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A Pair of Schoolgirls by Angela Brazil is about the loving renovation of Avondale College at the hands of Grace Russell and Noelle Kennedy. Excerpt: "It was precisely five minutes past eleven on the first day of the autumn term, and Avondale College, which for seven whole weeks had been lonely and deserted, and given over to the tender mercies of paperhangers, painters, and charwomen, once more presented its wonted aspect of life and bustle. The reopening was a very important event in the opinion of everybody concerned, partly because it marked the beginning of a fresh school year, and partly because the building had been altered and enlarged, many changes made in the curriculum, and many new names added to the already long list in the register."
"A Pair of Schoolgirls" by Angela Brazil is a captivating children's literature work that delves into the enchanting world of a British boarding school during the Victorian era. As a celebrated British author, Brazil expertly crafts a narrative filled with schoolgirl adventures, friendship tales, and academic challenges. Set within the educational settings of a boarding school, the novel follows two girl protagonists through the trials and triumphs of adolescent experiences. Brazil skillfully navigates the complexities of school life, portraying the girls' coming-of-age narrative with authenticity and depth. Readers are transported into the midst of schoolgirl adventures and classroom drama, where friendships are forged and academic challenges are overcome. Through Brazil's vivid storytelling, the novel explores the enduring bonds of school friendships and the transformative power of education in shaping young minds. With its rich portrayal of educational settings and relatable characters, "A Pair of Schoolgirls" resonates with readers of all ages. Brazil's exploration of friendship, loyalty, and personal growth offers readers a poignant glimpse into the universal themes of adolescence, making this novel a timeless classic in children's literature.
IT was precisely five minutes past eleven on the first day of the autumn term, and Avondale College, which for seven whole weeks had been lonely and deserted, and given over to the tender mercies ofpaperhangers, painters, and charwomen, once more presented its wonted aspect of life and bustle.The reopening was a very important event in the opinion of everybody concerned, partly because itmarked the beginning of a fresh school year, and partly because the building had been altered andenlarged, many changes made in the curriculum, and many new names added to the already long listin the register. Three hundred and eighty-seven pupils had assembled that morning in the greatlecture hall, the largest number on record at the College; five additional classes had been formed, and there were six extra mistresses. At the eleven o'clock interval the place seemed swarming withgirls; they thronged the staircase and passages, filled the pantry, blocked the dressing-rooms, andoverflowed into the playground and the gymnasium-girls of all sorts and descriptions, from theten-year-olds who had just come up (rather solemn and overawed) from the Preparatory to thoseelect and superior damsels of seventeen who were studying for their Matriculation.By the empty stove in the Juniors' Common Room stood half a dozen "betwixt-and-betweens", whose average age probably worked out at fourteen and a quarter, though Mavie Morris was agiantess compared with little Ruth Harmon. The six heads were bent together in closest proximity, and the six tongues were particularly active, for after the long summer holidays there was such a vastamount to talk about that it seemed almost impossible to discuss all the interesting items of newswith sufficient rapidity."The old Coll. looks no end," said Grace Russell. "It's so smart and spanky now-one hardlyknows it! Pictures in the classrooms, flowers on the chimneypieces, a stained glass window in thelecture hall, busts on brackets all along the corridor wall, and the studio floor polished! Every singleplace has been done up from top to bottom.""I'd like it better if it didn't smell so abominably of new paint," objected Noëlle Kennedy. "WhenI opened the studio door, the varnish stuck to my fingers. However, the school certainly looks muchnicer. Why, even the book cupboard has been repapered.""That's because you splashed ink on the wall last term. Don't you remember how fearfully crossMiss Hardy was about it?""Rather! She insisted that I'd done it on purpose, and couldn't and wouldn't believe it was anaccident. Well, thank goodness we've done with her! I'm glad teachers don't move up with theirforms.
Begin a captivating journey into the world of the girl's dormitory in this collection of enthralling short stories. From the reign of the charismatic 'Queen of the Dormitory' to the cunning tactics of Decima, each tale unveils the vibrant lives and adventures of the dormitory's inhabitants. Join in the excitement of a midnight revel, witness the rebellion of Betty, and experience the traditions and challenges of school life. With tales of friendship, exams, and unexpected surprises, this collection of stories offers a delightful glimpse into the vibrant tapestry of youth and camaraderie.
From the USA TODAY bestselling author of Sweet Thing and Nowhere But Here comes a love story about a Craigslist “missed connection” post that gives two people a second chance at love fifteen years after they were separated in New York City. To the Green-eyed Lovebird: We met fifteen years ago, almost to the day, when I moved my stuff into the NYU dorm room next to yours at Senior House. You called us fast friends. I like to think it was more. We lived on nothing but the excitement of finding ourselves through music (you were obsessed with Jeff Buckley), photography (I couldn’t stop taking pictures of you), hanging out in Washington Square Park, and all the weird things we did to make money. I learned more about myself that year than any other. Yet, somehow, it all fell apart. We lost touch the summer after graduation when I went to South America to work for National Geographic. When I came back, you were gone. A part of me still wonders if I pushed you too hard after the wedding… I didn’t see you again until a month ago. It was a Wednesday. You were rocking back on your heels, balancing on that thick yellow line that runs along the subway platform, waiting for the F train. I didn’t know it was you until it was too late, and then you were gone. Again. You said my name; I saw it on your lips. I tried to will the train to stop, just so I could say hello. After seeing you, all of the youthful feelings and memories came flooding back to me, and now I’ve spent the better part of a month wondering what your life is like. I might be totally out of my mind, but would you like to get a drink with me and catch up on the last decade and a half? M
In this gorgeously written coming-of-age novel, debut author Safi tells a fresh, funny, and real story of angry, messy teenage girls, complex relationships, and bad decisions.
