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Contains the best account of the theatre of his day and is an invaluable study of the art of acting as it was practiced by his contemporaries.
I know that to the majority of people who merely regard the theatre as a place for occasional recreation, it is a subject for amazement that others can exist who, not belonging to the theatrical profession, take an absorbing and lasting interest in the stage, and in those actors and actresses who have made its past history glorious, as well as in the artists who adorn and make it a delight in the present. I wonder how many of us truly realise the weight of Charles Dickens's words: "If any man were to tell me that he denied his acknowledgments to the stage, I would simply put to him one question-whether he remembered his first play?" Not only freely, but with gratitude, I acknowledge my indebtedness to the theatre, and it is certain that from that magic night when for the first time I saw the glitter of the footlights and watched the rise of the curtain, I entered upon a new and most fascinating life. Of course I was called "stage struck," and those who controlled me shook their heads, thought it a great pity, and did their best to thwart my inclinations.
Assembled from a series of newspaper articles first published in the newspaper *Morning Chronicle* throughout the 1840s, this exhaustively researched, richly detailed survey of the teeming street denizens of London is a work both of groundbreaking sociology and salacious voyeurism. In an 1850 review of the survey, just prior to its initial book publication, William Makepeace Thackeray called it "tale of terror and wonder" offering "a picture of human life so wonderful, so awful, so piteous and pathetic, so exciting and terrible, that readers of romances own they never read anything like to it." Delving into the world of the London "street-folk"-the buyers and sellers of goods, performers, artisans, laborers and others-this extraordinary work inspired the socially conscious fiction of Charles Dickens in the 19th century as well as the urban fantasy of Neil Gaiman in the late 20th. Volume I explores the lives of: the "wandering tribes" costermongers sellers of fish, fruits and vegetables sellers of books and stationery sellers of manufactured goods women and children on the streets and more. English journalist HENRY MAYHEW (1812-1887) was a founder and editor of the satirical magazine *Punch.*
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.