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Including works from Welsh, Irish and Scottish Gaelic, Cornish, Breton and Manx, this Celtic Miscellany offers a rich blend of poetry and prose from the eighth to the nineteenth century, and provides a unique insight into the minds and literature of the Celtic people. It is a literature dominated by a deep sense of wonder, wild inventiveness and a profound sense of the uncanny, in which the natural world and the power of the individual spirit are celebrated with astonishing imaginative force. Skifully arranged by theme, from the hero-tales of Cú Chulainn, Bardic poetry and elegies, to the sensitive and intimate writings of early Celtic Christianity, this anthology provides a fascinating insight into a deeply creative literary tradition.
Karen Halttunen draws a vivid picture of the social and cultural development of the upwardly mobile middle class, basing her study on a survey of the conduct manuals and fashion magazines of mid-nineteenth-century America. "An ingenious book: original, inventive, resourceful, and exciting. ... This book adds immeasurably to the current work on sentimental culture and American cultural history and brings to its task an inquisitive, fresh, and intelligent perspective. ... Essential reading for historians, literary critics, feminists, and cultural commentators who wish to study mid-nineteenth-century American culture and its relation to contemporary values."--Dianne F. Sadoff, American Quarterly "A compelling and beautifully developed study. ... Halttunen provides us with a subtle book that gently unfolds from her mastery of the subject and intelligent prose."--Paula S. Fass, Journal of Social History "Halttunen has done her homework--the research has been tremendous, the notes and bibliography are impressive, and the text is peppered with hundreds of quotes--and gives some real insight into an area of American culture and history where we might have never bothered to look."--John Hopkins, Times Literary Supplement "The kind of imaginative history that opens up new questions, that challenges conventional historical understanding, and demonstrates how provocative and exciting cultural history can be."--William R. Leach, The New England Quarterly "A stunning contribution to American cultural history."--Alan Trachtenberg
The 1920s and 1930s saw the rise of the city symphony, an experimental film form that presented the city as protagonist instead of mere decor. Combining experimental, documentary, and narrative practices, these films were marked by a high level of abstraction reminiscent of high-modernist experiments in painting and photography. Moreover, interwar city symphonies presented a highly fragmented, oftentimes kaleidoscopic sense of modern life, and they organized their urban-industrial images through rhythmic and associative montage that evoke musical structures. In this comprehensive volume, contributors consider the full 80 film corpus, from Manhatta and Berlin: Die Sinfonie der Grosstadt to lesser-known cinematic explorations.
The core of Mormon belief was a conviction about actual events. The test of faith was not adherence to a certain confession of faith but belief that Christ was resurrected, that Joseph Smith saw God, that the Book of Mormon was true history, and tht Peter, James, and John restored the apostleship. Mormonism was history, not philosophy. It is as history that Richard L. Bushman analyzes the emergence of Mormonism in the early nineteenth century. Bushman, however, brings to his study a unique set of credentials - he is both a prize-winning historian and a faithful member of the Latter-day Saints church. For Mormons and non-Mormons alike, then, his book provides a very special perspective on an endlessly fascinating subject. Building upon previous accounts and incorporating recently discovered contemporary sources, Bushman focuses on the first twenty-five years of Joseph Smith's life - up to his move to Kirtland, Ohio, in 1831. Bushman shows how the rural Yankee culture of New England and New York - especially evangelical revivalism, Christian rationalism, and folk magic - both influenced and hindered the formation of Smith's new religion. Mormonism, Bushman argues, must be seen not only as the product of this culture, but also as an independent creation based on the revelations of its charismatic leader. In the final analysis, it was Smith's ability to breathe new life into the ancient sacred stories and to make a sacred story out of his own life which accounted for his own extraordinary influence. By presenting Smith and his revelations as they were viewed by the early Mormons themselves, Bushman leads us to a deeper understanding of their faith.''A brilliant piece of research and writing by one of America's top historians. It is written with style and felicity, and it deals with all the difficult topics that must be probed in describing and interpreting the controversial early history of Mormonism. It is simply an outstanding work.''--Leonard J. Arrington, co-author of The Mormon Experience: A History of the Latter-day Saints''A brilliant piece of research and writing by one of America's top historians. It is written with style and felicity, and it deals with all the difficult topics that must be probed in describing and interpreting the controversial early history of Mormonism. It is simply an outstanding work.''--Leonard J. Arrington, co-author of The Mormon Experience: A History of the Latter-day Saints
"The foundations of modern knowledge--philosophy, math, astronomy, geography--were laid by the Greeks, whose ideas were written on scrolls and stored in libraries across the Mediterranean and beyond. But as the vast Roman Empire disintegrated, so did appreciation of these precious texts. Christianity cast a shadow over so-called pagan thought, books were burned, and the library of Alexandria, the greatest repository of classical knowledge, was destroyed. Yet some texts did survive and The Map of Knowledge explores the role played by seven cities around the Mediterranean--rare centers of knowledge in a dark world, where scholars supported by enlightened heads of state collected, translated and shared manuscripts. In 8th century Baghdad, Arab discoveries augmented Greek learning. Exchange within the thriving Muslim world brought that knowledge to Cordoba, Spain. Toledo became a famous center of translation from Arabic into Latin, a portal through which Greek and Arab ideas reached Western Europe. Salerno, on the Italian coast, was the great center of medical studies, and Sicily, ancient colony of the Greeks, was one of the few places in the West to retain contact with Greek culture and language. Scholars in these cities helped classical ideas make their way to Venice in the 15th century, where printers thrived and the Renaissance took root. The Map of Knowledge follows three key texts--Euclid's Elements, Ptolemy's The Almagest, and Galen's writings on medicine--on a perilous journey driven by insatiable curiosity about the world"--Pages [2-3] of cover.
G.K. Chesterton was a master essayist. But reading his essays is not just an exercise in studying a literary form at its finest, it is an encounter with timeless truths that jump off the page as fresh and powerful as the day they were written. The only problem with Chesterton's essays is that there are too many of them. Over five thousand! For most GKC readers it is not even possible to know where to start or how to begin to approach them. So three of the world's leading authorities on Chesterton - Dale Ahlquist, Joseph Pearce, Aidan Mackey - have joined together to select the "best" Chesterton essays, a collection that will be appreciated by both the newcomer and the seasoned student of this great 20th century man of letters. The variety of topics are astounding: barbarians, architects, mystics, ghosts, fireworks, rain, juries, gargoyles and much more. Plus a look at Shakespeare, Dickens, Jane Austen, George MacDonald, T.S. Eliot, and the Bible. All in that inimitable, formidable but always quotable style of GKC. Even more astounding than the variety is the continuity of Chesterton's thought that ties everything together. A veritable feast for the mind and heart. While some of the essays in this volume may be familiar, many of them are collected here for the first time, making their first appearance in over a century.
This book situates the medieval manuscript within its cultural contexts, with chapters by experts in bibliographical and theoretical approaches to manuscript study.