An NPR Best Book of the Year • A Buzzfeed Best Book of the Year On Halloween, 1991, a popular high school basketball star ventures into the woods near Battle Creek, Pennsylvania, and disappears. Three days later, he’s found with a bullet in his head and a gun in his hand—a discovery that sends tremors through this conservative community, already unnerved by growing rumors of Satanic worship in the region. In the wake of this incident, bright but lonely Hannah Dexter is befriended by Lacey Champlain, a dark-eyed, Cobain-worshiping bad influence in lip gloss and Doc Martens. The charismatic, seductive Lacey forges a fast, intimate bond with the impressionable Dex, making her over in her own image and unleashing a fierce defiance that neither girl expected. But as Lacey gradually lures Dex away from her safe life into a feverish spiral of obsession, rebellion, and ever greater risk, an unwelcome figure appears on the horizon—and Lacey’s secret history collides with Dex’s worst nightmare. By turns a shocking story of love and violence and an addictive portrait of the intoxication of female friendship, set against the unsettled backdrop of a town gripped by moral panic, Girls on Fire is an unflinching and unforgettable snapshot of girlhood: girls lost and found, girls strong and weak, girls who burn bright and brighter—and some who flicker away.
The award-winning author of Eveningland “combines a coming-of-age tale, a ghost story and a meditation on history in his engrossing latest novel” (Minneapolis Star Tribune). It’s 1994 and Lenore Littlefield is a junior at Briarwood School for Girls. She plays basketball. She hates her roommate. History is her favorite subject. She has told no one that she’s pregnant. Everything, in other words, is under control. Meanwhile, Disney has announced plans to build a new theme park just up the road, a “Technicolor simulacrum of American History” right in the middle of one of the most history-rich regions of the country. If successful, the development will forever alter the character of Prince William County, VA, and have unforeseeable consequences for the school. When the threat of the theme park begins to intrude on the lives of the faculty and students at Briarwood, secrets will be revealed and unexpected alliances will form. Lenore must decide whom she can trust—will it be a middle-aged history teacher struggling to find purpose in his humdrum life? A lonely basketball coach tasked with directing the school play? A reclusive playwright still grappling with her own Briarwood legacy? Or a teenage ghost equally adept at communicating with the living via telephone or Ouija board? Following a cast of memorable characters as they reckon with questions about fate, history, and the possibility of happiness, At Briarwood School for Girls is “an inventive coming of age tale” (Southern Living). “A stunning novel with a hint of the supernatural that’s sure to delight readers.”—Publishers Weekly “Irresistible and satisfying.”—Christine Schutt, author of Florida: A Novel
A journalist uncovers the dark secrets of an abandoned boarding school in this chilling suspense novel from the New York Times bestselling author of The Sun Down Motel. Vermont, 1950. There's a place for the girls whom no one wants—the troublemakers, the illegitimate, the ones too smart for their own good. It's called Idlewild Hall, and local legend says the boarding school is haunted. Four roommates bond over their whispered fears, their friendship blossoming—until one of them mysteriously disappears.... Vermont, 2014. Twenty years ago, journalist Fiona Sheridan's elder sister’s body was found in the overgrown fields near the ruins of Idlewild Hall. And although her sister’s boyfriend was tried and convicted of the murder, Fiona can’t stop revisiting the events, unable to shake the feeling that something was never right about the case. When Fiona discovers that Idlewild Hall is being restored by an anonymous benefactor, she decides to write a story about it. But a shocking discovery during renovations links the loss of her sister to secrets that were meant to stay hidden in the past—and a voice that won’t be silenced....
“This enigmatic tale of adolescent friendship . . . is smart, sly, and as knowing about the mind and heart of a teenage girl as an Elena Ferrante novel.” —O, The Oprah Magazine “One of the best novels about girlhood and female friendship I’ve ever read.” —Mary Beth Keane, New York Times–bestselling author of Ask Again, Yes “A tough and exquisite sliver of a short novel whose world I want to remain lost in. . . . [A] spectacular narrator . . . [A] wonder of a novel.” —Maureen Corrigan, NPR’s Fresh Air Teenager Eulabee and her best friend, Maria Fabiola, own the streets of Sea Cliff, their San Francisco neighborhood. They know Sea Cliff’s homes and beaches, its hidden corners and eccentric characters. One day, walking to school with friends, they witness a horrible act—or do they? Eulabee and Maria Fabiola disagree on what happened, and their rupture is followed by Maria Fabiola’s sudden disappearance—a potential kidnapping that shakes the community and threatens to expose unspoken truths. Set in pre-tech boom San Francisco, a city on the brink of radical transformation, and told with a gimlet eye and great warmth, We Run the Tides is both a gripping mystery and a tribute to the wonders of youth. “The affectionate specificity of the portrait [Vida] offers is one of the book’s real pleasures.” —The New York Times Book Review “Detailed and vibrant.” —Los Angeles Review of Books “Smart, perceptive, elegant, sad, surprising and addictive.” —Nick Hornby, New York Times–bestselling author of About a Boy “There’s something naughty, almost gleeful about this nostalgia-soaked portrayal of pre-tech-boom San Francisco that keeps the pages turning.” —San Francisco Chronicle