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An important new examination of Islamic themes in the art of Albrecht Dürer Albrecht Dürer’s depictions of Muslim figures and subjects are considered by many to be among his most perplexing images. This confusion arises from the assumption that the artist and his northern European contemporaries regarded the Muslim Levant as an exotic faraway land inhabited by hostile adversaries, not a region of neighboring empires affiliated through political and mercantile networks. Susan Dackerman casts Dürer’s art in an entirely new light, focusing on prints that portray cooperation between the Muslim and Christian worlds rather than conflict and war, enabling us to better understand early modern Europe through its visual culture. In this beautifully illustrated book, Dackerman provides new readings of three of the artist’s most enigmatic print projects—Sea Monster, Knots, and Landscape with Cannon—situating them within historical contexts that reflect productive collaborations between Christendom and Islam, from the artistic and commercial to the ideological and political. Dackerman notes how Gutenberg’s development of printing shares an inextricable relationship to the 1453 Ottoman siege of Constantinople. While Gutenberg’s workshop produced a call to crusade and other publications antagonistic to the Muslim East, Dürer’s prints, she shows, instead emphasize instances of affiliation between Christendom and Islam. A breathtaking work of scholarship, Dürer’s Knots shows how the artist’s prints of Muslim subjects give expression to the interconnectedness of Christian Europe and the Islamic East.
This first volume of The Cambridge History of the First World War provides a comprehensive account of the war's military history. An international team of leading historians charts how a war made possible by globalization and imperial expansion unfolded into catastrophe, growing year by year in scale and destructive power far beyond that which anyone had anticipated in 1914. Adopting a global perspective, the volume analyses the spatial impact of the war and the subsequent ripple effects that occurred both regionally and across the world. It explores how imperial powers devoted vast reserves of manpower and material to their war efforts and how, by doing so, they changed the political landscape of the world order. It also charts the moral, political and legal implications of the changing character of war and, in particular, the collapse of the distinction between civilian and military targets.
Which dessert is named after the heroic third-century Queen Zenobia of Palmyra? Which luscious rice pudding shares its name with the eighth-century Abbasid Caliph al-Ma'mun? How does one make the perfect Baqlawah? Blending cookery with culture and recipes with history, this is the fascinating and delectable story of traditional Arab sweets. The authors here take us on a culinary journey across Iraq, Syria, Egypt and al-Andalus, presenting readers with clear and easy-to-recreate recipes from across the medieval Arab world. Filling the tables of caliphs and noblemen, these sumptuous desserts of saffron and rose water conjure the opulence and grandeur of the medieval Islamic world. Bringing together tenth- to fourteenth-century Arabic texts, the authors retrace the history of these sweet dishes, reviving the original recipes and following their development and influence over the centuries into non-Arabic speaking lands. Honey, dates, figs and pomegranates are just a few ingredients featured in this exquisite selection of mouth-watering desserts which have been modernised for cooks to try at home, all woven together with medieval poems and stories. From delicious pastries, filled with pistachios and fragrant syrups, to luscious puddings, biscuits, and pies, it is the ideal addition to any kitchen. A unique insight into Middle Eastern culinary history, this book is a must-have for anyone with a sweet tooth.
Fresh from success in sinking the Albermarle in the Civil War, the young Captain Cushing was assigned to command the gunboat USS Maumee in Hong Kong to aid the restoration of America's naval power in Asia. By linking such aims to British policy, and by courting Chinese and Japanese officials, he succeeded in re-establishing American naval and commercial power in the Far East. In his letters to his fiancee, he brilliantly recorded his travels and observations of people and places (and the difficulties of reconciling his naval career with his devotion to her, whom he married in 1870).
A major new history of Brooklyn, told through its landscapes, buildings, and the people who made them, from the early 17th century to today.
This book traces the story of East Asia from the dawn of history to the present.
No period of British history generates such deep interest as the reign of Elizabeth I, from 1558 to 1603. The individuals and events of that era continue to be popular topics for contemporary literature and film, and Elizabethan drama, poetry, and music are studied and enjoyed everywhere by students, scholars, and the general public. The Historical Dictionary of the Elizabeth World provides clear definitions and descriptions of people, events, institutions, ideas, and terminology relating in some significant way to the Elizabethan period. The first dictionary of history to focus exclusively on the reign of Elizabeth I, the Dictionary is also the first to take a broad trans-Atlantic approach to the period by including relevant individuals and terms from Irish, Scottish, Welsh, American, and Western European history. Editors' Choice: Reference