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Discovers how the Bible was represented in cinema from the beginnings up until the end of the 'silent' era.
Every woman has met a Samson in her life. Some women have fallen in love with them. Many are married to them. As husbands or lovers they don't make the best partners-not if you think you should be an equal partner in the relationship.
The child has existed in cinema since the Lumière Brothers filmed their babies having messy meals in Lyons, but it is only quite recently that scholars have paid serious attention to her/his presence on screen. Scholarly discussion is now of the highest quality and of interest to anyone concerned not only with the extent to which adult cultural conversations invoke the figure of the child, but also to those interested in exploring how film cultures can shift questions of agency and experience in relation to subjectivity. Childhood and Nation in World Cinema recognizes that the range of films and scholarship is now sufficiently extensive to invoke the world cinema mantra of pluri-vocal and pluri-central attention and interpretation. At the same time, the importance of the child in figuring ideas of nationhood is an undiminished tic in adult cultural and social consciousness. Either the child on film provokes claims on the nation or the nation claims the child. Given the waning star of national film studies, and the widely held and serious concerns over the status of the nation as a meaningful cultural unit, the point here is not to assume some extraordinary pre-social geopolitical empathy of child and political entity. Rather, the present collection observes how and why and whether the cinematic child is indeed aligned to concepts of modern nationhood, to concerns of the State, and to geo-political organizational themes and precepts.
Vampire bachelor Samson can't get it up anymore. Not even his shrink can help him. That changes when the lovely mortal auditor Delilah tumbles into his arms after a seemingly random attack. Suddenly there's nothing wrong with his hydraulics - that is, as long as Delilah is the woman in his arms. His scruples about taking Delilah to bed vanish when his shrink suggests it's the only way to cure his problem. Thinking all he needs is one night with her, Samson indulges in a night of pleasure and passion. However, another attack on Delilah and a dead body later, and Samson has his hands full: not only with trying to hide the fact he's a vampire, but also with finding out what secrets Delilah harbors for somebody to want her harm. Scanguards Vampires Series: Book 1: Samson's Lovely Mortal Book 2: Amaury's Hellion Book 3: Gabriel's Mate Book 4: Yvette's Haven Book 5: Zane's Redemption Out of Olympus Series: Book 1: A Touch of Greek Book 2: A Scent of Greek Venice Vampyr Series: Book 1: Venice Vampyr Book 2: Venice Vampyr – Final Affair Book 3: Venice Vampyr – Sinful Treasure Bundle (Novellas 1 to 3): Venice Vampyr – The Beginning Other Books: Lawful Escort
Brill's New Pauly, Classical Tradition consists of five volumes (Classical Tradition, I-V) uniquely concerned with the long and influential aftermath of antiquity and the process of continuous reinterpretation and revaluation of the ancient heritage, including the history of classical scholarship.