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Study with special reference to Jaffna, Sri Lanka.
This book examines the making of the Goddess Durga both as an art and as part of the intangible heritage of Bengal. As the ‘original site of production’ of unbaked clay idols of the Hindu Goddess Durga and other Gods and Goddesses, Kumartuli remains at the centre of such art and heritage. The art and heritage of Kumartuli have been facing challenges in a rapidly globalizing world that demands constant redefinition of ‘art’ with the invasion of market forces and migration of idol makers. As such, the book includes chapters on the evolution of idols, iconographic transformations, popular culture and how the public is constituted by the production and consumption of the works of art and heritage and finally the continuous shaping and reshaping of urban imaginaries and contestations over public space. It also investigates the caste group of Kumbhakars (Kumars or the idol makers), reflecting on the complex relation between inherited skill and artistry. Further, it explores how the social construction of art as ‘art’ introduces a tangled web of power asymmetries between ‘art’ and ‘craft’, between an ‘artist’ and an ‘artisan’, and between ‘appreciation’ and ‘consumption’, along with their implications for the articulation of market in particular and social relations in general. Since little has been written on this heritage hub beyond popular pamphlets, documents on town planning and travelogues, the book, written by authors from various fields, opens up cross-disciplinary conversations, situating itself at the interface between art history, sociology of aesthetics, politics and government, social history, cultural studies, social anthropology and archaeology. The book is aimed at a wide readership, including students, scholars, town planners, heritage preservationists, lawmakers and readers interested in heritage in general and Kumartuli in particular.
Sri Lanka’s conflict and peace processes have gained global attention during recent years. This book presents a comprehensive insight into the politics of reconstruction and development in Sri Lanka, focussing on the ceasefire which was negotiated between the Government of Sri Lanka and the separatist Liberation Tigers of Tamil Eelam in 2002 and which lasted until 2006. Based on extensive empirical fieldwork, the book provides a unique ethnographic account of this specific historical period of peace. It explains how development was shaped by interplay and cooperation, but also by the disparities and conflicts between a variety of local and intervening actors, including local organizations and civil society, LTTE, Government of Sri Lanka, international development cooperation and the Tamil diaspora. Starting from an interdisciplinary viewpoint, the author integrates findings from development sociology with new perspectives on transnationalization and the migration-development-nexus. This provides a fine grained analysis of the emerging development visions and perspectives in relation to transnationalization and global interconnectedness. Making an innovative contribution by linking the analysis of local reconstruction with contemporary phenomena of transnationalization, diasporization, and globalization, this book will appeal to those with an interest in Sociology, Social Anthropology and Political Science.
Explores the contemporary nature and the diverse narratives, rituals, and performances of the Navar?tri festival. Nine Nights of the Goddess explores the festival of Navarātri—alternatively called Navarātra, Mahānavamī, Durgā Pūjā, Dasarā, and/or Dassain—which lasts for nine nights and ends with a celebration called Vijayadaśamī, or "the tenth (day) of victory." Celebrated in both massive public venues and in small, private domestic spaces, Navarātri is one of the most important and ubiquitous festivals in South Asia and wherever South Asians have settled. These festivals share many elements, including the goddess, royal power, the killing of demons, and the worship of young girls and married women, but their interpretation and performance vary widely. This interdisciplinary collection of essays investigates Navarātri in its many manifestations and across historical periods, including celebrations in West Bengal, Odisha, Karnataka, Maharashtra, Tamil Nadu, Uttar Pradesh, and Nepal. Collectively, the essays consider the role of the festival's contextual specificity and continental ubiquity as a central component for understanding South Asian religious life, as well as how it shapes and is shaped by political patronage, economic development, and social status.
