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The vibrant tradition of Temple decoration in India.
The small town of Vṛndāvana is today one of the most vibrant places of pilgrimage in northern India. Throngs of pilgrims travel there each year to honour the sacred land of Kṛṣṇa’s youth and to visit many of its temples. The Building of Vṛndāvana explores the complex history of this town’s early modern origins. Bringing together scholars from various disciplines to examine history, architecture, art, ritual, theology, and literature in this pivotal period, the book examines how these various disciplines were used to create, develop, and map Vṛndāvana as the most prominent place of pilgrimage for devotees of Kṛṣṇa. Contributors are: Guy L. Beck, Måns Broo, David Buchta, John Stratton Hawley, Barbara A. Holdrege, Rembert Lutjeharms, Cynthia D. Packert, and Heidi Pauwels.
The Visual Turn: South Asia Across the Disciplines explores new perspectives made possible by the evidence drawn from visual culture. This evidence is utilized by historians, literary analysts, anthropologists and, in a new way, art historians. Focusing on built environments within their urban contexts; the interactions of buildings, roads, and bodies; the meaning-making achieved through consumption of images (on their own or in concert with literary texts) all contribute to a much broader and deeper understanding of change in South Asia. Juxtaposed, these case studies not only approach their topics in a multi-disciplinary manner, but also make clear just what scholars from various disciplines can learn from each other to add nuance and depth to their own analyses. In the process, the authors demonstrate how the application of different methods and theorizing, when coupled with a fascinating range of types of evidence, contribute to a significant broadening of our abilities to interpret the past and the present. In particular, these essays bring new ways of thinking about cities as well as the multiple ways that visual culture contributes to individual and collective forms of identity-narratives that are negotiated at key moments of change in South Asia. Readers will see their own materials and historicized contexts with new eyes. This book was published as a special issue of South Asia: Journal of South Asian Studies.
This book traces the development of scientific conservation and technical art history. It takes as its starting point the final years of the nineteenth century, which saw the establishment of the first museum laboratory in Berlin, and ground-breaking international conferences on art history and conservation held in pre-World War I Germany. It follows the history of conservation and art history until the 1940s when, from the ruins of World War II, new institutions such as the Istituto Centrale del Restauro emerged, which would shape the post-war art and conservation world. The book will be of interest to scholars working in art history, conservation history, historiography, and history of science and humanities.
Heritage stones are building and ornamental stones that have special significance in human culture. The papers in this volume discuss a wide variety of such materials, including stones from Europe, Asia, North and South America, Africa and Australia. Igneous (basalt, porphyry, granite), sedimentary (sandstone, limestone) and metamorphic (marble, quartzite, gneiss, soapstone, slate) stones are featured. These have been utilized over long periods of time for a wide range of uses contributing to the historic fabric of the built environment. Many of these stones are of international significance, and so are potential Global Heritage Stone Resources, that is stones that have the requisite qualities for international recognition by the Heritage Stones Subcommission of the International Union of Geological Sciences. The papers bring together diverse information on these stones ranging from their geological setting and quarry locations to mechanical properties, current availability, and uses over time. As such the papers can serve as an entry into the literature on these important stones.
These fourteen essays address controversies over a variety of cultural properties, exploring them from perspectives of law, archeology, physical anthropology, ethnobiology, ethnomusicology, history, and cultural and literary study. The book divides cultural property into three types: Tangible, unique property like the Parthenon marbles; intangible property such as folktales, music, and folk remedies; and communal "representations," which have lead groups to censor both outsiders and insiders as cultural traitors.
In a wide-ranging exploration of the creation and use of Buddhist art in Andhra Pradesh, India, from the second and third centuries of the Common Era to the present, Catherine Becker shows how material remains and visual experiences shape and reveal essential human concerns. Shifting Stones, Shaping the Past begins with an analysis of the ornamentation of Andhra's ancient Buddhist sites, such as the lavish limestone reliefs depicting scenes of devotion and lively narratives on the main stupa at Amaravati. As many such monuments have fallen into disrepair, it is temping to view them as ruins; however, through an examination of recent state-sponsored tourism campaigns and new devotional activities at the sites, Becker shows that the monuments are in active use and even ascribed innate power and agency. Becker finds intriguing parallels between the significance of imagery in ancient times and the new social, political, and religious roles of these objects and spaces. While the precise functions expected of these monuments have shifted, the belief that they have the ability to effect spiritual and mental transformation has remained consistent. Becker argues that the efficacy of Buddhist art relies on the careful attention of its makers to the formal properties of art and to the harnessing of the imaginative potential of the human senses. In this respect, Buddhist art mirrors the teaching techniques attributed to the Buddha, who often engaged his pupils' desires and emotions as tools for spiritual progress.
A ground-breaking study of ceremonial stone landscapes in Northeast America and their relationship to other sites around the world • Features a comprehensive field guide to hundreds of megalithic stone structures in northeastern America, including cairns, perched boulders, and effigies • Details the Wall of Manitou, the Hammonasset Line, landscape astronomy along the Hudson River, and a several-acre area in Woodstock, NY, with large, carefully constructed lithic formations • Analyzes the archaeoastronomy, archaeoacoustics, and symbolism of these sites to reveal their relationships to other ceremonial stone sites across America and the world Presenting a comprehensive field guide to hundreds of lost, forgotten, and misidentified megalithic stone structures in northeastern America, Glenn Kreisberg documents many enigmatic formations still standing across the Catskill Mountain and Hudson Valley region, complete with functioning solstice and equinox alignments. Kreisberg provides a first-person description of the “Wall of the Manitou,” which runs for 10 miles along the eastern slopes of the Catskill Mountains, as well as narratives about related sites that include animal effigies, reproductive organs, calendar stones, enigmatic inscriptions, and evidence of alignments. Using computer software, he plots the trajectory of the Hammonasset Line, which begins at a burial complex near the tip of Long Island and runs to Devil’s Tombstone in Greene County, New York. He shows how the line runs at the same angle that marks the summer solstice sunset from Montauk Point on Long Island, and, when extended, intersects the ancient copper mines of Isle Royal in Upper Michigan. He documents a several-acre area on Overlook Mountain in Woodstock, New York, with a grouping of very large, carefully constructed lithic formations that together create a serpent or snake figure, mirroring the constellation Draco. He demonstrates how this site is related to the Serpent Mount in Ohio and Ankor Wat in Cambodia and reveals how all of the vast, interlocking sites in the Northeast were part of an ancient spiritual landscape based on a sophisticated understanding of the cosmos, as practiced by ancient Native Americans. While modern historians consider these sites to be colonial era constructions, Kreisberg reveals how they were used to communicate with the spirit world and may be remnants of a long-vanished civilization.