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A guide to historical literature on England between 1760 and 1837, emphasising more recent work.
Welcomed worldwide on its first publication, this practical and lively guide for the amateur genealogist has now been fully revised and updated. The new material includes a section on medieval genealogy which targets the increasing numbers of family historians who have reached back as far as the sixteenth century and wish to go further. Heraldry is introduced for the first time. There is detail on the location and genealogical content of military records and the records of Poor Law Unions and their workhouses. Details are also included of the latest changes to the location and cost of civil registration sources. A problem-solving manual rather than a simple how-to guide, The family tree detective explains what to do when the usual methods fail and provides invaluable assistance for those without access to London’s vast resources of genealogical information.
Reimagining the scholarly book as living and collaborative--not as commodified and essentialized, but in all its dynamic materiality. In this book, Janneke Adema proposes that we reimagine the scholarly book as a living and collaborative project--not as linear, bound, and fixed, but as fluid, remixed, and liquid, a space for experimentation. She presents a series of cutting-edge experiments in arts and humanities book publishing, showcasing the radical new forms that book-based scholarly work might take in the digital age. Adema's proposed alternative futures for the scholarly book go beyond such print-based assumptions as fixity, stability, the single author, originality, and copyright, reaching instead for a dynamic and emergent materiality. Adema suggests ways to unbind the book, describing experiments in scholarly book publishing with new forms of anonymous collaborative authorship, radical open access publishing, and processual, living, and remixed publications, among other practices. She doesn't cast digital as the solution and print as the problem; the problem in scholarly publishing, she argues, is not print itself, but the way print has been commodified and essentialized. Adema explores alternative, more ethical models of authorship; constructs an alternative genealogy of openness; and examines opportunities for intervention in current cultures of knowledge production. Finally, asking why it is that we cut and bind our research together at all, she examines two book publishing projects that experiment with remix and reuse and try to rethink and reperform the book-apparatus by taking responsibility for the cuts they make.
Profiling more than 1400 print and electronic sources, this book helps connect librarians and researchers to the most relevant sources of information in genealogy and biography.