Annually during the months of autumn, Bengal hosts three interlinked festivals to honor its most important goddesses: Durga, Kali, and Jagaddhatri. While each of these deities possesses a distinct iconography, myth, and character, they are all martial. Durga, Kali, and Jagaddhatri often demand blood sacrifice as part of their worship and offer material and spiritual benefits to their votaries. Richly represented in straw, clay, paint, and decoration, they are similarly displayed in elaborately festooned temples, thronged by thousands of admirers. The first book to recount the history of these festivals and their revelry, rivalry, and nostalgic power, this volume marks an unprecedented achievement in the mapping of a major public event. Rachel Fell McDermott describes the festivals' origins and growth under British rule. She identifies their iconographic conventions and carnivalesque qualities and their relationship to the fierce, Tantric sides of ritual practice. McDermott confronts controversies over the tradition of blood sacrifice and the status-seekers who compete for symbolic capital. Expanding her narrative, she takes readers beyond Bengal's borders to trace the transformation of the goddesses and their festivals across the world. McDermott's work underscores the role of holidays in cultural memory, specifically the Bengali evocation of an ideal, culturally rich past. Under the thrall of the goddess, the social, political, economic, and religious identity of Bengalis takes shape.
Ahi is an aspiring publisher and wishes to make it big someday. When her favourite author’s autobiography lands on her table – which has confessions of his heinous crimes, illegal businesses and few eminent others as his partners in crime – she doesn’t know if it’s real or someone’s trap. It could get her a big breakthrough, but little does she know that it would turn her world upside down completely. Her morbid curiosity pulls her into the depth of a conspiracy. She finds herself in the centre of various mishaps and murders, as if someone wants to lead the way. Driven by her childhood friend Samim’s encouragement, and watched over by the ever so charming ACP Rathore, she has to jeopardize her life to find the brutal truth of her past. Touching, thrilling and deeply mysterious, Sin is the New Love is the journey of a girl who stumbles upon the truth about her origin while chasing her dream.
Each year, Kolkata's Durga Puja scales new heights as the most spectacular and extravagant event in the city's calendar. From the turn of the twenty-first century, the festival has taken on a particular artistic dispensation that is unique to the contemporary city, demanding a new order of attention and analysis. Based on field-research conducted between 2002 and 2012, this book unravels the anatomy of this newly-congured 'art' event, by tracking the new production processes, the mounting trends of publicity and sponsorship as well as the practices of mass spectatorship that make for the transformed visual culture of the festival. This new visual aesthetic, it is argued, has become the most important marker of the rapidly mutating identity of today's Durga Puja in Kolkata, bringing into the fray new categories of artists and designers, new genres of public art, and new spaces for art production and reception in the city. The book's central concern lies in conceptualizing a specically contemporary and artistic history of the urban festival. In keeping with its title, the book examines the diversity of images and practices - from the consumerist spectacle and the bonanza of awards to the efflorescence of public installations and art and craft productions - that unfurls in this season 'in the name of the goddess'. While proling the Durga Pujas as Kolkata's biggest public art event, the book also addresses the ambivalence of the designations of 'art' and 'artist' in this eld of production and viewership. One of the main aims of this study has been to lay open the claims of 'art' in this festival both as a set of insistent projections as well as a mesh of incomplete formations. The new artistic nomenclature of the festival, it is shown, is not easily secured and has to struggle to assert itself within the body of the religious event and the ephemeral mass spectacle.
An entirely original portrait of a young writer shutting out the din in order to find her own voice
A unique combination of the activist and the academic, Feminist Review has an acclaimed place within women's studies courses and the women's movement. Feminist Review is produced by a London based editorial collective and publishes and reviews work by women; featuring articles on feminist theory, race, class and sexuality, women's history, cultural studies, black and third world feminism, poetry, photography, letters and much more. Feminist Review is available both on subscription and from bookstores. For a Free Sample Copy or further subscription details please contact Terry Sleight, Routledge Subscriptions, ITPS Ltd., Cheriton House, North Way, Andover SP10 5BE, UK.
DOMINION PLAGUE Earth remains the tortured battleground of near-immortal aliens. But these god kings never anticipated unified resistance from a group of humans possessing the tenacity and spirit to reclaim their planet. In the ongoing war for independence, the Cerberus fighters forge an epic showdown, as evil shape-shifts and unfurls its grand design.... UNSTOPPABLE JUGGERNAUT The madness surrounding entombed secrets of an ancient race puts Kane and his allies on a death chase across the African subcontinent. Facing relentless attack from winged hell beasts and marauding militia, the rebels are forced into an unholy alliance with a deadly foe. Only the dark goddess spawned of humanity's most brutal overlord can challenge a superhuman interloper and navigate an ancient ziggurat that guards a nightmare. The price for miscalculation will be paid in blood--with the eternal damnation of the human race.