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This volume brings together papers presented at the 7th Annual International Conference co-organised by Florence University of the Arts, Italy, and Stony Brook University (SUNY), USA. The contributors explored the many connections that define the Mediterranean Sea as a symbol of tradition and modernity, and examined it as a region capable of congregating, synergizing and transforming cultures. Their writings focus on the relationship between the cultural, social, and historical environment of Mare Nostrum to pinpoint the elements defining its identity. Hence, particular emphasis is placed on the role and relevance of the Mediterranean as the first beacon of multi-ethnicity which may be seen as a symbol of diversity and unity, as well as a model that holds clues to understanding the global merging of cultures. As such, it is a real shame to see that the general interest in this unique and fascinating area has arisen not thanks to such highly positive features, but because, as Pope Francis says, it has become an open-air cemetery where thousands of people keep drowning. The multifaceted approach to this topic has resulted in the book being divided into four sections, covering the following thematic areas: Literature, History, Culture, and Identity.
Allen Curnow (1911–2001) was at the time of his death regarded as one of the greatest of all poets writing in English. For seventy years, from Valley of Decision (1933) to The Bells of Saint Babel's (2001), Curnow's poetry was always on the move – from his early approaches to New Zealand identity and myth to later work concerned with the philosophical encounter between word and world. Curnow also played a major role in New Zealand life as editor, critic, commentator and anthologist, as well as a much-loved writer of light verse under the penname of Whim Wham. In his later years he acquired an impressive international reputation, winning the Commonwealth Prize for Poetry and the Queen's Gold Medal for Poetry. Throughout his lifetime, Allen Curnow revised, selected and collected his poetry in various ways. For the first time, this collection brings together all of the poems that Curnow collected in his lifetime grouped in their original volumes. The notes reproduce Curnow's comments on individual poems and include relevant editorial guidance. This is the definitive collection of work by New Zealand's most distinguished poet.
It lives in the hole where the moon used to be. And for most of the worst part of the northern winter, over the last two decades, so have we. The real South Pacific was not a Bali Hai musical, but a drama of cannibals and castaways, headhunters and slavers, paradise and perdition. This is a book of saline psalms. This is water.
Aphrodite and Venus in Myth and Mimesis is a broad, flexible source book of comparative literature and cultural studies. It promotes the wide-ranging presence and impact of prominent idiosyncratic personalities in fabled goddess mythology and its emphatic notions of endearment and allure. The book brings together seven hundred acknowledged sources drawn from successive historical, global and literary eras, including principal commentaries, along with factual information and important renditions in art, prose and verse, within and beyond mainstream western culture. A lengthy, detailed introduction presents a copious documented preview of the viable adaptation and mimesis of ‘divine’ characterization and its respective centrality from the long distant past to the present day. Myth, rarely latent, demonstrates varied modes of expression and open-ended flexibility throughout the six comprehensive chapters which illuminate and probe, in turn, aspects of the ideological presence, sensibilities, trials and triumphs and interventions of the goddess, whether sacred or profane. Particular literary extracts and episodes range across ancient cultures alongside quite recent expressions of hermeneutics, blending myth with the contemporary in the multi-layered reception or admonishment of the goddess, whether by one designation or the other. As such, this book is wholly relevant to all stages of the evolution and expansion of a dynamic European literary culture and its leading authors and personalities.
Richard Horatio Edgar Wallace (1875-1932) was a prolific British crime writer, journalist and playwright, who wrote 175 novels, 24 plays, and countless articles in newspapers and journals. Edgar Wallace was born in Yarmouth, Greenwich, Norfolk. His biological parents were actors Richard Horatio Edgar (who never knew of his existence) and Mary Jane "Polly" Richards, nee Blair. Known as Richard Freeman, Edgar had a happy childhood, forming an especially close bond with 20-year-old Clara Freeman who became like a second mother to him. His foster-father George Freeman was an honourable and kind man and determined to ensure Richard received a good education. He is most famous today as the co-creator of King Kong, writing the early screenplay and story for the movie, as well as a short story King Kong (1933) credited to him and Draycott Dell. He was known for the J. G. Reeder detective stories, The Four Just Men, The Ringer, and for creating the Green Archer character during his lifetime. His other works include: The Angel of Terror (1922), The Clue of the Twisted Candle (1916), and The Daffodil Mystery (1920).
As far back as the fifth century BCE Pherecydes and others attempted to integrate city-state stories into a coherent mythic Greek pre-history. Science unavailable to ancient sources helped guide author Spencer Clevenger to critical insights and intriguing results. In Greek Mythic History, he weaves myths concerning gods, kings, and heroes into their intended time and place and offers a concise retelling of Greek myths from a historic perspective. Capitalizing on modern discoveries, Clevenger tells the story in chronological order, starting with the creation of the cosmos and ending in the Dark Ages when poets began to write down their myths and stories. Neither history nor mythology, the stories depict what history might be if the myths were interpreted more literally. With maps and exhibits included, Greek Mythic History provides a comprehensive retelling of the various Hellenic myths in a logical historical sequence, and places nearly the entire canon into context.
Winner of the Tiptree Award and a Mythopoeic Award finalist, Cloud & Ashes is a slow whirlwind of language, a button box of words, a mythic fable that invites revisitation. Praise for Cloud & Ashes: "A rich poetic prose laden with fetching archaisms that's unlike anything else being written today. Brilliant and truly innovative fiction, not to be missed."—The Washington Times Greer Gilman is the author of Moonwise. A graduate of Wellesley and the University of Cambridge, she lives in Cambridge, Massachusetts. She likes to quip that she does everything James Joyce ever did, only backward and in high heels.
An illustrated guide to one of the most enduring masterworks of world literature Written in the eleventh century by the Japanese noblewoman Murasaki Shikibu, The Tale of Genji is a masterpiece of prose and poetry that is widely considered the world’s first novel. Melissa McCormick provides a unique companion to Murasaki’s tale that combines discussions of all fifty-four of its chapters with paintings and calligraphy from the Genji Album (1510) in the Harvard Art Museums, the oldest dated set of Genji illustrations known to exist. In this book, the album’s colorful painting and calligraphy leaves are fully reproduced for the first time, followed by McCormick’s insightful essays that analyze the Genji story and the album’s unique combinations of word and image. This stunning compendium also includes English translations and Japanese transcriptions of the album’s calligraphy, enabling a holistic experience of the work for readers today. In an introduction to the volume, McCormick tells the fascinating stories of the individuals who created the Genji Album in the sixteenth century, from the famous court painter who executed the paintings and the aristocrats who brushed the calligraphy to the work’s warrior patrons and the poet-scholars who acted as their intermediaries. Beautifully illustrated, this book serves as an invaluable guide for readers interested in The Tale of Genji, Japanese literature, and the captivating visual world of Japan’s most celebrated work of fiction.