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In A Not So Foreign Affair Andrea Slane investigates the influence of images of Nazism on debates about sexuality that are central to contemporary American political rhetoric. By analyzing an array of films, journalism, scholarly theories, melodrama, video, and propaganda literature, Slane describes a common rhetoric that emerged during the 1930s and 1940s as a means of distinguishing “democratic sexuality” from that ascribed to Nazi Germany. World War II marked a turning point in the cultural rhetoric of democracy, Slane claims, because it intensified a preoccupation with the political role of private life and pushed sexuality to the center of democratic discourse. Having created tremendous anxiety—and fascination—in American culture, Nazism became associated with promiscuity, sexual perversionand the destruction of the family. Slane reveals how this particular imprint of fascism is used in progressive as well as conservative imagery and language to further their domestic agendas and shows how our cultural engagement with Nazism reflects the inherent tension in democracy between the value of diversity, individual freedoms national identity, and notions of the common good. Finally, she applies her analysis of wartime narratives to contemporary texts, examining anti-abortion, anti-gay, and anti-federal rhetoric, as well as the psychic life of skinheads, censorship debates, and the contemporary fascination with incest. An invaluable resource for understanding the language we use—both visual and narrative—to describe and debate democracy in the United States today, A Not So Foreign Affair will appeal to those interested in cultural studies, film and video studies, American studies, twentieth century history, German studies, rhetoric, and sexuality studies.
This Pulitzer Prize–winning novel follows two American academics in London—a young man and a middle-aged woman—as they each fall into unexpected romances. In her early fifties, Vinnie Miner is the sort of woman no one ever notices, despite her career as an Ivy League professor. She doubts she could get a man’s attention if she waved a brightly colored object in front of him. And though she loves her work, her specialty—children’s folk rhymes—earns little respect from her fellow scholars. Then, alone on a flight to London for a research trip, she sits next to a man she would never have viewed as a potential romantic partner. In a Western-cut suit and a rawhide tie, he is a sanitary engineer from Tulsa, Oklahoma, on a group tour. He’s the very opposite of her type, but before Vinnie knows it, she’s spending more and more time with him. Also in London is Vinnie’s colleague, a young, handsome English professor whose marriage and self-esteem are both on the rocks. But Fred Turner is also about to find consolation—in the arms of the most beautiful actress in England. Stylish and highborn, she introduces Fred to a glamorous, yet eccentric, London scene that he never expected to encounter. The course of these two relationships makes up the story of Foreign Affairs—a finalist for the National Book Award and National Book Critics Circle Award as well as a Pulitzer Prize winner, and an entertaining, poignant tale from the author of The War Between the Tates and The Last Resort, “one of this country’s most able and witty novelists” (The New York Times). This ebook features an illustrated biography of Alison Lurie including rare images from the author’s personal collection.
Challenging the myth that the federal government exercises exclusive control over U.S. foreign-policymaking, Michael J. Glennon and Robert D. Sloane propose that we recognize the prominent role that states and cities now play in that realm. Foreign Affairs Federalism provides the first comprehensive study of the constitutional law and practice of federalism in the conduct of U.S. foreign relations. It could hardly be timelier. States and cities recently have limited greenhouse gas emissions, declared nuclear free zones and sanctuaries for undocumented immigrants, established thousands of sister-city relationships, set up informal diplomatic offices abroad, and sanctioned oppressive foreign governments. Exploring the implications of these and other initiatives, this book argues that the national interest cannot be advanced internationally by Washington alone. Glennon and Sloane examine in detail the considerable foreign affairs powers retained by the states under the Constitution and question the need for Congress or the president to step in to provide "one voice" in foreign affairs. They present concrete, realistic ways that the courts can update antiquated federalism precepts and untangle interwoven strands of international law, federal law, and state law. The result is a lucid, incisive, and up-to-date analysis of the rules that empower-and limit-states and cities abroad.
With six Academy Awards, four entries on the American Film Institute's list of 100 greatest American movies, and more titles on the National Historic Register of classic films deemed worthy of preservation than any other director, Billy Wilder counts as one of the most accomplished filmmakers ever to work in Hollywood. Yet how American is Billy Wilder, the Jewish émigré from Central Europe? This book underscores this complex issue, unpacking underlying contradictions where previous commentators routinely smoothed them out. Wilder emerges as an artist with roots in sensationalist journalism and the world of entertainment as well as with an awareness of literary culture and the avant-garde, features that lead to productive and often highly original confrontations between high and low.
