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A revelatory study of one of the 18th century's greatest artists, which places him in relation to the darker side of the English Enlightenment Joseph Wright of Derby (1734-1797), though conventionally known as a 'painter of light', returned repeatedly to nocturnal images. His essential preoccupations were dark and melancholy, and he had an enduring concern with death, ruin, old age, loss of innocence, isolation and tragedy. In this long-awaited book, Matthew Craske adopts a fresh approach to Wright, which takes seriously contemporary reports of his melancholia and nervous disposition, and goes on to question accepted understandings of the artist. Long seen as a quintessentially modern and progressive figure - one of the artistic icons of the English Enlightenment - Craske overturns this traditional view of the artist. He demonstrates the extent to which Wright, rather than being a spokesman for scientific progress, was actually a melancholic and sceptical outsider, who increasingly retreated into a solitary, rural world of philosophical and poetic reflection, and whose artistic vision was correspondingly dark and meditative. Craske offers a succession of new and powerful interpretations of the artist's paintings, including some of his most famous masterpieces. In doing so, he recovers Wright's deep engagement with the landscape, with the pleasures and sufferings of solitude, and with the themes of time, history and mortality. In this book, Joseph Wright of Derby emerges not only as one of Britain's most ambitious and innovative artists, but also as one of its most profound. Distributed for the Paul Mellon Centre for Studies in British Art
NATIONAL BESTSELLER • From the national bestselling author of The River and The Dog Stars comes a "carefully composed story about one man’s downward turning life in the American West” (The Boston Globe). After having shot a man in a Santa Fe bar, the famous artist Jim Stegner served his time and has since struggled to manage the dark impulses that sometimes overtake him. Now he lives a quiet life ... until the day that he comes across a hunting guide beating a small horse, and a brutal act of new violence rips his quiet life right open. Pursued by men dead set on retribution, Jim is left with no choice but to return to New Mexico and the high-profile life he left behind, where he’ll reckon with past deeds and the dark shadows in his own heart. Look for Peter Heller's new novel, The Last Ranger, coming soon!
When CBS cancelled Serling's series, The Twilight Zone, Serling sought a similar concept in Night Gallery in the early 1970s as a new forum for his brand of storytelling, a mosaic of classic horror and fantasy tales. In this work, the authors explore the genesis of the series and provide production detail and behind-the-scenes material. They offer critical commentary and off-screen anecdotes for every episode, complete cast and credit listings, and synopses of all 43 episodes. Also featured are interviews with television personalities including Roddy McDowall, John Astin, Richard Kiley and John Badham.
From New York Times Bestseller, Pepper Winters, comes The Master of Trickery Duet. An angsty, secretive romance where the heroine is selfless with her kindness and a hero who does his best to push her away. Set in a world of body paint, lies, and history. "Must be slim, able to stand for long periods of time, and be impervious to the cold.” The headline caught my attention. “Hours are negotiable, pay is minimal, clothing absolutely forbidden.” The second line piqued my curiosity. “Able to hold your bladder and tongue, refrain from opinions or suggestions, and be the perfect living canvas.” The third made me scowl. “Other attributes required: non-ticklish, contortionist, and obedient. Must also enjoy being studied while naked in a crowd.” The fourth made me shudder. “Call or email ‘YOUR SKIN, HIS CANVAS’ if interested in applying.” The final made my heart race. I should’ve kept scrolling past the advertisement. I should’ve applied for the boring receptionist job at minimum wage. I should’ve clicked on any other job where I got to keep my clothes on. But I didn’t. I applied. My interview is tomorrow… Finish this duet with The Living Canvas
There are things the people of Winter, Wisconsin, would rather forget. The year the Nazis came to town, for one. That fire, for another. But what they'd really like to forget is Christian Cage. Seventeen-year-old Christian's parents disappeared when he was a little boy. Ever since, he's drawn obsessively: his mother's face...her eyes...and what he calls "the sideways place," where he says his parents are trapped. Christian figures if he can just see through his mother's eyes, maybe he can get there somehow and save them. But Christian also draws other things. Ugly things. Evil things. Dark things. Things like other people's fears and nightmares. Their pasts. Their destiny. There's one more thing the people of Winter would like to forget: murder. But Winter won’t be able to forget the truth, no matter how hard it tries. Not as long as Christian draws the dark...
LAPD Detective Harry Bosch crosses paths with FBI profiler Terry McCaleb while investigating the murder of a Hollywood actress. Harry Bosch is up to his neck in a case that has transfixed all of celebrity-mad Los Angeles: a movie director is charged with murdering an actress during sex, and then staging her death to make it look like a suicide. Bosch is both the arresting officer and the star witness in a trial that has brought the Hollywood media pack out in full-throated frenzy. Meanwhile, Terry McCaleb is enjoying an idyllic retirement on Catalina Island when a visit from an old colleague brings his former world rushing back. It's a murder, the unreadable kind of murder he specialized in solving back in his FBI days. The investigation has stalled, and the sheriff's office is asking McCaleb to take a quick look at the murder book to see if he turns up something they've missed. McCaleb's first reading of the crime scene leads him to look for a methodical killer with a taste for rituals and revenge. As his quick look accelerates into a full-sprint investigation, the two crimes -- his murdered loner and Bosch's movie director -- begin to overlap strangely. With one unsettling revelation after another, they merge, becoming one impossible, terrifying case, involving almost inconceivable calculation. McCaleb believes he has unmasked the most frightening killer ever to cross his sights. But his investigation tangles with Bosch's lines, and the two men find themselves at odds in the most dangerous investigation of their lives.
Unlike many other art books only give recipes for mixing colors or describe step-by-step painting techniques, *Color and Light* answers the questions that realist painters continually ask, such as: "What happens with sky colors at sunset?", "How do colors change with distance?", and "What makes a form look three-dimensional?" Author James Gurney draws on his experience as a plain-air painter and science illustrator to share a wealth of information about the realist painter's most fundamental tools: color and light. He bridges the gap between abstract theory and practical knowledge for traditional and digital artists of all levels of experience.
On a dark night, a child finds himself alone and lost in a forest. Any child would be frightened in this situation, and this child has an especially deep fear of the dark. Luckily, he meets a wise owl who teaches him about many of the plants and animals who love and need the dark, and before the night is over, the child loves the dark also! The intent of this little book is to introduce young people to the value of dark skies with the hope that as they progress into adulthood, they will be more inclined to support actions that preserve dark skies for the next generation. We also hope that children will learn from owl and bat to embrace, not fear, Nature's gift of the dark and to become better stewards of the Earth in general.
It is the early 1950s. A nameless man is found on the steps of the hospital in Iasi, Romania. He is deaf and mute, but a young nurse named Safta recognizes him from the past and brings him paper and pencils so that he might draw. Gradually, memories appear on the page: the man is Augustin, the cook's son at the manor house at Poiana where Safta was the privileged daughter. Born six months apart, they had a connection that bypassed words, but while Augustin's world stayed the same size, Safta's expanded to embrace languages, society, and a fleeting love one long, hot summer. But then came war, and in its wake a brutal Stalinist regime, and nothing would remain the same. Georgina Harding's kaleidoscopic new novel will appeal to readers of Anne Michaels, Michael Ondaatje, and Sandor Marai. It is as intense and submerging as rain, as steeped in the horrors of our recent history as it is in the intimate passions of the human heart.