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A wartime story of two British children in America and beyond.
“A brisk, frothy narrative . . . informative and fun.” —The Wall Street Journal In the dizzying wake of World War II, Rome skyrocketed to prominence as an epicenter of film, fashion, photography, and boldfaced libertinism. Artists, exiles, and a dazzling array of movie talent rushed to Rome for a chance to thrive in this hotbed of excitement. From the photographers who tailed the stars to the legends who secured their place in cinematic fame, Dolce Vita Confidential resurrects the drama that permeated the streets and screens of Rome.
La Dolce Vita University, 2nd Edition (LDVU2) is the perfect sampler for anyone curious about (or already in amore with) Italy and its remarkably rich cultural gifts, both past and present. This fully revised second edition includes 125 pages of new material (more than 60 new mini-essays and 40 new illustrations) to expand on the delights in the first edition. True to its lighthearted name, La Dolce Vita “U” is all about pleasurable learning, or what we prefer to call “edu-tainment.” Its dozens of entertaining yet authoritative mini-essays on a wide assortment of intriguing topics encourage random dipping at the reader’s pleasure. Even the most erudite Italophile will discover fun new facts and fascinating new insights in the pages of La Dolce Vita U. Mini-essays treat specific topics in one or more of the following subject areas: the Italian character; the visual arts (art, artists, architects); the performing arts (music, theater, cinema); history and antiquity; language and literature; cuisine and agriculture; wine and spirits; traditions and festivals; style and applied arts; unique places. In a wink and nod to the book’s “academic” identity, the 200 mini-essays are arranged alphabetically and accompanied by charming illustrations throughout. A special traveler’s topic index is provided at the end of the book.
On 9 April 1953 an attractive twenty-one-year-old woman went missing from her family home in Rome. Thirty-six hours later her body was found washed up on a neglected beach. Some said it was suicide; others, a tragic accident. But as the police tried to close the case, darker rumours bubbled to the surface. Could it be that the mysterious death of this quiet, conservative girl was linked to a drug-fuelled orgy, involving some of the richest and most powerful men in Italy?
Author Charlotte Phillips is a world traveler, traveling as a single woman and having made the decision to move to Cortona, the heart of Tuscany, to begin a new life after her husband had left her and her mother had suddenly passed away. Contessa Carlotta learned to open the door and let life in; she not only forgave the ones who sent her on this incredible journey but learned to thank them as well. This is a book that will sweep you away into a new dimension of life, fill your own hopes and dreams, and you will come away knowing even you can have this life - "La Dolce Vita" will carry you away into your very own dreams. '"LA DOLCE VITA" is an enchanting, captivating journal. As I am unable to travel the world, Charlotte's book permitted this reader to 'see, hear, taste' all the sights and sounds of ancient Tuscany. I can close my eyes and BE THERE ' Molly Embrey
Newly retired and looking for more than a vacation, John and Nancy Petralia intrepidly pack a few suitcases and head to the "perfect" Italian city for a year. Within days their dream becomes a nightmare. After residing in two Italian cities, negotiating the roads and health care, discovering art, friends, food and customs, the Petralias learn more than they anticipate -- about Italy, themselves, what it means to be American, and what's important in life.
Examines the cinematic vision of the renowned Italian filmmaker.
The fantastic creative energy of the 1960s took off with a burst of black and white: La Dolce Vita by Federico Fellini. An instant cult film, it became a great classic of modernity and continues to affect generation after generation, legendary yet always contemporary. Dolce Vita Style draws on the history that inspired the film in the theatrical Rome of the 50's and sums up the innumerable influences that this cult film has had on so many of those in the worlds of movies, popular music, society, life, and fashion. Image by image, this book retraces the astonishing itinerary of a work that is a supreme emblem and a source of inexhaustible style.
This book chronicles the demise of the supposedly leftist Italian cultural establishment during the long 1980s. During that time, the nation's literary and intellectual vanguard managed to lose the prominence handed it after the end of World War II and the defeat of Fascism. What emerged instead was a uniquely Italian brand of cultural capital that deliberately avoided any critical questioning of the prevailing order. Ricciardi criticizes the development of this new hegemonic arrangement in film, literature, philosophy, and art criticism. She focuses on several turning points: Fellini's futile, late-career critique of Berlusconi-style commercial television, Calvino's late turn to reactionary belletrism, Vattimo's nihilist and conservative responses to French poststructuralism, and Bonito Oliva's movement of art commodification, Transavanguardia.
Born and raised in Brooklyn with a street fighter's instinct and sharp Jewish wit, Mickey Knox leaves the army for the bright lights of Hollywood. But when the rise of McCarthyism puts an abrupt end to his hopes of working in American films, Knox debarks to France and Italy to work in European cinema. It turns out to be the best move of his life. This book—where every major film actor and writer of the last century appears—is a wonderful, gossipy history of European cinema as seen through the observant eye of Knox. From arguing with John Wayne, teaching Anna Magnani to articulate English, to fending off Zsa Zsa Gabor's advances and getting lost in Italy with a hungry Orson Welles, Knox was in the midst of it all, watching with a dry smile and a witty comeback. Of the colorful cast of characters who have passed through his life—Burt Lancaster, Kirk Douglas, Ava Gardner, Anthony Quinn, Henry Fonda, Burt Reynolds, Sam Fuller, Elvis Presley, Gore Vidal—one lasting friendship runs throughout the text. That friend—Norman Mailer—writes a preface to "a rare warrior of that rarely heroic world of stage and screen." Black-and-white photographs are included.