Paperback. Reprint. Originally published in Australia and New Zealand, imprint: Bantam, by Random House Australia in 2004. 'Walking along the drab, grey streets past bomb craters and piles of rubble, I daydreamed about a more romantic world where people spoke exotic languages, played music, sang and danced with passion.' Trapped in the austerity of post-war London, 20-year-old Valerie Barnes yearned for the good times promised by the wartime songs. Then two chance meetings catapulted her into a high-flying career at the newly formed United Nations in Geneva and the arms of a glamorous Frenchman... Joining an elite breed of independent women who travelled the world in the 1950s and 1960s, Valerie lived a jet-setting life as one of the first simultaneous interpreters, working in exotic locales and rubbing shoulders with prime ministers and presidents. In those days, United Nations was new and its staff were convinced that if they got everything right there would be no more war. There were no precedents, no protocols in place - everything had to made up as they went along. Valerie worked long hours, sometimes starting at 9 a.m. and not finishing work until 3 o'clock the following morning but it was in the interest of getting agreement on a resolution so it was worth the effort. At the same time she was juggling a Swiss chalet home, three children and an unfaithful husband. But whatever Valerie did, she threw herself into it with zest. From dancing the flamenco to being kidnapped in Cairo, wooed by an African President who wanted her to become his fourteenth wife or falling for a passionate Slav, Valerie's gift for storytelling makes this book a lively, funny, utterly delightful memoir. Her marriage started with a wedding in Geneva on a cold, dismal, rainy morning, the French family, in muddy, damp clothes trying to pull their coat collars up and their hats down to hide their bruises - the bridegroom had driven them from their home in France to Geneva at high speed causing a collision so that they had all ended up in a muddy beetroot field - and ended with a wild summer evening divorce garden party complete with a jazz band, the planting of a tree, a firework display and a midnight balloon release. Vogue: 'Oh, to have had Valerie Barnes' life!'
Defying Hitler was written in 1939 and focuses on the year 1933, when, as Hitler assumed power, its author was a 25-year-old German law student, in training to join the German courts as a junior administrator. His book tries to answer two questions people have been asking since the end of World War II: “How were the Nazis possible?” and “Why did no one stop them?” Sebastian Haffner’s vivid first-person account, written in real time and only much later discovered by his son, makes the rise of the Nazis psychologically comprehensible. “An astonishing memoir... [a] masterpiece.” — Gabriel Schoenfeld, The New York Times Book Review “A short, stabbing, brilliant book... It is important, first, as evidence of what one intelligent German knew in the 1930s about the unspeakable nature of Nazism, at a time when the overwhelming majority of his countrymen claim to have know nothing at all. And, second, for its rare capacity to reawaken anger about those who made the Nazis possible.” — Max Hastings, The Sunday Telegraph “Defying Hitler communicates one of the most profound and absolute feelings of exile that any writer has gotten between covers.” — Charles Taylor, Salon “Sebastian Haffner was Germany’s political conscience, but it is only now that we can read how he experienced the Nazi terror himself — that is a memoir of frightening relevance today.” — Heinrich Jaenicke, Stern “The prophetic insights of a fairly young man... help us understand the plight, as Haffner refers to it, of the non-Nazi German.” — The Denver Post “Sebastian Haffner’s Defying Hitler is a most brilliant and imaginative book — one of the most important books we have ever published.” — Lord Weidenfeld
A pioneer for women in international diplomacy, Sue Boyd shares this account of her life in foreign service. 'An engaging account of life at the coalface by one of Australia's most active and effective diplomats - and real pathfinder in leading our diplomatic establishment out of its sexist dark age' -- Gareth Evans, Foreign Minister 1988-96 'A thoroughly engaging read. Sue's book took me for a walk down memory lane, remembering the tumultuous events of 2000 in Fiji and the fall out thereafter. Sue has a rare understanding of the Pacific Islands and its peoples. An enjoyable read. Part of it made me laugh out loud. From a gender perspective, it offers intuitions into the difficulties faced by women attempting to pierce the glass ceiling. Sue faced those difficulties with good humour and common sense, partly explaining why she has had such a successful career.' -- Imrana Jalal, The World Bank