der Watt, Robert Webb, Stephen Witetscheck, and Jean Zumstein. Features A state-of-the-art analysis of John’s contributions to the quest for the historical Jesus, including evaluative responses by leading Jesus scholars •An overview of paradigm shifts in Jesus scholarship and recent approaches to the Johannine riddles Detailed charts that illuminates John's similarities and differences form the Synoptic Gospels as well as the gospel's contributions to the historical Jesus research
Handel s oratorio Messiah is a phenomenon with no parallel in music history. No other work of music has been so popular for so long. Yet familiarity can sometimes breed contempt and also misunderstanding. This book by music expert Calvin Stapert will greatly increase understanding and appreciation of Handel s majestic Messiah, whether readers are old friends of this remarkable work or have only just discovered its magnificence. Stapert provides fascinating historical background, tracing not only Messiah s unlikely inception but also its amazing reception throughout history. The bulk of the book offers scene-by-scene musical and theological commentary on the whole work, focusing on the way Handel s music beautifully interprets and illuminates the biblical text. For anyone seeking to appreciate Handel s Messiah more, this informed yet accessible guide is the book to have and read. (Handel s Messiah: Comfort for God s People is the newest volume in the flourishing Calvin Institute of Christian Worship Liturgical Studies Series, edited by John D. Witvliet.)
All sixty-three of the original volumes are included in a nine volumes set. There are two linked indexes in this volume, a main index at the front of this volume that will take you to the beginning each of the books of the bible and another index at the beginning of each book there is a linked scripture index leading to the particular subject. Lange’s Commentary on the Old and New Testaments, translated, revised, edited and enlarged from the German editions of John Peter Lange and many contributors, and edited by Philip Schaff. Lange’s Commentary on the entire Bible has remained one of the most useful and valuable work of its kind. It is conservative in theology and universal in hermeneutics. Delmarva Publications is proud to make it available in digital format. The original work was completed in 63 volumes, but we have made it available in 9 volumes they are: Volume 1 - Genesis to Ruth Volume 2 -1 Samuel to Esther Volume 3 - Job to Ecclesiastes Volume 4 - Song of Songs to Lamentations Volume 5 - Ezekiel to Malachi Volume 6 - Matthew to John Volume 7 - Acts to 2 Corinthians Volume 8 - Galatians to 2 Timothy Volume 9 -Titus to Revelation
The Johannine Renaissance in Early Modern English Literature and Theology argues that the Fourth Gospel and First Epistle of Saint John the Evangelist were so influential during the early modern period in England as to share with Pauline theology pride of place as leading apostolic texts on matters Christological, sacramental, pneumatological, and political. The book argues further that, in several instances, Johannine theology is more central than both Pauline theology and the Synoptic theology of Matthew, Mark, and Luke, particularly with regard to early modern polemicizing on the Trinity, distinctions between agape and eros, and the ideologies of radical dissent, especially the seventeenth-century antinomian challenge of free grace to traditional Puritan Pietism. In particular, early modern religious poetry, including works by Robert Southwell, George Herbert, John Donne, Richard Crashaw, Thomas Traherne, and Anna Trapnel, embraces a distinctive form of Johannine devotion that emphasizes the divine rather than human nature of Christ; the belief that salvation is achieved more through revelation than objective atonement and expiatory sin; a realized eschatology; a robust doctrine of assurance and comfort; and a stylistic and rhetorical approach to representing these theological features that often emulates John's mode of discipleship misunderstanding and dramatic irony. Early modern Johannine devotion assumes that religious lyrics often express a revelatory poetics that aims to clarify, typically through the use of dramatic irony, some of the deepest mysteries of the Fourth Gospel and First Epistle.
Volume V completes this series of John Henry Newman's previously unpublished Anglican sermons written between 1824-1843. It contains 51 sermons and 62 sermon abstracts, all but 2 of which belong to the 20 months when he was Curate of St Clement's, Oxford, from June 1824 until April 1826.