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Nominated for an Edgar Award for Best First Novel! In 19th century Bombay, Captain Jim Agnihotri channels his idol, Sherlock Holmes, in Nev March’s Minotaur Books/Mystery Writers of America First Crime Novel Award-winning debut. In 1892, Bombay is the center of British India. Nearby, Captain Jim Agnihotri lies in Poona military hospital recovering from a skirmish on the wild northern frontier, with little to do but re-read the tales of his idol, Sherlock Holmes, and browse the daily papers. The case that catches Captain Jim's attention is being called the crime of the century: Two women fell from the busy university’s clock tower in broad daylight. Moved by Adi, the widower of one of the victims — his certainty that his wife and sister did not commit suicide — Captain Jim approaches the Parsee family and is hired to investigate what happened that terrible afternoon. But in a land of divided loyalties, asking questions is dangerous. Captain Jim's investigation disturbs the shadows that seem to follow the Framji family and triggers an ominous chain of events. And when lively Lady Diana Framji joins the hunt for her sisters’ attackers, Captain Jim’s heart isn’t safe, either. Based on a true story, and set against the vibrant backdrop of colonial India, Nev March's Minotaur Books/Mystery Writers of America First Crime Novel Award-winning lyrical debut, Murder in Old Bombay, brings this tumultuous historical age to life.
"Radhi returns home to Mumbai to lick her wounds after a failed relationship and a bout of writer's block, but she soon gets caught up in the tangled mystery surrounding the death of her best friend's father. Radhi’s pregnant best friend Sanjana’s father is found dead in his study. Everyone says it’s suicide. And yet, just hours before, he was telling Sanjana that he couldn’t wait to hold his grandchild in his arms. Something feels off to Radhi. Her suspicions are further raised by the surly cook and timid young maid’s odd behaviour. And who did the second cup of tea on his desk belong to? Radhi is determined to uncover the truth. But the deeper she digs beneath the diamond-studded prayer meetings and the lavishly catered ‘pure-veg’ brunches, the faster she finds herself drawn into a web of festering grievances, hidden agendas and long-buried secrets. As the intense Indian summer draws to an end and the monsoon sets in, Radhi risks everything to find out the truth"--
From NPR editor Krishnadev Calamur comes an engrossing murder mystery set in the heart of the new India. Mumbai, India: a city of beauty and squalor, old and new, wealth and poverty, honest work and deep corruption… and inevitable target of scandal and condemnation if Inspector Vijay Gaikwad doesn’t solve the murder of American businesswoman Liz Barton, and quickly. Just as invested is newspaper reporter Jay Ganesh, looking for the one big story to repair his once-prestigious reputation. Both men soon discover, however, that the case is as difficult to navigate as Mumbai’s infamous traffic. From her cheating husband to the billionaire industrialist with whom she was “close”; from her jealous colleague to the environmentalist protesting her company, Barton was not short on potential enemies… and nor are they short on lies. But the pressure is on for Gaikwad, the family man trying to do right on an often unscrupulous force, to place the blame on someone, anyone, and Jay is determined to be the first with the scoop—no matter how deadly.
A legally-minded sleuth takes to the streets of 1920s Bombay in a fascinating new mystery.
Following the Bombay Communal Riots of 1992 which saw neighbour pitched against neighbour in fierce bouts of internecine violence, came the retaliatory bomb blasts of 1993 and the name change to Mumbai in 1995. Mumbai Noir captures the essence of a city dominated by wealth and the lack of it, where the shadowy aspects of life are never far from the ordinary person. Psychopath Romeos stalk ordinary women, men flirt with death in dance bars and families fall through the cracks of communal living in this phenomenal collection of noir literature.
Three years ago, the brutal killing of a young TV producer called Neeraj Grover sent shockwaves through Mumbai. An alluring aspiring actress, Maria Susairaj, and her dashing naval officer boyfriend, Emile Jerome, were accused of killing him and hacking his body into pieces, before setting it on fire. The cast of characters was young, attractive, and upwardly mobile, the press hungry for a headline. As details of the case unravelled, the questions flew around—what had gone wrong? What made these young professionals turn to violent crime? Was it the savage pressure of the city, or was the motive even darker? This book will shock and inspire a much needed change in perception of celebrity culture and Bollywood. It’s about so much more than a contested killing case and will be a talking point for years to come.
Bombay’s first female lawyer, Perveen Mistry, is compelled to bring justice to the family of a murdered female Parsi student just as Bombay’s streets erupt in riots to protest British colonial rule. Sujata Massey is back with this third installment to the Agatha and Mary Higgins Clark Award-winning series set in 1920s Bombay. November 1921. Edward VIII, Prince of Wales and future ruler of India, is arriving in Bombay to begin a fourmonth tour. The Indian subcontinent is chafing under British rule, and Bombay solicitor Perveen Mistry isn’t surprised when local unrest over the royal arrival spirals into riots. But she’s horrified by the death of Freny Cuttingmaster, an eighteen-year-old female Parsi student, who falls from a second-floor gallery just as the prince’s grand procession is passing by her college. Freny had come for a legal consultation just days before her death, and what she confided makes Perveen suspicious that her death was not an accident. Feeling guilty for failing to have helped Freny in life, Perveen steps forward to assist Freny’s family in the fraught dealings of the coroner’s inquest. When Freny’s death appears suspicious, Perveen knows she can’t rest until she sees justice done. But Bombay is erupting: as armed British secret service march the streets, rioters attack anyone with perceived British connections, and desperate shopkeepers destroy their own wares so they will not be targets of racial violence. Can Perveen help a suffering family when her own is in danger?
Death in Colaba Bay is a thrilling tale of Victorian Bombay, a city where dreams are realized, and nightmares are lived. BOMBAY 1898. In the bustling and modern port city of Bombay-home to great wealth and great deprivation-crime is ever present. Three young girls go missing from a prominent 'native' school in the city. Their families are frantic with worry. Tara Bai, a young widow and heiress, with strong social connections, is an alumnus of the school. Intrigued and alarmed by the case, at the behest of the school founder and principal, she agrees to help the grieving parents.
Selected by the Sunday Times as one of the 40 best crime novels published 2015-2020 Mumbai, murder and a baby elephant combine in a charming, joyful mystery for fans of Alexander McCall Smith and Rachel Joyce. On the day he retires, Inspector Ashwin Chopra discovers that he has inherited an elephant: an unlikely gift that could not be more inconvenient. For Chopra has one last case to solve... But as his murder investigation leads him across Mumbai - from its richest mansions to its murky underworld - he quickly discovers that a baby elephant may be exactly what an honest man needs. So begins the start of a quite unexpected partnership, and an utterly delightful series from the award-winning author of the Malabar House novels.
As a private detective in Calcutta she had impressed maverick security expert Shayak Gupta with her sleuthing skills, leading to a new job with his firm Titanium. Now in Mumbai, Reema is given the case of the year - the murder of Ashutosh Dhingre, former assistant to fading Bollywood superstar Kimaaya Kapoor. The location of the crime is Kimaaya's private island. The suspects - her house guests, and Kimaaya herself! Reema learns of Kimaaya's prior relationship with Shayak, and can't help but think it is a conflict of interest. Equally puzzling is Shayak's repeated absence. And what of the continuing attraction simmering between her and her secretive boss? Despite the state-of-the-art facilities at Titanium, Reema is soon back to her own devices - which sometimes involves cooking up something for a spot of culinary meditation - to get to the bottom of a crime that points to a deep and sinister plot. As the body count increases, can Reema crack the case before more blood is spilled?