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An eye-opening biography of a woman at the intersection of three distinct cultures in colonial America Born and raised in a New England garrison town, Esther Wheelwright (1696-1780) was captured by Wabanaki Indians at age seven. Among them, she became a Catholic and lived like any other young girl in the tribe. At age twelve, she was enrolled at a French-Canadian Ursuline convent, where she would spend the rest of her life, eventually becoming the order's only foreign-born mother superior. Among these three major cultures of colonial North America, Wheelwright's life was exceptional: border-crossing, multilingual, and multicultural. This meticulously researched book discovers her life through the communities of girls and women around her: the free and enslaved women who raised her in Wells, Maine; the Wabanaki women who cared for her, catechized her, and taught her to work as an Indian girl; the French-Canadian and Native girls who were her classmates in the Ursuline school; and the Ursuline nuns who led her to a religious life.
"A good story and first-rate social science."—New York Times Book Review. A sinisterly funny modern-day Through the Looking Glass that begins with cyanide poisoning and ends in strawberry ice cream. The idea of the Native American living in perfect harmony with nature is one of the most cherished contemporary myths. But how truthful is this larger-than-life image? According to anthropologist Shepard Krech, the first humans in North America demonstrated all of the intelligence, self-interest, flexibility, and ability to make mistakes of human beings anywhere. As Nicholas Lemann put it in The New Yorker, "Krech is more than just a conventional-wisdom overturner; he has a serious larger point to make. . . . Concepts like ecology, waste, preservation, and even the natural (as distinct from human) world are entirely anachronistic when applied to Indians in the days before the European settlement of North America." "Offers a more complex portrait of Native American peoples, one that rejects mythologies, even those that both European and Native Americans might wish to embrace."—Washington Post "My story, the story of 'how I became a nun,' began very early in my life; I had just turned six. The beginning is marked by a vivid memory, which I can reconstruct down to the last detail. Before, there is nothing, and after, everything is an extension of the same vivid memory, continuous and unbroken, including the intervals of sleep, up to the point where I took the veil ." So starts Cesar Aira's astounding "autobiographical" novel. Intense and perfect, this invented narrative of childhood experience bristles with dramatic humor at each stage of growing up: a first ice cream, school, reading, games, friendship. The novel begins in Aira's hometown, Coronel Pringles. As self-awareness grows, the story rushes forward in a torrent of anecdotes which transform a world of uneventful happiness into something else: the anecdote becomes adventure, and adventure, fable, and then legend. Between memory and oblivion, reality and fiction, Cesar Aira's How I Became a Nun retains childhood's main treasures: the reality of fable and the delirium of invention. A few days after his fiftieth birthday, Aira noticed the thin rim of the moon, visible despite the rising sun. When his wife explained the phenomenon to him he was shocked that for fifty years he had known nothing about "something so obvious, so visible." This epiphany led him to write How I Became a Nun. With a subtle and melancholic sense of humor he reflects on his failures, on the meaning of life and the importance of literature.
A collection that shows Freeman's many modes - romantic, gothic, and psychologically symbolic - as well as her use of pathos and sentimentality, humour, satire and irony. These stories centre on questions of women's integrity, courage and privation; explore the idea of masculinity; and dramatise the relationship between rural New England and modern culture and commerce. Also included here is 'The Jamesons', a series of sketches about village life reprinted for the first time since the turn of the 20th century. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A collection of extraordinary oral histories of American nuns, Habits of Change captures the experiences of women whose lives over the past fifty years have been marked by dramatic transformation. Bringing together women from more than forty different religious communities, most of whom entered religious life before Vatican II, the book shows how their lives were suddenly turned around in the 1960s--perhaps more so than any other group of contemporary women. Here these women speak of their active engagement in the events that disrupted their church and society and of the lives they lead today, offering their unique perspective on issues such as peace activism, global equality for women, and the clergy sexual abuse crisis. The interviewees include a Maryknoll missionary who spent decades in Africa, most recently in the Congo; an inner-city art teacher whose own paintings reflect the vibrancy of Haiti; a recovering alcoholic who at age 71 has embarked on her fourth ministry; a life-long nurse, educator, and hospital administrator; and an outspoken advocate for the gay and lesbian community. Told with simplicity, honesty, and passion, their stories deserve to be heard.
A New England Girlhood, Outlined from Memory by Lucy Larcom, first published in 1889, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
As chaste women devoted to God, nuns are viewed as the purest of the pure. Yet, as females who reject courtship, sex, marriage, child bearing, and materialism, they have been the anathema of how society has proscribed, expected, and regulated women: sex object, wife, mother, and capitalist consumer. They are perceived as otherworldly beings, yet revered for their salt-of-the-earth demeanor. This book illustrates how both English and Spanish Renaissance-era authors latched onto the figure of the nun as a way to evaluate the social construction of womanhood. This analysis of the nun’s role in the popular imagination via literature explores how writers on both sides of the Catholic-Protestant divide employed the role of the nun to showcase the powerful potential these women possessed in acting out as sanctified subversives. The texts under consideration include William Shakespeare’s Measure for Measure, Margaret Cavendish’s The Convent of Pleasure, María de Zayas’s The Disenchantments of Love, Aphra Behn’s The History of the Nun, Catalina de Erauso’s The Lieutenant Nun, and Sor Juana Inés de la Cruz’s autobiographical and literary works. No other book addresses these issues through a concentrated study of these authors and their literary works, much less by offering an in-depth discussion of the literature and culture of seventeenth-century England, Spain, and Mexico.
The life of a young nun in New England in the 1960s provides the backdrop for the provocative and highly relevant new novel Fifty Shades of Black and White: Confessions of a Naughty Nun. Eighteen-year-old Catherine Connor first enters the convent in September 1959. She begins her training as a postulant in Cumberland, Rhode Island. The story starts with her experiences in the novitiate and follows her as she takes her final vows. At the end of her postulant year, she becomes Sister Mary Irene Joseph. Her first mission after completing her education is to teach at a Catholic school in Fall River, Massachusetts. There she meets and falls in love with the young parish priest, Paul Kelly, who persistently pursues her. Catherine's experiences describe both convent life and her intimate love story, which is at times funny, sad, and melancholy. Fifty Shades of Black and White poses problems that the church is still struggling with today. Catherine's story is one you will never forget.