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One Day, her biggest question is whether Waleed still loves her. The next day, her biggest question is whether he's alive or dead. One day, his biggest problem is that Sireen lied to him. The next day, his biggest problem is that she is trapped in a killing field. A Melody of Tears: Sorrows of Syria is a tale of love and genocide as seen through the eyes of a young couple pushed to the forefront of a battle against the bloody regime in Syria. It takes you on a journey of pain and endurance, based on the real stories of some Syrians who survived, some who did not, and many whose destines are yet to be determined.
River of Tears is the first ethnography of Brazilian country music, one of the most popular genres in Brazil yet least-known outside it. Beginning in the mid-1980s, commercial musical duos practicing música sertaneja reached beyond their home in Brazil’s central-southern region to become national bestsellers. Rodeo events revolving around country music came to rival soccer matches in attendance. A revival of folkloric rural music called música caipira, heralded as música sertaneja’s ancestor, also took shape. And all the while, large numbers of Brazilians in the central-south were moving to cities, using music to support the claim that their Brazil was first and foremost a rural nation. Since 1998, Alexander Sebastian Dent has analyzed rural music in the state of São Paulo, interviewing and spending time with listeners, musicians, songwriters, journalists, record-company owners, and radio hosts. Dent not only describes the production and reception of this music, he also explains why the genre experienced such tremendous growth as Brazil transitioned from an era of dictatorship to a period of intense neoliberal reform. Dent argues that rural genres reflect a widespread anxiety that change has been too radical and has come too fast. In defining their music as rural, Brazil’s country musicians—whose work circulates largely in cities—are criticizing an increasingly inescapable urban life characterized by suppressed emotions and an inattentiveness to the past. Their performances evoke a river of tears flowing through a landscape of loss—of love, of life in the countryside, and of man’s connections to the natural world.
This Will End in Tears is the first ever and definitive guide to melancholy music. Author Adam Brent Houghtaling leads music fans across genres, beyond the enclaves of emo and mope-rock, and through time to celebrate the albums and artists that make up the miserabilist landscape. In essence a book about the saddest songs ever sung, This Will End in Tears is an encyclopedic guide to the masters of melancholy—from Robert Johnson to Radiohead, from Edith Piaf to Joy Division, from Patsy Cline to The Cure—an insightful, exceedingly engaging exploration into why sad songs make us so happy.
"Zara, the suicide-prone protagonist of ambiguous gender, is raised as a son by her father. She has never been able to cry and so when she meets Zaid, a former college-mate, she is immediately curious because of the tear she sees streaming down his face. Thus begins a quest to understand this wondrous facility of easy tears. Her search for answers leads her to a crumbling mansion where she encounters Waris, an ailing repository of ideals and wisdom who moonlights as a children's mystery writer, and Sheila and her brood who live behind the mansion, treating poverty as their religion. Here with Waris as her guide and mentor she unravels the spool of Zaid's humanity to resolve the befuddling mystery of his tears, and in the process reaches deep into the heart of her own dilemma as well."--Page 4 of cover.
How does music reflect the key moments in our lives? How do we choose the works that inspire, delight, comfort or console? Fiona Maddocks selects 100 classical works from across nine centuries, arguing passionately, persuasively and at times obstinately for their inclusion, putting each work in its cultural and musical context, discussing omissions, suggesting alternatives and always putting the music first.
Some of the great literary works such as the Bible and Indian epics, among others, provide society with the guiding principles of life. Works by poets have always entertained their readers and will continue to do so. The Lord of the Rings, The Godfather, A Tale of Two Cities, Harry Potter, and James Bond have been among the best-selling books of all time for many generations. While some literary and poetic works carry life lessons, many others make us think. Some works are known for the sheer entertainment they provide, while others intrigue. Many works of literature establish a strong connection with their audience through the stories they tell or the message they convey. Readers tend to associate themselves with the emotions described in these works and participate emotionally. Literature therefore has a profound impact on the minds of readers and, in turn, on their lives! A Melody Called Africa reminds the human society that strong and integrated works of literature and art can improve our lives and answer the big weary questions of the mankind.
Melody Logan knew her beautiful mother, Haille, was unhappy in their blue-collar mining town, but with her father's unwavering love, Melody always felt safe - until a terrible mining accident ripped her from her family's moorings. Still devastated by her father's death, Melody leaves West Virginia with her mother to follow Haille's dreams of becoming a model or actress. But first they make a stopover in Cape Cod to visit Melody's father's family for the first time. Melody knows only that her grandparents disowned her father when he married her mother - but now, moments after Melody first sets eyes on her dour, Bible-spouting Uncle Jacob, nervous Aunt Sara, and her cousins, handsome Cary, whose twin sister Laura has been killed in a sailing accident, and sweet, deaf little May, Haille announces that Melody is going to live with them. Sleeping in her dead cousin Laura's room, Melody knows nothing of the dark deceptions that are soon to surface, the sad, shocking truth about her parents - and the devastating betrayals that she is about to face.
The most readable and comprehensive guide to enjoying over five hundred years of classical music -- from Gregorian chants, Johann Sebastian Bach, and Wolfgang Amadeus Mozart to Johannes Brahms, Igor Stravinsky, John Cage, and beyond. The Vintage Guide to Classical Music is a lively -- and opinionated -- musical history and an insider's key to the personalities, epochs, and genres of the Western classical tradition. Among its features: -- chronologically arranged essays on nearly 100 composers, from Guillaume de Machaut (ca. 1300-1377) to Aaron Copland (1900-1990), that combine biography with detailed analyses of the major works while assessing their role in the social, cultural, and political climate of their times; -- informative sidebars that clarify broader topics such as melody, polyphony, atonality, and the impact of the early-music movement; -- a glossary of musical terms, from a cappella to woodwinds; -- a step-by-step guide to building a great classical music library. Written with wit and a clarity that both musical experts and beginners can appreciate, The Vintage Guide to Classical Music is an invaluable source-book for music lovers everywhere.
Book 1 of a four-part series (paperback)
"A grieving mother must decide what boundaries she's willing to cross for true love when she takes in her dead daughter's young boyfriend, a struggling street musician, and finds herself falling for him."--P. [4] of cover.